Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Nature of characters in hamlet
Psychological aspect of hamlet
Psychological aspect of hamlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Nature of characters in hamlet
A time of murder of the monarchy in Shakespeare ‘Hamlet’ At a time of murder, mystery, and suspense all unravels in William Shakespeare's 'Hamlet'. This common occurrence within the Middle Ages from Queen Elizabeth herself was when she murdered and tortured people, to Mary I, when she was responsible for burning 227 men and 56 women, in the Middle Ages. The Middle Ages related to the play 'Hamlet' by William Shakespeare because they both had to deal with kings and queens, and also murders. Shakespeare utilized many themes that develop other characters but deception, indecision, and mental instability played huge roles with in the characters Hamlet, Claudius, and Ophelia. Throughout the play 'Hamlet' Shakespeare uses multiple devices to picture Claudius deceptive. In act l of the play Hamlet discovers how deceptive and fake Claudius appears to be in his indirect speech. After discovering that his uncle Claudius killed his father, Hamlet …show more content…
In Act IV of the play, Ophelia showed the most mental instability throughout her direct speech. Ophelia was singing about her father and so she sang “And he will not come again? And he will not come again? No, no he is dead, go to thy deathbed” (4.5.186-190). Ophelia showed her mental instability when she found out her father got murdered by Hamlet; therefore, she went insane and kept singing about her dead father. Towards the end of act IV Ophelia showed the most mental instability through her actions, by drowning herself. When she drowned herself because of how emotional and insane she was about her dead father, Gertrude saw her in the lake drowning herself, and so she went and told Laertes “One woe doth tread upon another’s’ heel, so fast they follow, you sisters drowned Laertes” (4.7.159-160). That was the end of Ophelia in act IV and so she ended her last scene floating on the top of the lake
Ophelia’s mental strength quickly dissipates due to multiple happenings in the play. The man that she once thought she was in love with kills her father, driving her into the dark abyss of grief. She begins to fall into madness, “...speaks things in doubt /That carry but half sense /Her speech is nothing” (3.3.7-8). She begins to jabber on about nonsense. She loses her ability to think, “...poor Ophelia /Divided from herself and her fair judgment” (4.5.91-92). Others see her as an emotional wreck, falling farther and farther into insanity. She finally can’t take it anymore, so she ends her own life, “As we have warranty. Her death was doubtful” (5.1.234). Others saw Ophelia in a dark light, saying that she took her own life, and that she did not deserve a nobel burial. Ophelia was driven into mania by a combination of negative things, that in the end, lead to her taking her own
In other words, he displays the natural rise and fall of a deceiver. As the illusionist and criminal, Claudius is the owner of secrets he wishes would never be discovered since the throne isn’t the only thing at risk for him. To understand Claudius, one must understand that the severity of his crime comes at the price of his own head. In effect, this is Shakespeare hinting at the idea that the illusionist will eventually hurt himself through his own illusions. In the beginning, Claudius acts like a true noble king. To most characters he was of strong character and perhaps he only took the throne because he was told to since nothing was out of nature. However, as he quickly realizes that Hamlet knows of his faults, Claudius’ character makes a sharp turn in personality. This is shown through the way he addresses Hamlet. Before the meta-theatre occurs, Claudius is shown to be comfortable in addressing Hamlet, the son of the man he murdered, as his own; “But now, my cousin Hamlet, and my son—" (1.2.64). In comparison, as his fear begins to further develop into paranoia, he begins to address Hamlet as not his own child, but Gertrude’s child as he asks, “Where is your son?” (4.1.3). By doing this Claudius attempts to end relations with Hamlet physically and mentally. In spite of that, that didn’t seem to be enough for Claudius. In addition to considering Hamlet an enemy,
Here we can see that Hamlet had told Ophelia earlier in the scene how deeply he
