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Effect of advertising in modern life
Influence of advertisements on society
Influence of advertisements on society
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In Murder Must Advertise, the author Dorothy Sayers depicts not only sinful people, but a society of sin, and she focuses on advertising and the drug world. Sayers suggests that these two groups are similar. Sayers uses these two groups to compare an advertising agency, with its workers and it public to the drug trafficking ring with its customers. In reality, these two groups seem to be on different ends of the social spectrum. However, Sayers infers that these two worlds have similar moral values. Having worked at an advertising agency for ten years Sayers can clearly depict a realistic atmosphere. Sayers possessed the maturity necessary to criticize the condition of the society she had lived in. Sayers saw it as people who filled their …show more content…
emptiness with material values and fun in a reckless attempt to hide the emptiness of their lives. In Murder Must Advertise, Dorothy Sayers criticizes society by comparing the advertising world with the drug world. In both, a smaller group of people control the public so they can profit, both groups are materialistic; and both deny death. Pym who is the CEO of Pym”s Publicity, methods of keeping his employees happy forces some to enter the drug world. Pym‟s Publicity is a well renounced advertising agency in London that produces ads for all aspects of media.
Pym employs a wide variety of people, from cleaning ladies to copywriters, and messenger boys to directors. Mr. Pym advocates for the Human Relations School of Management, which promotes building employee morale and loyalty. So that Mr. Pym can generate these feel good attitudes, he organizes social get-togethers frequently. Unfortunately, the get-togethers substitute for decent salaries; this is why one of his employees is sucked into the world of drug dealing. This is how Sayers connects both the advertising world and the drug …show more content…
world. The advertising world and the drug world resemble each other in three ways. Firstly, in both worlds small groups of people control a much bigger part of society for financial gain. In advertising, the hidden people are the actual manufacturers who create the goods the agencies want to sell. None of them ever appear directly in this novel, but everyone who writes advertising is aware of these manufactures because they all have preferences. The writers become outraged and explode in anger if any of the ads can advocate gambling, or be seen as sexual or insulting. “That is the major problem with advertising as Sayers sees it—it does not present a factual review of products with information about their features and prices. Rather, it distorts the truth and appeals to the weaknesses of the public in order to sell them products which may or may not live up to the claims made for them”(Collins). Similar to the workers at Pym’s Publicity, the drug dealers and users are controlled by a hidden group of people who remain are never mentioned in the novel. “Tallboy is appropriate for a man who was merely a pawn in an enterprise not of his own making” (Reaves). The dealers or middle men are the people who actually sell the drugs to the addicts. The users are, the large group that are being manipulated for financial gain. Both groups of people are influenced by either advertisements or the people selling drugs. Additionally, both groups of people are dependent on both the advertisements to tell them what to buy, and the suppliers of drugs because the customers are addicted. Therefore, the majority of people are being controlled like puppets by a small group of people. A second similarity between the two worlds is the reoccurring theme of materialism.
