The novel Nadja was written by Surrealist, Andre Breton. The original text of Nadja was written in French and published in 1928. Breton’s writing in Nadja serves to illustrate the primary concepts of surrealism: investigation of the unconscious self, automatism, and chance combined with the use of disjunctive metaphors and unrelated comparisons. (Licka) The story covers a ten day period in which the main character Andre meets a women named Nadja.
The story of Nadja is about unconscious relationships, including Breton’s relationship with his own subconscious. The main character is assumed to be based largely auto-biographically on Breton and on his own unconscious self discovery that he sought through surrealism. From the first line “Who am I ? If this once I were to rely on a proverb, then perhaps everything would amount to knowing who I “haunt.” sets the scene for Andre to define himself. (1) From that opening question until the introduction of Nadja, Breton fills the sixty-four pages with random introspection before her arrival ; “I must have ceased to be in order to be who I am.” (1)
He writes of releasing the learned behavior of daily life to move the truth of the chaotic moments that comprise a daily existence. Much of Breton lament is expressed as a inability to progress, “I am doomed to retrace my steps under the illusion that I am exploring, doomed to try and learn a mere fraction of what I have forgotten.” (12) The frustration Breton feels is evident in his writing.
He tells the reader early on in the novel of his break of linear thinking “I shall discuss these things without pre-established order, according to the mood of the moment” (23) Additionally, there is an underlying tone of disapproval or normative behavi...
... middle of paper ...
...He wishes that they could reconnect. Nadja is in the end committed to an sanitarium. The end of the novel is full of lament for Nadja falling victim to this type of internment, “Unless you have been inside a sanitarium you do not know that madmen are made there.” (139) It is clear that Breton believes that nothing positive comes from institutions considering them more of a danger to sanity, than a cure.
What should be taken from Nadja is not the story it’s self but Breton’s intent in the act of writing the novel. Nadja is a tale about chance meetings and observations, with Breton’s His intent expresses more than what could be gained in a few quick quips and conventional story telling. Breton tells the reader of a “dream about someone resembles that person in reality.” (15)
Breton, André. Nadja. New York: Grove Press ;, 1960. Print.
“From Lieutenant Nun,” a memoir written by doña Catalina de Erauso, tells an intriguing story of a young Spanish female and her advantageous journey through Spain and the New World. Her family intends for her to become a nun but, that is not the life she seeks for herself. Therefore, she breaks away from the convent in hopes of finding somewhere to make her fortune by passing as a male. Catalina’s story is noteworthy because it gives readers another perspective of exploration focusing on self-discovery during the seventeenth century emphasizing how passing as a male is the only thing that secured her ability to explore. In the memoir, Catalina repeatedly reminisces about clothing and, whether she consciously or unconsciously does so, she allows the reader to see that this is an important aspect of her exploration. Throughout Catalina’s journey, clothing plays an increasingly important role not only in her travels but, also her personal life because it symbolized ones status, role, gender and privileges.
During the summer, I read a novel entitled Nilda written by Nicholasa Mohr. I found the novel interesting and different from ordinary novels because Nilda had a different style of writing, a journal-like style. The story is mainly about the life a young Puerto Rican girl named Nilda during the years of World War II. Nilda goes through numerous experiences that are both good and catastrophic. From camp to miracles and new friends to losing loved ones, Nilda is a novel of surprises waiting to be uncovered.
In The Perfect Storm by Sebastian Junger, and The Story of Edgar Sawtelle by David Wroblewski, the respective authors address contrasting themes. The Perfect Storm, a work of nonfiction, explores the question of what happened to the crew of the Andrea Gail, a commercial deep sea fishing boat that sunk off the coast of New England in 1991. In contrast, The Story of Edgar Sawtelle, a novel, is about a young boy who suspects his uncle of killing his father. Accordingly, Wroblewski uses the literary features of plot, character and foreshadowing to express his theme of isolation; while Junger employs the literary features of nonfiction as well as those of fiction, such as anecdotes, description, and dramatic structure, to communicate his theme of
Typical stories of civil rights demonstrations by African Americans and civil rights workers in the south tell accounts of passive resistance and nonviolent protest. They tell accounts of African Americans being neglected and ignored in restaurants, verbally abused for being out of “their neighborhoods”, and beaten and arrested for speaking up or acting out against such grave injustices. They were further repressed by the fact that the police, prosecutors, judges, mayors, and even governors of southern areas not only turned a blind eye to newly enacted civil rights legislation but also actively participated in ensuring the continued suppression of African American acceptance. This complete segregation from society and lack of protection under the law naturally spawned groups of African Americans who decided that the only protection they were going to get was the protection they provided for themselves. They began to arm themselves, forming small bands that set out to protect civil rights demonstrators and retaliate against racist acts. One such group was the Deacons for Defense and Justice in Louisiana. In his book Crossing Border Street Peter Jan Honigsberg tells of his experiences with the Deacons while working as a civil rights worker in Louisiana. Becoming deeply immersed into African American culture Honigsberg learns what it means to be black and living in the south during the civil rights movement. Furthermore he reveals some of the motivations of white individuals who participated in the movement.