Claudius has managed to deceive everyone by hiding the fact that he actually murdered King Hamlet. For instance, the ghost of Hamlet’s reveals to Hamlet the truth about his murder. He tells him, “Everyone was told that a poisonous snake bit me when I was sleeping in the orchard. But in fact, that’s a lie that’s fooled everyone in Denmark. You should know, my noble son, the real snake that stung your father is now wearing his crown” (Crowther, Act I, Scene 5). Despite murdering his brother, Claudius doesn’t regret his actions very much. In fact, he only begs God for forgiveness after watching his sins acted out in “The Mousetrap” (Shakespeare, Act III, Scene 3). However, Claudius is caught between not wanting to give up all that he gained through his duplicity and the guilt borne from his sins (Goddard, “On Hamlet”). After he finishes praying for forgiveness, Claudius gives up on repenting, saying “My words fly up, my thoughts remain below” (Crowther, Act III, Scene 3). Claudius also deceives Rosencrantz and Guildenstern. Claudius asks the two to find out the reason for Hamlet’s moodiness, saying, “Since you both grew up with him and are so familiar with his personality and behavior, I’m asking you to stay a while at court and spend some time with him. See if you can get Hamlet to have some fun, and find out if there’s anything in particular that’s bothering him, so
The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim of a distrustful lover and an authoritative father. She is an obedient daughter, who is controlled by her father Polonius, an advisor to King Claudius. Therefore, she believed she had to do everything her father told her to, which caused her to stifle her love and hurt Hamlet, the man she loved (Hamlet). In Branagh’s version, Ophelia is more emotionally mature and physically stronger. The reasons for her madness are outcomes “of her frustrated romance with [Hamlet] as well as her status as a pawn of all the men in her life” (William Shakespeare’s Hamlet; Teker, par. 17). The experiences she encountered with Hamlet result in great anguish to her. Specifically, he did not marry her when he had promised to do so. On St. Valentine’s Day, she alludes to this by singing a song about a maid whose lover also did not marry her as he promised (Shakespeare 4.5.24-64). She was constantly conflicted by what her father wanted, what Hamlet wanted, and what she wanted.
Many believe that Ophelia genuinely lost her mind and became suicidal towards the end of the play. This is very self explanatory due to the fact that both her father and brother died and they seemed to play a big part in her life. Ophelia’s genuine madness exposes Hamlet’s counterfeit madness because Ophelia shows signs. In Act 4, Scene 5, Ophelia is constantly singing songs about death and basically ignores anything that anyone says to her. For example, in Act 4, Scene 5, she sings, “He is dead and gone, lady, he is dead and gone. At his head is a patch of green grass, and at his feet there is a tombstone.” This continues on and on until one day she is in a meadow and she ends up drowning. She ends up dying before she can even see her brother, Laertes ever again. When Laertes finally returns, he wants to say his final goodbyes to his younger sister and while he’s doing this, Hamlet is hiding in the bushes listening and he begins to cry. This is another way that Hamlet exposes that he isn’t truly mad the way he made himself seem. He forced himself to treat Ophelia poorly so many times throughout the play and it was all just a part of his madness act. Him releasing his emotions for Ophelia in this moment showed everyone that he truly did care for her. Even if he wasn’t madly in love, he definitely cared for her. This is the last main event that shows that Hamlet wasn’t truly a mad, emotionless, heartless
When the Queen was asked if she knew how Hamlet was, she said that he was as mad as the sea and wind (4.1.6-7). This actually aided Hamlet in his plan because he was able to deceive the King even more. Sadly, Ophelia was also affected by Hamlet’s acting skills and she went insane. She could not handle the emotional stress that Hamlet caused her by claiming he did not love her even though he once claimed he did and also the death of her father. Eventually, she falls from a branch into a stream and dies. Even though this is not part of Hamlet’s plan, he continues with plan of
Hamlet's public persona is a facade he has created to carry out his ulterior motives. The outside world's perception of him as being mad is of his own design. Hamlet is deciding what he wants others to think about him. Polonius, a close confidant of the King, is the leading person responsible for the public's knowledge of Hamlet's madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father. He communicates with his dead father's ghost twice, in the presence of his friends and again in the presence of his mother. By being in public when talking to the ghost, the rumor of his madness is given substance.