The economic system demands more and more purchase of things to survive. This is shown when Mr. Pym worries more about money and reputation then his employees, when Whimsey informs him of the drug dealing in his office. “But Mr. Pym was past helping anybody. He was chalk white. “Dope? From this office? What on earth will our clients say? How shall I face the Board? The publicity. . . .” (286). Materialism will always override other moral values. The top figures in the drug ring, like Mr. Pym and the manufacturers, are motivated by an ambition for more money. These people will even lie, steal, ruin lives, and even murder to protect their income. The consumers who are manipulated by advertisements to buy more things, even if they are out of reach are like the reckless drug addicts who want more pleasers, for outrageous amounts of money. To Sayers, the root problem in society is materialism, which is a theme she addressed in this novel frequently. All of the characters in the novel can be considered materialists, they have absorbed the materialist worldview from all of the surrounding media and influences around them. “Sayers evokes two modern worlds, that of the workday advertising agency and that of the leisured beau monde. Both are shallow, frivolous, morally vapid, “(Stock). The characters are contradictory, and they know that people’s actions do not matter because in the end the world
we see and hear is all that matters. This is why the druggies devote all they have to pleasures; it is why the advertisers lie to sell products; and it is also why the leaders of the drug-ring kill people who know things they shouldn’t. While the characters are very materialistic, they are also representing other evils. The Seven Deadly Sins are very evident in this novel. Every character that is introduced seems to represent another sin. “Murder Must Advertise vividly portrays more of the Seven Deadly Sins than any of Sayers’s other fictional works because the Sins appear not only in association with the individual characters, but also in the wider picture of the modern society as a whole”(Brown). Each character represents a different sin because as a whole both worlds that are being compared in this novel are being depicted as sinful. For example, Mr. Johnson is lustful and teases all female employees, while Miss Meteyard is prideful because she is university educated, unlike other workers. By giving the characters a sin of their own Sayers is able to connect the advertising world with the drug world, because they themselves encompass evil. Thirdly, theses worlds are similar because on the surface they can’t identify death. Pym‟s Publicity contributes to the death of those who write advertisements and those who are influenced by them. Ads are based on lies, so that they might satisfy the readers. Most people blindly buy objects and are influenced by these ads, so they can fill their insecurities.Even some of Pym‟s employees have doubts about the morality of their job. For example, Mr. Ingleby says early in the novel: “Three years in this soul-searing profession have not yet robbed me of all human feeling. But that will come in time” (9). Similar to the workers at advertising agencies, the people who party at Milligan‟s mansion ignore death. All the partiers participate in activities that could possibly lead to their own deaths. But like the advertisers these druggies are unconsciously letting their minds be destryoed . Dian de Momerie is an example in this novel of a person who is emotionally dead, who cannot find love or real meaning in life. “Dope-runners are murderers, fifty times over. They slay hundreds of people, soul and body, besides indirectly causing all sorts of crimes among the victims” (252). Conclusively, the drug world ignores the thing they cause every day, death. Drugs inhibit people from actually having a happy life, this is because the drug world is full of danger, so many people are either killed by drugs or dangerous people associated with drugs. “the dream cities resemble each other because on the surface they deny the ultimate earthly reality—death—even though at a deeper level they are agents of death” (Collins). Both worlds cause death every day. In the advertising world, the workers are liars and scam artists, while in the drug world drug are inhibiting people of true happiness, and a normal safer life. Therefore, the emotional, mental or physical death is evident in both worlds. While Sayers argues that the media and drug worlds are similar, she is also criticizing society as a whole. “Murder Must Advertise was the first novel in which she approached serious fiction-a “criticism of life” (Basney). Not only is Sayers comparing two opposing societies but she is criticizing the many people that let these two groups control their lives. Both groups are the epitomes of sin, and Sayers is trying to argue that because they’re goals are essentially the same, average customers to both groups are overall blindly dependent. Furthermore, while the customers are being dependent on the groups, they do not always realize that these groups come with a death sentence. Whether this death sentence is physical, emotional or mental is up to what group a person decides to depend on. By criticizing people Sayers argues that, in the end everyone is controlled by either the media or drugs.
The Cocaine Kids and Dorm Room Dealers are two very different, but yet similar books. Cocaine Kids are about a group of kids, primarily of Hispanic race, with one kid of the Black race. The kids were raised in the inner city of New York. Dorm Room Dealers are about White, middle to upper-middle class college students, who was selling drugs for their status. The purpose of this paper is to prove that there are racial disparities among drug users. There will be examples from the texts that show the different takes on the drug markets and how race plays a factor. There also will be how these experiences shape the kids drug dealing and using. The paper will conclude how all the kids either remained in the drug career or left the drug career.
American’s and people in general are an audience targeted for various commodities, advertising being a major contributor. The world of advertising has become a multiplex science, as mentioned in “What We Are to advertisers,” Twitchell divides consumers into 8 categories and Craig, in “Men’s Men and Women’s Women,” concludes there are specific times of day for advertisements to be displayed to reach specific audiences. “Mass production means mass marketing, and mass marketing means the creation of mass stereotypes,” claims Twitchell. These stereotypes of men, women, and humans in general are how advertiser’s reach their targeted audiences.
