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Analysis on west side story script
Analysis on west side story script
Modern and old version of romeo and juliet
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‘West Side Story’ ( 1961) dir. Robert Wise and Jerome Robbins and ‘Flash Dance’(1983) dir. Adrian Lynn, are musicals with a narrative focused on love, romance and the struggles that comes with relationships, however it is not the narrative that makes a musical work, a key part to musicals unsurprisingly are the songs and dance numbers executed within the films. “Far from simply providing an alternative to silence – as does background music in other Hollywood films – the musical’s music (as well as dance) enters into a process of signification whereby it comes to stand for personal and communal joy; expressing a romantic triumph over the limitations of nature and communal society, and of economics, music becomes the signifier par excellence …show more content…
The opening sequence also has a connotation of power and masculinity through Dance, instead of physically fighting, although in the world of the film we are to believe they result to violence and being physical, during their routine neither gang actually lays a finger on each other, making the routine more …show more content…
Their relationship is one that expresses how important dance and songs are to the development of narrative and plot within the musical genre, in order to communicate to each other Tony attempts to speak some Spanish. In his attempt to breach the cultural gap between Maria and himself it puts a focus on the use of song, in order to communicate competently Maria and Tony have to sign to each other, only then can they truly and freely express how they feel for each other without being censored by the world outside of their personal relationship.
As mention earlier on, the narrative in ‘West Side Story’ is a modern re-telling of the Shakespeare classic Romeo and Juliet. In the re-tale of the balcony scene featured in Romeo and Juliet and West Side Story, we hear speeches from the characters concerning their shared issue of forbidden love. This moment is very important part of the plot, first of all we hear the song “Tonight” in which they sing about the perfect situation, one in which they can be together, the last two notes are the same as those played at the beginning of the song, signifying the continuation of the plot sequence, aligns the two characters together as secret lovers and is a very delicate and moving movement to witness between Maria and Tony, but it is also the moment in which everything else seemingly falls
Malcom comes up to Tony after the meeting and gives him a book to read called “The Greatest Miracle in the World”. Tony isn’t a fan of reading but he ends up reading the book and then every Monday continues to meet with Malcom and they talk about the book or the other books or thoughts Malcom asks Tony to read or think about.
Maria had no authority over her restless family. The source of the conflict between Antonio and Maria originates from her oldest sons taking to going where they please and not caring about their parent’s wishes. The burden of pleasing their parents passes from the eldest sons to the youngest one. With the sole duty of pleasing his parents, Tony internally rebels against their wishes instead seeking to set to rest his churning mind by seeking his own beliefs. His brothers console themselves about abandoning their family by saying that “Tony will be her priest” (Anaya 36) and not knowing that the “dreams of their father and mother [haunt] them” (Anaya 36) also haunted Antonio. Having the responsibilities of his brothers and his family shape the way he grows and thinks. He isn’t just thinking about himself he also has the problems of redeeming his family on his head. Through the story and through Ultima Tony realizes that he is not bound by obligations and can instead shape his own
In the end, Tony plays the role of both hero and villain. His wife, Marcela, represents both the whore and the virgin Mexican-American. The both prove unfaithful: Tony to America and Marcela to Mexico. Herein lays the schizophrenic world in which good and bad coexist across the borders of two emerging world countries struggling for control of land and culture. There’s a price to be paid for such human greed and unrealistic expectations. Ultimately it proves to be a place where virtue doesn’t remain intact and villains abound, even among the good guys!
Another example of the evolution of Tony's sense of good and evil through the utilisation of setting is Tony's own home. To him, his home provided him with warmth and safety. This was due to the people who lived in the house. Antonio's father creates a sense of protection in the home. When Tenorio and his men come to he house to take Ultima away, Tony's father "would let no man invade his home" (pg 123). This gave Tony faith that as long as his father was around, he would be protected. Antonio's mother made home a loving and caring place to be. She would always baby Antonio and give him the affection he needed whenever he needed it. The morning after Tony had seen Lupito killed, Ultima tells Tony's mother not to be too hard on Antonio; he had a hard night last night. His mother puts her arms around Tony and holds him saying he "is only a boy, a baby yet" (Pg.28). The Virgin also makes the atmosphere of Antonio's home peaceful and protected. Tony loves the Virgin Mary because "she always forgave" (Pg. 42). Tony thought she was "full of a quiet, peaceful love" (Pg.42) which she filled the home with. The most important person who contributed to the goodness of Antonio's home was Ultima. She made Antonio feel as though her presence filled the home with safety, love, and a sense of security. When Tony saw Lupito get killed, it was Ultima who calmed him. Whenever he had a nightmare, Ultima was there to comfort Antonio and "[he] could sleep again" (Pg.
West Side Story tells the tale of a battle between two street gangs in New York, both competing to be the best, while also incorporating the impossible love between two people destined to hate each other, which ends in tragedy. The streets of New York are ran by an American gang
The play West Side Story, by Arthur Laurents, is based upon the play Romeo and Juliet, by William Shakespeare. Despite a few differences, both works, in essence, have the same plot. The source of violence in Romeo and Juliet and West Side Story is the ever-present hatred between families and between gangs, although, because of the "star-cross’d lovers" motif in Romeo and Juliet, the hatred plays a larger role in producing the ending of West Side Story than it does the ending of Romeo and Juliet.