Ancient Greek and Christianity both have different vision of death. Therefore, the idea of death and the afterlife was contrarily shown in the two texts. Death permeates Hamlet from the beginning of the tragedy through the ghost of king Hamlet. Suicide was desirable way to replace suffering the life but it is forbidden by the Christian religion. Also Hamlet explains how the body return to dust at the end and what happen in the afterlife. However, death in apology by Plato was unknown idea thus Socrates does not fear it. In addition death is an honourable thing for men. For Socrates death is the nonexistence or the transmigration of the soul.
This can be proven by the change in Ophelia’s actions and behavior. Ophelia starts to sing strange songs in front of Gertrude about her father’s death and Hamlet’s madness. Ophelia sings to Gertrude and sings, “He is dead and gone, lady, he is dead and gone, at his head a grass-green turf, at his heels a stone” (4.5.26-29).This tells us that Ophelia is a very soft and is a very weak character and can easily get heart broken. She cares about her family and the death of her father has shattered her into pieces, it may cause problems for her to
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
Hamlet portrays Ophelia to be used only for his own purpose. He didn’t want Ophelia to leave him. I Shakespeare portrays Ophelia in a different way than what Hamlet does. Again, he does have a sense of feeling bad for Ophelia. You can tell when he is feeling bad for Ophelia when he has her talking to Polonius about how Hamlet looked insane, when he came to her room. In Act 3, Scene 1, Hamlet is talking to Ophelia in a suitable way, at first. As their conversation goes on Hamlet is more arrogant. Shakespeare wrote him this way to show his own portrayal of a love. Shakespeare had killed Ophelia off when she began to go insane while, Hamlet wasn't there. Shakespeare has a sense of feeling bad for Ophelia, he in some opinions had her commit suicide to show that women can not handle being alone. By this time in the play Laertes and Hamlet are gone and Polonius is dead. Shakespeare has a way in his writing that it all makes sense. Even if Ophelia did not commit suicide, or she was murdered or she did fall into a body of water, the concept fits with the idea that Shakespeare portrays women as they can not be alone, they can live on their
Both Ophelia and Hamlet face madness due to grief after the death of their fathers. Downfall as a result of madness is handled differently by the two lovers. Ophelia handles her instability completely because of her suicide, whereas Hamlet’s instability comes and goes. When Hamlet says, “To be, or not to be: that is the question,” he wonders whether he should commit suicide or not—there is a lack of action here. Additionally, Ophelia copes with her self-destruction privately, while Hamlet acts out and leads everyone to suspect he is crazy. Ophelia also has no coping mechanism to turn to while Hamlet uses revenge to deter his suicidal thoughts. These differentiations allow for Ophelia’s sanity to be impaired and for Hamlet’s to remain somewhat
Claudius is Hamlet’s uncle and stepfather. He had an affair with Hamlet’s mother and murdered Hamlet’s father. Claudius cared for no one in the play but himself. There were very few happy moment for Hamlet in the play, but one came when he made a play within the play. Hamlet wanted to see the reaction the Claudius had to the scene on the play where they show how the king was murdered. Claudius’ reaction to the scene was astounding. “Give me some light. Away!”(III.2. 255). Hamlet saw his reaction and knew for sure that Claudius killed his father. Claudius was a horrible uncle ...
The tragedy of Hamlet by William Shakespeare is about Hamlet going insane and reveals his madness through his actions and dialogue. Hamlet remains one of the most discussed literary characters of all time. This is most likely due to the complex nature of Hamlet as a character. In one scene, Hamlet appears happy, and then he is angry in another and melancholy in the next. Hamlet’s madness is a result of his father’s death which was supposedly by the hands of his uncle, Claudius. He has also discovered that this same uncle is marrying his mom. It is expected that Hamlet would be suffering from some emotional issues as result of these catastrophes. Shakespeare uses vivid language, metaphors, and imagery to highlight how Hamlet’s madness influences several important aspects of his life including his relationships and the way he presents himself.