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Photography as a career essay
Photojournalism and ethics
Photojournalism and ethics
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I began doing photography four years ago. I was looking around the internet and I saw a photography page and was at all their different posts and I said I wanna do this. I started with a point and shoot camera because it was more of a hobby than a passion at that point in my life. At first naturally I was not very good ill admit it but I was determined to get better because no one likes to be bad at what they enjoy. Although most of my photos were either off center, focused too close, too far away, I also cropped peoples heads out, and some just flat out bad. So I went out everyday after school and took pictures and then like my pictures my skills were starting to develop.
As my skills started to develop I found myself starting to develop, my whole perspective on life was changed, the way I looked at certain things, found the beauty in things others can’t, photography was a real eye opener for me. Once I realized I had promise I bought my first dslr camera, then I got to work, I asked for help advice from local photographers took what I could from them and put that into my style of photography. Now I was ready to go take pictures I asked friends to help me get certain shots as much as they didn’t want to.
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They find euphoria in different things like I do photography. I like photography because it’s an outlet for me when i’m depressed, angry, or happy this is why it appeals to me so much because I could be having the worst day ever and all I have to do is here that click of the shutter and i’m back. I like photography because it is different than writing a story, poem, or music the thing I find with writing is it’s easy to just use someone else's writing to cover yourself but the unique thing about photography is no one photo is the same it is impossible to
My mother once told me to take pictures during a family picnic. That was the day I discovered the art of photography. I found it fascinating how an image could be capable of sharing an entire story. What started out as a hobby, ended up becoming a life-long passion that has allowed me to develop into a more capable individual. When I saved up and bought my first camera, I read vast amounts of photography books and watched countless internet tutorials, in an attempt to teach myself how to become a good photographer. I would then use what I had learned and go outside, for hours at a time, and take pictures of the world around me. I even had the opportunity to practice commercial photography and graphic designing for various public events. These experiences have made a deep impact on my character. Growing up, I was reluctant to work with others, especially in school. Maybe because I was a natural introvert, I believed that in order for something to be done right, I had to complete it on my own and asking others for help was a sign of weakness. However, when complex situations arose during photo-shoots, I realized how lucky I was to be working and collaborating with talented individuals. By sharing the responsibility and by having confidence in my team, the quality of my work drastically improved, and in turn, I thrived in such an environment. It really was a surprise to me how photography has taught me the value of placing trust in others.
What led you into photography? Was it something you always been interested in or you stumble into it?
Strip Club by Kim Price-Glynn is an analysis of her 14 month ethnography at a strip club named The Lion’s Den. Kim Price-Glynn says she chose The Lion’s Den because of a connection with Angela, a student stripper and cocktail waitress at The Lion’s Den, who told Price-Glynn about an opening there. Angela also said she would give Price-Glynn a strong recommendation. Angela’s recommendation would be a very strong one because of her very good reputation at the Lion’s Den shown by having both titles of being “the club’s darling” and “Steve’s favorite”. So, Kim Price-Glynn had a pretty easy entrance into The Lion’s Den from her connection with Angela.
James P. Spradley (1979) described the insider approach to understanding culture as "a quiet revolution" among the social sciences (p. iii). Cultural anthropologists, however, have long emphasized the importance of the ethnographic method, an approach to understanding a different culture through participation, observation, the use of key informants, and interviews. Cultural anthropologists have employed the ethnographic method in an attempt to surmount several formidable cultural questions: How can one understand another's culture? How can culture be qualitatively and quantitatively assessed? What aspects of a culture make it unique and which connect it to other cultures? If ethnographies can provide answers to these difficult questions, then Spradley has correctly identified this method as revolutionary.
Street and documentary photography captures a subject or situation in a candid moment. The theme of the images can be broad. A portrait of a begging homeless child on a city street to a man walking his dog in an inner city park can remain under the umbrella of street and documentary photography as the photographer is capturing an honest reflection of that particular environment.
Whenever I turn on my camera and place it in front of my eye, I am instantly able to change my perspective. I had to learn how to protect myself from the frightening actions and negative words spewed from my father. I chose to use my photography and journalism as my coping mechanisms while not realizing until now, how much writing and photography saved my life and kept me sane. Every time that I boarded a plane headed to California for my visits, I cringed because I never knew what to expect and I feared the unknown and known but my camera was always constant. As I discovered my passion for writing and photography, it became more than just a stress reliever or a way to escape into a place far beyond the courts or my dad, it became my way of life. The recognition and validation of my gifts, talents, niche, and abilities came by way of opposition and obstacles that helped me to realize my worth, purpose, and capabilities. My experiences during my visits took away a sense of innocence and taught me to not rely on the validation of others; to know my self- worth. My father often belittled me and whenever I felt less than, I would pick up a pen and reflect or take a photo and I was then reminded of my capability, worth and
From a young age, I was very curious. Curiosity caused my mind to see everything from a different perspective than most. I saw what could be improved and how I could improve. For example, when it came to editing movies, I was always able to see what could how it could have been better or I questioned how they had created it. My curiosity led me to try many different activities throughout high school, such as film camps, stage managing for plays, yearbook, and even creating videos for Rochester High School’s awards day. Finally, my junior year, I decided it was time I made films of my own for competitions. I wanted to have something that I could call my own. When it came to the two films I did for contests, I was there throughout the whole process.