In ‘Paul’s Case’ Paul has created a fantasy world in which he becomes entranced, even to the point of lying to classmates about the tales of grandeur and close friendships that he had made with the members of the stock company. This fantasy falls apart around him as “the principle went to Paul’s father, and Paul was taken out of school and put to work. The manager at Carnegie Hall was told to get another usher in his stead; the doorkeeper at the theater was warned not to admit him to the house” (Cather 8). The fantasy fell apart further when the stories he had told his classmates reached the ears of the women of the stock company, who unlike their lavish descriptions from Paul were actually hardworking women supporting their families. Unable to cope with the reality of working for Denny & Carson, he stole the money he was supposed to deposit in the bank to live the life of luxury in New York. Only a person who felt backed into a corner would attempt something so unsound. After his eight days in paradise, he is again backed into a corner by the reality of his middle class upbringing, and the dwindling time he has before his father reaches New York to find him. The final way out for Paul is his suicide, for which an explanation would be “In the end, he fails to find his security, for it was his grandiose “picture making mechanism” that made his life so deardful.” (Saari). With all the securities of his fantasy life finally gone, his mental instability fully comes to light as he jumps in front of the train to end his
The documentary Killing Us Softly 4 discusses and examines the role of women in advertisements and the effects of the ads throughout history. The film begins by inspecting a variety of old ads. The speaker, Jean Kilbourne, then discusses and dissects each ad describing the messages of the advertisements and the subliminal meanings they evoke. The commercials from the past and now differ in some respects but they still suggest the same messages. These messages include but are not limited to the following: women are sexual objects, physical appearance is everything, and women are naturally inferior then men. Kilbourne discusses that because individuals are surrounded by media and advertisements everywhere they go, that these messages become real attitudes and mindsets in men and women. Women believe they must achieve a level of beauty similar to models they see in magazines and television commercials. On the other hand, men expect real women to have the same characteristics and look as beautiful as the women pictured in ads. However, even though women may diet and exercise, the reality...
Drug in the American Society is a book written by Eric Goode. This book, as the title indicates, is about drugs in the American Society. It is especially about the misuse of most drugs, licit or illicit, such us alcohol, marijuana and more. The author wrote this book to give an explanation of the use of different drugs. He wrote a first edition and decided to write this second edition due to critic and also as he mentioned in the preface “there are several reason for these changes. First, the reality of the drug scene has changed substantially in the past dozen or so years. Second much more information has been accumulated about drug use. And third, I’m not the same person I was in 1972.”(vii). The main idea of this book is to inform readers about drugs and their reality. In the book, Goode argued that the effect of a drug is dependent on the societal context in which it is taken. Thus, in one society a particular drug may be a depressant, and in another it may be a stimulant.
In Rereading America excerpts by Jean Kilbourne’s “Two ways a Woman Can Get Hurt”: Advertising and Violence” and Joan Morgan entitled “From Fly-Girls to Bitches and Hos,” both authors focus on gender inequality in America. In doing so they are trying to explain to the audience about the status of women in the men dominated society. Both articles discuss the violence and exploitation of women and demonstrate the power of media and the entertainment world based on our attitudes that influence our behavior as men and women. Both selections also make readers think about the current status of women in the society and the media’s role in a way of effective gender roles among society. Kilbourne and Morgan provide the different examples in their own ways to support their selections and ensure to make their essay successfully persuasive by demonstrating their point of view, while still reaching the same conclusions. Kilbourne takes a calm approach to explain to the readers how the objectification of women in advertisements constitutes a form of cultural abuse, while Morgan adopt a very aggressive way to express her point of view. Comparing Morgan’s tone with Kilbourne, Morgan’s aggressive approach might leave readers disinterested to read her selection.
The world in which Lily grows up in is one where money is the standard by which everyone is judged. In a setting like this, “money stands for all kinds of things- its purchasing quality isn’t limited to diamonds and motor cars” (Wharton 66). Therefore, even small things such as the way a person dresses or the places someone frequents become of high importance as they are representative of how much money a person possesses. This materialistic tendency ...
