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Correlation of art and aesthetics
Landscape paintings analysis
Art as an academic discipline
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Recommended: Correlation of art and aesthetics
Style
I think there is a need of a technical, historical, and aesthetic foundation for the development of my style because it gives you the knowledge of the art. By knowing where and how these foundation came to be about, it allows you to explore and be knowledgeable of different styles. My prefer art styles are realism, abstract, impressionism, post-impressionism, and pointillism. I like artworks that makes you think and have emotions. I like landscapes, seascapes, flowers, and self-portraits. I have taken Fine Arts and learned a history about art in that class. I learned about how the meaning of the word art depends on each individual’s perspective. My predispositions of the media are acrylic paint, oil paint, oil pastels, and charcoal. My predisposition for historical styles is everything up to 1900s but not after. Modern art doesn’t appeal to me. I like artists such as Van Gogh, Claude Monet, Georgia
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There is a silhouette of trees with the sun located in the middle behind the trees. The sky is blue and with a color of orange reflected from the sun. The river is flat with the reflection of the sun then where the sun is not touching the water, the sea is blue. When you get up close, you can see that the painting consists of dots and there are more colors to the painting than when you see from far away. For example, the sky contains the colors of pink, blue, light green, purple, yellow, and orange. The center of sun contains the colors of white, pink, blue, and yellow but the ray of the sun is mostly orange and little bit of yellow, blue, and pink. Below the sun, the dark trees contain the colors of red and orange. On each side of that one spot, the other trees on each side are dark blue, light blue, dark purple, light purple dots. The center of the river is the same color as the sun but as it spreads out, the sea is bluer. It consists of light blue, dark blue, blue-gray, dark purple, and few
Additionally, Lie placed tall trees in the foreground of the painting to give a sense of the scale between the observer’s perspective and surrounding objects. Furthermore, Lie used dark, cold colors, such as purple, blue and black, to depict the feeling of a winter’s afternoon. Lie also used snow on the ground as an obvious indicator of the time frame in which the painting is occurring. However, in contrast to the dark cold colors used, Lie also used subtle hints of orange, yellow and red to show that there is some presence of light in the piece. The background of the painting is a sheen of yellow, suggesting the presence of light and the forming sunset.
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
The piece uses a gorgeous palette of green, blue, and yellow. Creating a calm and relaxed tone that flows throughout the whole painting. The sole cypress tree is the focal point of the piece. Dark green attracts the eye from the overall light colored piece but does not distract the viewer completely since used sparingly. The brushstrokes used to create the piece bring it to life. The piece goes beyond the canvas by engaging the imagination of what else is there but left unseen. I picture a river to the right of the wheat field which eventually leads to a small town on the other side of the blue mountains. To the left I see the rest of the wheat fields for miles on end with farmers plowing and children playing. I feel the wind blowing, the clouds moving, and the trees rustling. I feel as if Van Gogh intended for this piece to feel alive, for the viewer to feel as if they were there embracing
There were rays of sunlight that were depicted as well. The light in the painting seemed to be focused in the middle, where the stream was. Other areas and parts of the piece were dark or darker than the area in the middle. I think that a trick with shading or lighting was used. Perhaps, it was tenebrism.
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to one source, the reincarnation system for the Living Buddhas is the main point distinguishing Tibetan Buddhism from other forms of Buddhism.
Blue is used to represent the water as well as the sky and both similar and range in different tones. All of the colors in this piece are washed out but still have a bright quality to them. The colors aren’t brightly pigmented however; Hiroshige does a satisfying job of drawing in the viewer with the color choices used and the little details. The sun in the sky is simply the white of the paper and almost looks as if the color burns through. Pops of red, show in blocks on the right side of the work wit Japanese writing inside each one, which contrasts with the large amounts of blue and helps the writing stand out.
... background, the clouds, and the body of water. While all of these areas use value to create depth, the only area that is very saturated in the painting would be the sun because it is a focal point and must stand out. These differences in value and saturation lead to one painting looking more realistic than the other. This doesn't mean one is better, but that one painting shows more realistic coloring than the other.
Throughout all of history and to this present time the arts have been slowly shifting and changing into different styles and uses of certain techniques, the names of many of these styles end in the three letters, ism. Most importantly are these four styles, Neoclassicism, Romanticism, Realism and impressionism. These styles occurred in order and shared certain characteristics transitioning them into the next style. By learning about these different styles we can further understand what was going on in the minds of the artists of the time and how they painted.
