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My Mean Old Art Teacher
Mr. Arnold stands smugly by his classroom door between classes, with his arms proudly crossed over his chest as trails of students trample past his art room each day. Many of the passers-by recognize this man simply as "the scary art teacher." Those who have experienced Mr. Arnold's art class first-hand regard him otherwise.
I had heard many stories about Mr. Arnold before entering his grueling class. "Most people don't like him," some warned me. Others commented, "I've heard his class is really difficult." I can remember my first day in his art class clearly. I entered his room a timid freshman with unpleasant expectations. Maybe I was even a little more than timid. The concept of high school frightened me, and having a teacher with a bad reputation didn't ease my fears. I was a sheltered fourteen-year old girl; a girl who had been babied most of her life. I entered room 28 for the first time on a warm late-summer's afternoon, as the sun's rays attempted to soothe me through the windows. The poignant smell of oil paint filtered through the air, soft classical music drifted from his office and impressive artwork decorated the walls. Mr. Arnold always insisted, much to the students' opposition, that, "Classical music puts you in the right mind set to create art. It will not distract you, it will force you to focus." The shelves juggled piles of aged art supplies and half-filled canvases doffed the edges of the room. Mr. Arnold loomed in front of the class with his pointer, a man with frosty silver hair and an undeniable bald spot, unraveling his list of arduous requirements. "Art is not an easy B", he smirked, making reference to a sign on the wall, and squinting at us with his sharp icy eyes. "Furt...
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...der his tutelege. Mr. Arnold's guidance has made me realize that if I deeply and genuinely love what I do, I can succeed. Art has wisked me into lands of creativity and imagination I never knew. I've learned to expand my boundaries by setting sail on risky bodies of water. I may be somewhat of a timid person, but when I create art, I can fly. Mr. Arnold has helped me gain more of the confidence I so desperately needed to break loose. I spent four years in that same room, a room where I grew to love the familiar smell of oil paint and the sound of classical music, listening to Mr. Arnold holler, narrate, criticize, instruct and laugh. I do know an art teacher, different from the one who stands smugly by the door of his art room, with his arms proudly crossed over his chest, and I will never forget him because his teaching has shaped me as an artist, and as a person.
The teachers in Voc. Ed. were not capable of teaching well and did not believe in the abilities of their students. Rose’s homeroom teacher, Brother Dill, physically harmed his students by either shaking or smacking them to keep control in the classroom. Furthermore, the author soon deduced that the entire program was intended to be “a dumping ground for the disaffected” due to the lack of enthusiasm or
I have a tendency to forget to breathe when I'm sitting in my art history class. A double slide projector set-up shoots its characteristic artillery - bright colors, intense shapes, inscriptions in languages that are at times read merely as symbols by my untrained mind, archaic figures with bodies contorted like elementary school students on the recess monkey bars. I discuss Diego Rivera's "The Liberation of the Peon," Frida Kahlo's "Self-Portrait," and Anselm Kiefer's "To the Unknown Painter" with my classmates. The room is never silent as we marvel at these images. When the slide projectors give off that first glimmer of light, their Gatsby spot of a blurry green hope at the end of the dock, we depart on our collective imaginary field trips. The teacher doesn't need to coax, to pry, to pose multiple-choice questions. We are already on our way.
Howard Gardner grew up in Pennsylvania in the late 1940’s, although his parents were originally from Germany. He attended Harvard as an undergraduate with the hopes of becoming a lawyer and with a major in history. However, as soon as he became the mentee of Erik Erikson, a well-known psychoanalyst, his interests started to change. Gardner entered the doctoral program at Harvard and received his PhD in 1971 with a dissertation on style sensitivity in children. During his years of doctoral study he became a part of the Project Zero, which does research on arts education, and he now co-directs the project. Gardner’s work with Project Zero led to the Project on Human Potential, which resulted in his first well-known book, Frames of Mind. He has written many books since then including, The Shattered Mind and Multiple Intelligences, and he is “currently Hobbs Professor of Cognition and Education at the Har...