In the poem pride, Dahlia Ravikovitch uses many poetic devices. She uses an analogy for the poem as a whole, and a few metaphors inside it, such as, “the rock has an open wound.” Ravikovitch also uses personification multiple times, for example: “Years pass over them as they wait.” and, “the seaweed whips around, the sea bursts forth and rolls back--” Ravikovitch also uses inclusive language such as when she says: “I’m telling you,” and “I told you.” She uses these phrases to make the reader feel apart of the poem, and to draw the reader in. She also uses repetition, for example, repetition of the word years.
The novel is organized in an unusual manner that can make it seem unclear to the reader. Krakauer does not introduce the work as a whole, yet he pieces together the story through different chapters. McCandless’s journey is described out of chronological order, requiring the audience to pay careful attention in order to understand the events that unfold.
... read the letters that were sent to her by someone who signs them with a G. I believe that Nadja used these letters in order to make Breton sympathize her. It was just another part of her plan to drag Breton under her control and take advantage of him. She made Breton feel bad for her and that made it harder for him to separate. Although he might have said that they were of little interest to him, ridiculous, and dramatic on the other hand he did also say that they were tearful meaning he did feel for her, causing him to be sympathetic towards her, giving her another chance to attack.
" Two truths are told.but what is not" (line 137-152, Pg 27-29). We see him arguing with himself and feeling disgusted that he even thought that. That was interesting because we get the feeling that something out of the ordinary is coming up and our anticipation gets into the story straightaway.
Kate Chopin wrote the short story “The Storm” one of her most bold stories and did not even intention to publish it (Cutter 191). The two main characters in the story are Calixta and Alcee. They both used to be attracted to one another in previous years, but now they are both married to someone else. After Alcee arrives to Calixta’s house looking for shelter they are driven into a passionate moment. In the story “The Storm” the storm has a significant meaning; without it the affair of Calixta and Alcee performed would not have been as powerful as it was between them. “The Storm” has a great deal of symbolism throughout the story: the clouds, the use of color white, the storm relative to the affair, the after effects of the affair, Calixta, Bibi the son, and the husband Bobinot.
Throughout history writers have offered readers lessons through themes and often symbolized. In the story, “The Storm” by Kate Chopin is quite different from “The Girl” by Jamaica Kincaid; both have a different theme, symbol, throughout the stories. “The Storm” in Kate Chopin 's story can symbolize a number of different things: temporary, fleeting and quick action, and without consequences.
The first thing I noticed about Kate Chopin’s “The Storm,” is that it is utterly dripping with sexual imagery and symbolism. Our heroine, if you will, seems to be a woman with normally restrained passions and a well-defined sense of propriety, who finds herself in a situation that tears down her restraint and reveals the vixen within. I wonder if it was intentional that the name Calixta makes me think of Calypso – the nymph from Greek mythology. If half of the sexual symbolism I found in this story was intentional, Chopin was a genius. I was quite taken with the sexual imagery of the colors mentioned: white, and red. There is also mention a place called Assumption, while there’s nothing written on it in the bible, I believe it’s the popular opinion of those of Christian faiths, that Mary (Jesus’ mother) going to heaven was called “The Assumption.” Again, I cannot accept that as merely a happy coincidence, I believe its mention in the story was intentional. Finally, we have the storm, so central to the theme of the story that it was named for it. In this work, as well as others by Chopin, there is a recurring theme of infidelity, or women behaving in ways that society generally doesn’t accept, women behaving badly, if you will, I cannot help but wonder if Kate Chopin used her writing to express desires that she would not otherwise have expressed.
The student may find it useful to begin the paper with the following quote from the novel:
There is perhaps no greater joy in life than finding one’s soul mate. Once found, there is possibly no greater torment than being forced to live without them. This is the conflict that Paul faces from the moment he falls in love with Agnes. His devotion to the church and ultimately God are thrown into the cross hairs with the only possible outcome being one of agonizing humiliation. Grazia Deledda’s The Mother presents the classic dilemma of having to choose between what is morally right and being true to one’s own heart. Paul’s inability to choose one over the other consumes his life and everyone in it.
Love has many definitions and can be interpreted in many different ways. William Maxwell demonstrates this in his story “Love”. Maxwell opens up his story with a positive outlook on “Love” by saying, “Miss Vera Brown, she wrote on the blackboard, letter by letter in flawlessly oval palmer method. Our teacher for fifth grade. The name might as well have been graven in stone” (1). By the end of the story, the students “love” for their teachers no longer has a positive meaning, because of a turn in events that leads to a tragic ending. One could claim that throughout the story, Maxwell uses short descriptive sentences with added details that foreshadow the tragic ending.
Simone de Beauvoir, the author of the novel The Second Sex, was a writer and a philosopher as well as a political activist and feminist. She was born in 1908 in Paris, France to an upper-middle class family. Although as a child Beauvoir was extremely religious, mostly due to training from her mother as well as from her education, at the age of fourteen she decided that there was no God, and remained an atheist until she died. While attending her postgraduate school she met Jean Paul Sartre who encouraged her to write a book. In 1949 she wrote her most popular book, The Second Sex. This book would become a powerful guide for modern feminism. Before writing this book de Beauvoir did not believe herself to be a feminist. Originally she believed that “women were largely responsible for much of their own situation”. Eventually her views changed and she began to believe that people were in fact products of their upbringing. Simone de Beauvoir died in Paris in 1986 at the age of 78.