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that journey is not the same for every individual. Media often leads its viewers toward a “one size fits all” version of success that may help themselves, but will rarely help the viewers. This is seen in Arthur Miller’s Death of a Salesman. Miller includes multiple instances of symbolism and personification to reveal to the reader the situational irony in Willy’s life, underlining the theme of self-deception in regard to the American Dream. This American Dream, fueled by money, is the main source of anxiety in Willy’s life. The anxiety of income is reflected today in the issue of minimum wage. James Sherk, a writer of the Tribune News Service, plots thoughtful points against raising the minimum wage. However, his use of over-exaggeration and odd comparisons leave his argument less than convincing.
Drugs are used to escape the real and move into the surreal world of one’s own imaginations, where the pain is gone and one believes one can be happy. People look on their life, their world, their own reality, and feel sickened by the uncaringly blunt vision. Those too weak to stand up to this hard life seek their escape. They believe this escape may be found in chemicals that can alter the mind, placing a delusional peace in the place of their own depression: “Euphoric, narcotic, pleasantly halucinant,” (52). They do this with alcohol, acid, crack, cocaine, heroine, opium, even marijuana for the commoner economy. These people would rather hide behind the haze than deal with real problems. “...A gramme is better than a damn.” (55).
Kilbourne, Jean. “‘Two Ways a Woman Can Get Hurt’: Advertising and Violence.” From Inquiry to Academic Writing: A Text and Reader. 2nd ed. Eds. Stuart Green and April Lidinsky. Boston: Bedford/ St. Martin’s, 2012. 459-480. Print.
To show how everyone can get involved in this business, it presents people from every social level in one of the world's biggest market. For example, it goes from poor Mexican cops trying to sell confidential information about the some drug dealers and risking their own lives just for money. This information was about a supposedly legit businessman Carlos Ayala. Ayala, a very well known businessman in Los Angeles, but whose only business was drug dealing and money laundering. It also includes as example the case of the anti-drugs czar's daughter, in which it represents how even the most unthinkable person can be using drugs. She is like the ideal daughter, third in her class, member of a lot of clubs in school, part of the volleyball team and volunteer in an old convalescent home. At last it concludes that the complete American society is pretty wrapped by the drug theme and it is becoming a more harmful problem.
In Don DeLillo’s eighth novel: White Noise, warmly accepted by critiques, the author exposes, that the money gained colossal meaning during our time, plunging down other values like freedom of customer choice and respect for shoppers. In his work of fiction he illustrates how current world of commerce impacts our minds by manipulating our decisions, and also he indicates that a human nature demonstrates immense vulnerability for such attack. Moreover the ubiquitous commercials lead us to desire of having things we never tried before, to see things not worth seeing, to buy stuff we really do not need. The novelist tries to open our eyes to identify and understand how works this commercial destructive mechanism.
“Towards a New Paradigm in the Ethics of Advertising” is a scholarly essay written by John Alan Cohan. Cohan aims to identify the unethical ways women are portrayed in advertising today. This essay explains common ways that women are exploited in advertising and why is each is hurtful and wrong. Then after outlining the unjust practices in women’s advertising, Cohan call for a “paradigm shift” in advertising, where he claims that ads can still be profitable, without harming women in the process (323). Cohan in writing this essay recognizes that women are being misrepresented and harmed by ads. He feels that this issue needs to be brought to advertisers attention, his main audience, and hopes for women’s representation in ads will be healed.
“The average family is bombarded with 1,100 advertisements per day … people only remembered three or four of them”. Fiske’s uses an example of kids singing Razzmatazz a jingle for brand of tights at a woman in a mini skirt. This displayed to the reader that people are not mindless consumers; they modify the commodity for their use. He rejects that the audiences are helpless subjects of unconscious consumerism. In contrast to McDonald’s, Fiske’s quoted “they were using the ads for their own cheeky resistive subculture” he added. He believed that instead of being submissive they twisted the ad into their own take on popular culture (Fiske, 1989, p. 31)