In this selection of reading President Johnson is defending his Vietnam policy. This address by Johnson lays out many arguments for why the war in Vietnam is necessary; they are as follows: (a) the self-determination of nations; (b) aggressive forces; (c) communism as a menace to the world; (d) idea that everything operates like dominoes; (e) avoiding another Munich; (f) responsibility of the American people; (g) a “new deal” for third-world countries; (h) a better tomorrow for the world
...t that their sons were child soldiers holding guns and striking down innocent civilians. The horrors and violence that occurred during this ten-year period are unthinkable. Many families are still rebuilding more than ten years later. For a resource that was supposed to bring Sierra Leone out of poverty to leave it in even worse conditions is sad to think about. Though diamonds from conflict areas are banned, some still find their way into the markets. It is up to the buyers of these products to really trace the history of each and every diamond for a stop in this conflict to happen. Consumers can also help by asking for the history of their diamond before buying one. If the world can do this, profit made from diamonds will be going to the right people and the responsibility of violence in conflict areas will no longer be on the diamond industry or the world.
“After his second-grade class created self-portraits last year, I noticed that he was the only one not hanging on the classroom wall. His teacher explained that his portrait was ‘a work in progress.’ The
Emotional stimulation is a key part of the arts. Before and during adolescence students go through many emotional changes and experiences. It is important that they find a healthy and natural way to release their concerns and feelings. Art is a considerable alternative to bottling up their emotions or other things a young person may do to release their emotions. For example, when a student creates a piece of art, his or her thoughts, dreams, goals and experiences are put into it “often reflecting an event of significance in their recent past or some element on the canvas that reminds them of a favored person or object or color” (Gardener 16). Likewise, when a student looks at a piece of art, they try to determine the emotion that the artist is trying to convey. This, in affect increases his or her emotional awareness. By putting themselves in another persons position, students develop a greater understanding of the emotions of their peers. The arts also helps students to think critically and view things in a different perspective:
Peter, S., 1996. The History of American Art Education. 7th ed. New York: Greenwood Publishing Group.
Efland, A. (1990). A history of art education: Intellectual and social currents in teaching the
It’s hard to imagine that a mineral could be fueling wars and funding corrupt governments. This mineral can be smuggled undetected across countries in a coat pocket, then be sold for vast amounts of money. This mineral is used in power tools, parts of x-ray machines, and microchips but mostly jewelry. Once considered the ultimate symbol of love, the diamond has a darker story. "Blood" diamonds or "conflict" diamonds are those mined, polished, or traded in areas of the world where the rule of law does not exist. They often originate in war-torn countries like Liberia, Sierra Leone, Angola, and Côte d'Ivoire were rebels use these gems to fund genocide or other questionable objectives. Even with a system known as the Kimberly process which tracks diamonds to prevent trade of these illicit gems, infractions continue as the process is seriously flawed. The continuation of the blood diamond trade is inhuman, and unethical, and in order to cease this illicit trade further action to redefine a conflict diamond, as well as reform to the diamond certification prosess is nessasary.
This marked the beginning of his inspiration to form a personal, expressive, and religious stance on his art values and style. He has found his process and content that will be apparent in his future work.
Voight, Kevin. “international adoption: saving orphans or child trafficking”. Cnn news. 18 September 2013. Web. 24 march 2014. www.cnn.com/2013/09/16/world/international-adoption-saving-orphans-trafficking/.
In today’s society anything can be considered “Art”. From the great sounds of a symphony, to the architecture of a modern structure, or even an elephant painting with its trunk, art is what the viewer perceives it to be. Individuals will always agree or disagree with the message behind a certain piece of art, as pieces can be offensive to some, but beautiful to others. Some argue that funding the arts in school is a waste of money, time, or a combination of both, but the benefits outweigh the negatives by far, due to a variety of reasons.
"The Rape of the Lock, Alexander Pope - Introduction." Literary Criticism (1400-1800). Ed. Lawrence J. Trudeau. Vol. 60. Gale Cengage, 2001. eNotes.com. 2006. 29 Nov, 2009 http://www.enotes.com/literary-criticism/
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.