Finally, even though, for a long time, the roles of woman in a relationship have been established to be what I already explained, we see that these two protagonists broke that conception and established new ways of behaving in them. One did it by having an affair with another man and expressing freely her sexuality and the other by breaking free from the prison her marriage represented and discovering her true self. The idea that unites the both is that, in their own way, they defied many beliefs and started a new way of thinking and a new perception of life, love and relationships.
In approximately 1594, William Shakespeare began to write one of the most well known tragedies in history, Romeo and Juliet. Arguably, no author to date has matched Shakespeare's skill and beauty in the creation of this work. However, authors have regurgitated and will continue to regurgitate the theme, "star-crossed lovers", for centuries. Martha Duffy remarks in "West Side Glory", "Slang may change and violence escalate, but the theme of star-crossed city kids has never dated, nor has its appeal diminished" (p. 1). The only viable attempt is the work of modern dramatist Arthur Laurents. However, Laurents' West Side Story originally written as an attempt to modernize Romeo and Juliet, actually became a work of skill and beauty in its own right. The emphasis is now removed from simply "modernizing" Romeo and Juliet; the emphasis is the creation of art through a similar theme, yet very differing styles and influences. The similarities abound within Romeo and Juliet and West Side Story; consequently, there are many deviations found in the plots, characters, and authors' influences.
Filmed in 1961, West Side Story is a modern-day telling of Romeo and Juliet. Two youths struggle with their forbidden love as two gangs, the Jets and the Sharks, duel. At the end of the film, Maria says, “You all killed him […] with hate!” This is a universally acknowledged theme that hate can kill. West Side Story is said to be a “morality play about “our” everyday problems: racism, poverty, and the destructiveness of violence” .
Romeo and Juliet and West Side Story share many similar themes. Romeo and Juliet both chronicle a story of overcoming prejudice and hatred, forbidden love, and defying stereotypes that nobody thought could be broken. The two stories are similar in a multitude of ways, even though their settings are centuries apart- Romeo and Juliet set in the 1500’s, and West Side Story set in the 1950’s. Romeo and Juliet and West Side Story both teach a lesson of how prejudice can teach you how to hate, and how one of your rivals may be the one who helps you remember how to love.
West Side Story is one of the great contributors to musical theatre, in particular Broadway where it originally opened on September 26 1957 at the Winter garden Theatre. The production ran for 732 performances before entering the world of film in 1961. However, I believe its significance lies in the heart of the theatre where the audience is subjected to different styles of music, dance and of course an adaptation of Shakespeare's Romeo and Juliet. In fact, Leonard Bernstein first decided to call his play East Side Story but opted against it, due to social relevancy. Instead the story would take place on the West side of New York; Brooklyn, under a realistic urban setting, hence West Side Story.
The 2000s/ 2010s brought in a wave of movie musicals- adapted from the stage shows. These brought new audiences into the theatre world, and for the first time in 20 years, brought a love to some of the timeless musicals. With slightly altered songs to appeal to a newer audience, these films brought in much needed money into the industry, with films including: Les Misérables, Phantom of the Opera, Rent, Hairspray, Mamma Mia, Fame- and many more. Together with this, musicals began to push the concept of the songs in them, with a wave of new styles being written. Rap musicals such as ‘Hamilton’ and ‘In The Heights’, Pop musicals including ‘Waitress’ and ‘Dear Evan Hansen’ and Rock musicals of ‘American Idiot’ and ‘Spring Awakening’. Together they pushed boundaries of a ‘traditional’ musical theatre sound, and brought in something never before seen. Due to the influence of ‘Rent’, controversial issues and themes began to be explored more, such as Teen suicide, Murder, Ethnic barriers and everything else, which brought with them, a world of opportunities. It was clear that musical theatre was once again showing for a promising
As an indicator we are using the dance at the gym in Act I,Scene 4,
The two decade period beginning in the late 1940s and concluding in the late 1960s represented the height in popularity for the Hollywood musical. With every major production proving to be box office gold, the level of critical approval was high establishing the Hollywood musical as a genre. Born with the coming of sound, the Hollywood movie musical derived from two sources: opera and operetta, brought over by European emigres, and the American tradition of vaudeville, the inspiration behind so many “backstage” musicals, the plots of which revolved around putting on a show. The interesting alliance between dream and reality in the musical gave directors, designers, and cinematographers the most creative scope within the commercial of Hollywood. Being able to experiment with elements like color, split-screen techniques, and surreal settings made the musical an important force in imaginative filmmaking, without it being attacked by cautious studio moguls. Fortunately, musicals could also easily bypass the censorious Hays Code, which was instigated in the 1930s as a moral guideline for film studios. Although guidelines like “ dances which suggest or represent sexual actions”, “dances intended to excite the emotional reaction of the audience”, and “costumes permitted to undue exposure” were condemned, musicals were full of “shocking” dances and scantily dressed women. Scantily dressed women and sexual innuendo almost went unnoticed by the censors as long as they remained within the seemingly harmless confines of the musical as if nothing immodest could happen in the context of the make believe world the family entertainment inhabited.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.