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Mysticism in D. H. Lawrence's A Fragment of Stained Glass
Mystical ideas about heaven, hell, angels, and the devil have been present in human lives for most of history. While some people simply take what is given to them without considering what else might be out there, others have faith in higher beings and need that support to survive. "A Fragment of Stained Glass" by D. H. Lawrence delves into the questionable beliefs of a mystical world outside our own material world. Lawrence develops these ideas by using a frame story that does not truly reveal itself to the reader until the end of the story. Understanding the underlying details that tie the frame story together is one of the hardest elements of the story to grasp. While the story may be confusing, using a frame story allows Lawrence to show the reader that mysticism lies within the eyes of the beholder.
The frame story describes an exchange between the narrator and the vicar of the town Beauvale in England. The narrator has come to learn about the book that the vicar is writing, which is a compilation of stories about the English people and their personal encounters with non-worldly beings. The vicar reads the narrator a story about monks who lived in Beauvale in the fifteenth century and their encounter with what they believe is a devil. The monks look up from praying in the church to find a devil prying away at their window. The narrator, however, does not dwell on this story; instead, he moves on to inquire about the book the vicar is writing. In moving past this initial story, Lawrence sets up the frame story, but the reader is left to wonder how the story of the monks will connect with the inner story. The vicar subsequently begins telling the narrato...
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...ld not have concluded that spirituality within the beholder affects the way in which individuals see the world. The need of these two groups of people to believe in a higher being or protector helped them to endure hardships; by showing these actions, Lawrence brings new light to the meaning behind faith.
Works Cited
Baim, Joseph. "Past and Present in D. H. Lawrence's 'A Fragment of Stained Glass.'" Studies in
Short Fiction. Newberry, South Carolina: The State Printing Co., 1971. 323-326.
Baker, P. G. "By the Help of Certain Notes: A Source for D. H. Lawrence's 'A Fragment of
Stained Glass.'" Studies in Short Fiction. Newberry, South Carolina: The R.L. Bryan
Company, 1980. 317-326.
Lawrence, D. H. "A Fragment of Stained Glass." The Complete Short Stories Volume 1. New
York: Viking Press, 1922. 187-196.
Chris Appy’s s American Reckoning is a book-length essay on the Vietnam War and how it changed the way Americans think of ourselves and our foreign policy. This is required reading for anyone interested in foreign policy and America’s place in the world, showing how events influence attitudes, which turn to influence events.
In Frank Beddors, “The Looking Glass Wars” a lot of things happen that are bad. There are lots of good things too. The story is about the “Myth” of Alice Liddell stepping through a looking glass into Wonderland. The topic of this essay is the Truth of the story. The purpose of this paper is how Loyal or devoted some people are to white imagination
Jeannette Wales, author of The Glass Castle, recalls in her memoir the most important parts of her life growing up as a child that got her where she is now. Her story begins in Arizona in a small house with her parents and three siblings. Her parents worked and didn’t do much as parents so she had to become very independent. Her parents and siblings were the highlights to most of her memory growing up. She is able to recall memories that most small children wouldn’t be able to recall with as much detail.
In the poem The Glass Jar we witness the heart-wrenching episode in a little boy’s life, where he is made to discover a distressing reality. Putting his faith first in a monstrance and then in his own mother, he finds himself being betrayed by both. With the many allusions to nature (for example the personification of the sun and references to animals and woods and so on) Gwen Harwood constructs a dynamic backdrop which allow the responder to dwell on the subtle shifts in the child’s personality. The setting is the terrain of nightmares and dreams, where conscious will is suppressed and the reigns are handed to the subconscious mind.
In Cathedral by Raymond Carver, the narrator faces the conflicts of only being able to look from a standard physical viewpoint versus seeing on a deeper more involved emotional level. The story reaches a crisis when the narrator closes his eyes and begins to draw a cathedral, relying only on his imagination to fill in the details, and letting himself be guided by Robert, a blind man. This causes him to see clearly for the first time in his life on a more profound scale, even though in reality he is not actually visibly seeing anything. Therefore, the overall work argues that the narrator succeeds at meeting his challenge. He becomes more complete as a human being, since he realizes that in order to understand and view the world, one does not
Prose , Francine. "The New York Times > Books > Sunday Book Review > 'The Glass Castle':Outrageous Misfortune." The New York Times. The New York Times Company, 13 Mar 2005. Web. 31 Jan 2011. .
The structural and technical features of the story point towards a religious epiphany. The title of the story, as well as its eventual subject, that of cathedrals, points inevitably towards divinity. Upon first approaching the story, without reading the first word of the first paragraph, one is already forced into thinking about a religious image. In addition, four of the story’s eleven pages (that amounts to one third of the tale) surround the subject of cathedrals.
Nothing symbolizes faith more than living everyday life and believing that all things are possible. When faith is executed, it brings out the best in people and the human spirit. It becomes a shelter from “the dust.” It was complicated to describe the human spirit how it powers our ability to forgive without also covering faith and hope. As mentioned before, they are all interconnected and cannot be separated.
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
The most striking aspect of Carver’s “Cathedral” is the fact that the story is written from the point of view of a man not initially involved in the set up of the story at all. The narrator relays to the reader stories he has learned from his wife about her past before relaying what is happening in the present. He tells her history as if he were speaking to himself in an interio...
Tennessee Williams’ play, “The Glass Menagerie”, depicts the life of an odd yet intriguing character: Laura. Because she is affected by a slight disability in her leg, she lacks the confidence as well as the desire to socialize with people outside her family. Refusing to be constrained to reality, she often escapes to her own world, which consists of her records and collection of glass animals. This glass menagerie holds a great deal of significance throughout the play (as the title implies) and is representative of several different aspects of Laura’s personality. Because the glass menagerie symbolizes more than one feature, its imagery can be considered both consistent and fluctuating.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
Although the whole play The Glass Menagerie is influential, the scene where Laura’s glass unicorn breaks is a focal point, and greatly affects the story as whole. It puts forth a major theme of the story, that society strives for conformity, and helps infuse this theme throughout the text. It helps the reader understand Laura’s character, and understand her changing viewpoint and feelings. This scene provides a strong basis for Williams to create a truly original drama.
describes the problem from the perspective of its proponent, "If God is perfectly loving, God must wish to abolish all evil; and if God is all-powerful, God must be able to abolish all evil. But evil exists; therefore God cannot be both omnipotent and perfectly loving."
Fairleigh Dickinson University is sandwiched between two wealthy towns, Morristown and Madison. But that doesn't mean that you have to settle for swedish fish and oreos--high quality, delicious treats don't have to cost as much as a college textbook.