Embarking on a journey of anthropological fieldwork will undoubtedly include a plethora of setbacks. At its foundation, fieldwork requires developing rapport with the native people in order to gain access of genuine knowledge pertaining to the specific culture being studied. Subsequently, social communication between the researcher and the native people is a key component to the entire process; yet simultaneously it is a root of the many problems a researcher can encounter while in the field. It is no secret that the cultural background of the researcher can often highly contrast the culture he or she enters during fieldwork. This initial cultural adaptation one must undergo while doing anthropological fieldwork is what many in the realm describe as culture shock.
During my first month in graduate school at Harvard, I attended an afternoon tea service at one of the undergraduate dorms (or Houses, like in Harry Potter). I wouldn't have known about it on my own, but I was tagging along with another first year graduate student, who had also been an undergraduate there; the tea was at his old House. It was a beautiful event in the headmaster's living quarter, which was cozy and stuffed with antiques. Tiny white china cups neatly stacked on a linen covered wooden table with the headmaster presiding over it. All the attendees (except for me) were current or past house residents; in my memory, that afternoon they discussed literature, philosophy, and other topics that I felt unequal to contribute. My own undergraduate
To begin with, photography appeared to me as something entertaining a simple step in which one took a camera and simply shot a photograph of oneself or a friend. When I was handed my schedule for Mrs. Jones’s class, I felt as if this class had in store a special reward for me. As the days went by, Instead of being anxious of getting out of class I had a craving for additional time in the class. The class kept my eyes glued to the screen ...
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
Have you ever seen a painting or picture that captivates you and directly stirs up emotion within you? More than likely, you have. Usually, viewers merely observe the picture and enjoy the way it looks and how it makes them feel. But, have you ever asked yourself, “why?” What about the picture makes it pleasing to the viewer? With each strategy the photographer uses creates their own touch and passion that floods all over the picture. The emotional connection nearly goes unnoticed for when the picture is well photographed, the viewers experience the sensation in their subconscious. This is one of the most powerful tools that a photographer holds in their hands. If one can become a master of manipulating how the photo affects its viewers, the said photographer can potentially maneuver people’s minds and thoughts with one click of a button. The time spent with my mentor has opened up the door for me to tap into that power though the use of background, focus, shutter speed, angles, and most importantly, lighting. Even with all these techniques, the person behind the camera must remember that creativity must be at the forefront of all operations. Caleno (2014), when writing about the basics of capturing a beautiful moment in a picture commented, “If we want to be creative we must drop these pre-conceptions and start looking at things from a small child’s innocence.”
Prior to this course, I knew photography was a part of my every day life. After experiencing this course, I know I knew little about photography. Photography is definitely part of my life, but as I reflect on my sixteen-week progression, I realize that everyone can take a picture but “taking a photograph” as an art. My initial thoughts were that with smart phones we are all “photographers” sharing and it has become part of our visual culture, but not all photos deserve appreciation. Although I believed I had an eye for interesting things and liked to shoot pictures from angles or interesting features, I realized that knowing more about the functions and diversity a quality camera could provide was missing. Photography has been a vital part of my personal history and now will be a bigger part of my life as I am armed with knowledge and experience with angles, lighting, settings and Photoshop so the memories I capture will have a stronger purpose. Point and shoot has transitioned into a passion for finding interest in a subject and utilizing my knowledge to create artful photos. Ordinary or standard shots will be a part of my past. Reflecting on my interest in photography as a potential path for my future, or a part of an overall career choice, I realized that if I continue on a public relations or marketing path, photography will be a critical part of my career. Photography 181 has given me invaluable information that will be carried on into my future in both business and personal arenas. My place in photography will continue to include sports action photography as I am an athlete and appreciate these, as well as in editorial or brand image photography as part of my career.
We first had to look for photos that catch our attention and plan out how we will take our own photos inspired by the photos we found through google and Pinterest. After we planned that out and had a good idea of what we would take a photo of, how we were going to take it, where we would take it and when. Then we were ready to take out some cameras and get started.
Everywhere you look one thing is common, photographs. People not only use photography to document events and milestones, they use to enhance the beauty of their surroundings. From pictures of quiet country streams and cute animals to family photographs, almost every public space has some kind of photograph as decoration. Photography is much more than taking simple pictures, as a career a photographer must know technical information about lighting, posing, choosing subjects and framing shots. Equipment care is another facet of photography that requires technical knowledge beyond what the amateur needs. Modern photography has emerged as more than a hobby, it is a profitable and exciting career.