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Natalie Meyers'Hidden Heart and Astophil's Astohpil and Stella
Longing to bleed my love into words that stain his heart,
That in my wound he take, delight that has no wear:
Delight may light a fire, of burning thoughts to start,
To fan the flame of pity, would help to spark his care,
Desperate to show my sorrow with words equal to art.
Searching round the depths for lucid language, fair,
The force behind my mind locked round a solid part.
Some spry ideas seeped, through my reason with a tear,
But whisked into a wind, that twirled them in a haze,
And dizzy fog that blurs my head into a stare,
Becomes a source of strength to break my callous gaze.
Frustration takes a dive, and offers me a dare,
A new voice (not my own), calls me from within,
Write with your heart not head; and now I can begin.
The Spirit to Scribe
The desire to express one’s feelings can be a complicated and stressful task. In the free imitation poem, "Hidden Heart," by Natalie Meyers, a young woman expresses the frustration she experiences when trying to write her loved one. Likewise, the first sequence of Sir Philip Sydney’s sonnet, "Astrophil and Stella," explores one man’s struggle to write from his heart and eliminate the yearning to select the perfect words for a letter written to his love, Stella. Both Astrophil and Meyers are distraught over what to say and how to say it. Since "Hidden Heart" is an imitation of Sydney’s sonnet, several parallels can be drawn between their common theme, word choice, and form. The "Hidden Hearts" theme of free expression, its diction, and structure, must be compared and contrasted with intertextual references from "Astrophil and Stella," in order to effectively analyze it.
Throughout the poem, Natalie ...
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...each a resolution by the end of the poem. Both meter and rhyme are very essential in building a solid, yet fluid structure to each poem.
"Hidden Heart" mirrors "Astrophil and Stella" in many ways, but contains several unique qualities as well. Natalie’s account was based on personal experience, where Astrophil is a character creation of Sir Philip Sydney. The similarities and differences of the theme, diction, and structure helped enrich both poems without cheapening them. Overall, both stressed the importance of writing with one’s heart to convey true emotion instead of agonizing over the literary quality of a personal letter. Also, the stylistic aspects of each poem carefully wove in a tone that contributed to their personality. With all of these attributes combine, Natalie and Sydney demonstrate the value found in linking two poems together through imitation.
Rhyme-The last words of line one and line three of each stanza rhyme. The last words of line two and line four of each stanza also rhyme. The rhyming words contribute to the rhythm and flow of the poem.
In poetry, three things are used to help the reader understand the poem better. These things are syntax, imagery, and connotation.
Love. Love is generous, boundless and is one of the greatest gifts one can obtain from God, however when in love anything can transpire. And that is exactly how the poets Mariam Waddington’s, “Thou Didst Say Me” and Alfred Tennyson’s, “Now Sleeps the Crimson Petal” navigate their poems. Both offering conflicting sentiments toward love relations to the table and ultimately delivering a unique testimony about the subject of, love.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
In Sir Philip Sidney’s sonnet, ‘Thou Blind Man’s Mark,’ he has a philosophy of desire that one might find to be filled with complexities. To convey this complex philosophy, Sidney employs a variety of poetic devices such as apostrophe, personification, metaphors, anaphora, and a paradox.
Shelley, Mary. Frankenstein Or, The Modern Prometheus. New York: New American Library, 1963. Print. 24 Apr. 2014.
Each stanza is composed of words that present a logical flow of growth through the entire poem. The words in the poem do not rhyme and the lines are different lengths.
According to the Bureau of Justice Statistics, in the year 1980 we had approximately 501,900 persons incarcerated across the United States. By the year 2000, that figure has jumped to over 2,014,000 prisoners. The current level of incarceration represents the continuation of a 25-year escalation of the nation's prison and jail population beginning in 1973. Currently the U.S. rate of 672 per 100,000 is second only to Russia, and represents a level of incarceration that is 6-10 times that of most industrialized nations. The rise in prison population in recent years is particularly remarkable given that crime rates have been falling nationally since 1992. With less crime, one might assume that fewer people would be sentenced to prison. This trend has been overridden by the increasing impact of lengthy mandatory sentencing policies.
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
In any discussion of poetry vs. prose worth it's stanzas, questions regarding such tools as meter, rhyme, and format must come into play. These are, after all, the most obvious distinguishing features of poetry, and they must certainly be key in determining the definition, and in fact nature, of poetry.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
Authors use poetry to creatively present attitudes and opinions. “A Man’s Requirements,” by Elizabeth Barrett Browning, and “A Letter to Her Husband, Absent upon Public Employment” are two poems with distinct attitudes about love that contain different literary approaches. In both of the poems, love is addressed from a different perspective, producing the difference in expectation and presentation, but both suggest the women are subservient in the relationships.
On the surface Philip Sidney’s “Astrophil and Stella” is a poem about courting a young woman. It is a common assumption and an easily justified one. The title presumes as much as the “star lover” clings to hopes of attaining the “star”. Astrophil attempts to win the heart of Stella through his poetry. Although he is not short of emotion he is in search of adequate words. The true purpose of the poem reveals itself at the end, “look in thy heart, and write” (Sidney Line 14). This sonnet is about the courting of a lover, but it is more importantly the story of numerous writers throughout time. Sidney is portraying the writer with writer’s block and the method to subjugate this voluminous evil. Every writer, at one time or another develops a case of writer’s block. A period in which it becomes difficult to express your thoughts or ideas on paper with the qualities the writer desires. Astrophil and Stella is a metaphor for the relationship between a writer and his audience, a writer and his work, a writer at battle with writer’s block.
Although there is always a reason someone is placed behind bars, sometimes there are the ones who do not have a reason. However, not only are these rates astounding and troubling to the economy, but they are also affecting the prisons themselves by overcrowding. For example, a jail in Florida is capable of holding about one hundred and fifty inmates, but is currently housing close to two hundred and thirty. Overcrowding got so bad in California that the Supreme Court ruled in “cruel and unusual punishment” not long ago. Proven programming and treatment is a more appropriate response to certain offenses. One solution to this is to send fewer people to prison for drug charges, or at least reduce the time they are required to serve. Another suggestion would be to require offenders to serve seventy percent of their sentence instead of the eighty five percent the “truth-in-sentencing” states. A major fix would be to send foreign offenders back to their home countries. Studies have shown that by these tragedies the federal government could save billions and stop endangering the lives of inmates and correction officers due to
Climate change is a controversial subject that needs further investigation to conclusively prove to others that a problem exists. Even those trying to prove climate change will admit there are multiple variables that can affect the planet’s climate and many of those are not man-made.