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Protest music and its impact on racial issues
Protest music and its impact on racial issues
Music in south africa during colonialism
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Laurelle Charne
Music of South Africa
Veit Erlmann
May 13, 2014
Final Paper
Being born and raised in South Africa, I wanted to enroll in this Music of South Africa class to learn more about my background. I find it fascinating how music could leave such a lasting impression on a country that it actually shaped the politics and mindset of the countries people. The South African national government forced the majority black population to be removed from the society as a solution to control the black South Africans economic and political standing. The act of forced removals is called Displaced Correlation, which is when part society does not feel like they belong in their culture due to inequality of opportunity and rights. Due to the strict national government many black South Africans felt displaced from their culture. Although South Africa has made tremendous strides towards equality, the brutal control of whites ruling the country for decades has made it extremely difficult for South Africa to transform into a country equal for all races.
Music is intimately linked and reinforces South Africa’s history of deep divisions of race, class and gender. To illustrate how South Africa’s history, of the blacks fighting for freedom and justice embodies South African music, this paper will focus on two prominent musical groups who changed South Africa for the better. First to be discussed is Orpheus McAdoo, an African American singer from Virginia who successfully toured South Africa with his Virginia Jubilee singers. He became the most publicized Afro-American minstrel performer for his contributing modern harmonic concepts and structures to South African music. The other musical group who impacted South Africa, was a nine-member cappell...
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...citly made the point that a beautiful country like South Africa should not be overrun by one culture and have so much political turmoil. Through their songs, Black Mambazo suggested South Africa would have more potential if the country would try and transition from racist oppression to equal-rights and freedom for everyone. Ladysmith Black Mambazo left a lasting impact on South Africa because he showed the country that many problems, which result in a cultural divide, could be dealt with through music. Shabalala knew music was a powerful tool to address challenging social, economic and political issues so he used his magical musical and spiritual harmonies to touch a worldwide audience to help re-connect the people of South Africa.
Source Used:
Erlmann, V. (1991). African stars: studies in Black South African performance. Chicago: University of Chicago Press.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Moreover, the task at hand is not one that is easily accomplished. In order for music to be a hit, it had to be a hit within the white community. The ...
This book provides a first-hand opinions and feelings of black Americans who, living through the racial crisis of the 1960's, came to Africa in search of their historical, spiritual and psychological home. Readers will appreciate the means in which Maya Angelou relates her conflicts with some Ghanaians; her romance with African Muslim; her trip to Germany, where she joins an American acting troupe and confronts her own prejudices; and her struggle to accept her son's manly independence. The light Maya sheds on emerging Africa and the American black community, makes for absorbing readings.
The African arts formed an essential platform for the promotion of the African American culture today. This culture could not have been created and maintained without the aspiring poets, artists, writers, and musicians that all played a role.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
The content is written in the style of the blues not only in the music but in the social perspective of the times in Harlem in respect to the sufferings and struggles of the African-American past and present experiences, and what they were going to encount...
Mercer, K. (1994). Welcome to the Jungle: New Positions in Black Cultural Studies. London: Routledge.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Monson, I. (2010).Freedom sounds : civil rights call out to jazz and Africa. New York Oxford: Oxford University Press.
Breckenridge, Stan L. (2003). "The 'Path African American music for everyone. Second Edition. Iowa: Kendall-Hunt Publications, Inc. Enotes.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
Small, Christopher. Music of the Common Tongue: Survival and Celebration in African American Music. Hanover, NH: U of New England, 1998. Print
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.