He used rich naturalistic color to create gently, winding forms and silhouettes creating a picturesque scene on the left, and local color creates a hazy unifying blanket of light in the scene on the right and delivers a beautiful, peaceful mood. His harmoniously balanced compositions evoke the tranquil, undisturbed celebration of sublime nature. Van Gogh used color to express feelings and spirituality, and this coloristic composition creates a joyful, yet peaceful mood. The omnipresent strokes of yellow flowing from the sun provides the feeling of continuous energy and warmth. Van Gogh’s vibrant colors in the painting range from cool blues and greens to singed reds and bright yellows, a hue that he used to great effect. There is an inherent variety of colors in the dense green foliage. In the shade, the bark and leaves appear to have bluish-grey
Music and other art forms often go hand in hand. Creativity is not just a one-note deal or rather it is not confined to a singular aspect or form. Oftentimes it is interlaced into many forms, such as, music, writing, artwork, fashion and much more. Like a tree, creativity grows and extends out into infinite directions rooting itself in society. One such artist is Brandon Boyd. During the day he is a contemporary artist and by night he is a singer-songwriter for an internationally recognized rock band, Incubus. Some of their songs include; “Pardon Me” form the album entitled, When Incubus Attacks Vol. 1, and “Drive, “Dig,” and “Oil and Water,” three of my favorites, from the album entitled, Monuments and Melodies and “Sad Sick Little World” from the album entitled, A Crow Left of the Murder. In a 2009 interview with CNN, Brandon said it best, when asked, “So what does art fulfill in you that you don’t get out of music?”
Frieda Kahlo was born Magdalena Carmen Frieda Kahlo y Calderon in Coyoacan, Mexico, July 6th, 1907. She did not in the first place plan to become a creator; she entered a pre-Master of Education system in Mexico City. She endured more than large integer dealing in her brio time and during her convalescence she began to discomfit. Her beaux-arts, mostly self-portraits and still life, filled with the colors and forms of Mexican folk art. Frieda created some 200 spacing’s, artistic production and sketches germane to her education in life, physical and aroused pain and her churning relationship with her ex husband Diego. She produced 143 beaux arts, lv of which are self-portraits. At the time of her exhibition first step, Frieda’s health was such that her Doctor told her that she was not to leave her patch. She insisted that she was going to wait on her opening, and, in Frieda style, she did. She arrived in an ambulance and her bed in the backward of a transport. She was placed in her bed and four men carried her in to the waiting guests.
My day started kind of rough, because I and my wife couldn’t agree to manage our diverse schedule. I was scheduled to meet with members of my class in downtown San Diego, and she was scheduled for her event at work. Ultimately, after a brief argument, we utilized two different vehicles heading the same direction. A conflict in timing was the cause of our disagreement. As a result, the day for me started chaotic resulting in no inner peace of mind. I didn’t sense no normal pattern of tranquility in my thoughts. I felt mentally exhausted, anguish and pain at the knowledge I that couldn’t be trusted to go to a museum on my own. I started my day with an attitude of frustration and anger. To make matters worse, I thought I was going to a place where historically I found peace and tranquility in my mind. I was always very fond of art, and believe artist today have the freedom to express themselves with whatever style and methodology they have in life. Contemporary artist have greater freedom and influence than artist in the past, because they can use their artistic works to persuade individuals and help them realize or understand they have psychological or emotional personal problems. I believe art can help identify and expose underlying emotional and personal issues that some would normally be reluctant to share openly. This is my own profound personal self-realization.
The implied sunlight is natural that has an illusion of coming through the clouds, the reality of the sunlight seems to dry out the land. Yet, it symbolizes the overcoming of the end of a drought on the rural crop lands. The colors of neutral tones are used predominately throughout the landscape. The brown neutral-toned houses are surrounded by wisps of yellow, overgrown, grass which seem to represent the destruction that mankind has caused, in turn, is suppressing nature and holding back the potential beauty it could unleash. The dull grass and trees lack vivid colors and present a lackluster mood. Yet, the yellow grass draws you to the horizon of the painting. This seems to resemble the hopefulness of a new crop in the dry crop land. The yellow grass shows the harsh results of a drought that has been sprinkled with blue horizontal streaks. The blue horizontal streaks demonstrate puddles of water as if it has recently rained. The blue color emits a feeling of calmness as if the uneasiness of the drought season has been lifted. The colors lack blending and create a blunt contrast appearance. The dark shadow in the bottom right corner mysteriousness and an ominous feeling of an omniscient presence. The form the artist chose to work with demonstrated an organic form with a combination of a geometric form because of the three structures at the focal point of the painting (DeWitte, et al., 2015). The artist made this choice to show the results of a drought caused by the
Personally, my culture did not play a big role when I was in the midst
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.