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Hamlet and his problems
Hamlet and his problems
Observations on hamlet
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Ancient Greek and Christianity both have different vision of death. Therefore, the idea of death and the afterlife was contrarily shown in the two texts. Death permeates Hamlet from the beginning of the tragedy through the ghost of king Hamlet. Suicide was desirable way to replace suffering the life but it is forbidden by the Christian religion. Also Hamlet explains how the body return to dust at the end and what happen in the afterlife. However, death in apology by Plato was unknown idea thus Socrates does not fear it. In addition death is an honourable thing for men. For Socrates death is the nonexistence or the transmigration of the soul.
Death pervades Hamlet from the introductory part of the play. The ghost of hamlet the king announces the notion of death and it costs. Hamlet has a young attraction with death; he was advised by his friends that looking for the ghost is a wrong thing because the ghost is an ominous omen for Denmark and the greater subject of the fitness of the entire state. It is a noticeable indication of the rottenness of the state produced by Claudius killing to his brother. However, Hamlet’s fascination with death was excessive, which means that he was ready to lose everything to follow the ghost. Hamlet’s grief was greater than Claudius and his mother and that made him more obsessed about death.
“I am father’s spirit, doomed for a certain term to walk the night and for the day confined to fast in fires, till the foul crimes done in my days of nature are burnt and purged away” (Hamlet, act 1 scene 5. P28). These lines show that recent place of the ghost is the purgatory. The ghost clarifies to hamlet that his soul is left wandering on earth because his murdered has been unpunished yet. The image of the ...
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... sharing knowledge about suffering in their life. However, the supposition of the soul transmigration to different place identified as metempsychosis, it may be wrong. Socrates believed that there is only one place where the dead go to but we think logically there might be different places where the souls after death. As Christian belief there is heaven and hell, souls might be transmigrated to one of them according on how bad or good the persons behaviour on earth.
In conclusion, the idea of death in Hamlet was different than the meaning of death in Apology by Plato. What happen after death is clear for Hamlet where the soul goes to heaven or hell and the body decompose and return to dust. On the other hand, death for Socrates is the nonexistence or the transmigration of the soul to another place. Death is the unknowability thus Socrates does not afraid from it.
To begin with, Hamlet starts off his speech asking, “Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune/ Or to take arms against a sea of troubles/ And by opposing end them” (Shakespeare 3.1.57-60). He wonders if he would be more noble if he took his own life and end his sorrows than if he continued to endure him. This question shows the pain and grief that Hamlet has experienced since the death of his father. According to Ophelia, later in Act 3 Scene 1, she reveals that Hamlet was once the obvious successor to the throne since he was charismatic and admired by the people. Clearly, in this part of the play, he is suicidal, and he is uncertain about many of the big decisions in his life. This extreme change in Hamlet’s behaviors makes the audience worry about Hamlet’s mental health. Is his feigned madness transforming into true insanity? However, his comparison to death and sleep suggests that Hamlet is in a state of reflection and learning. Hamlet’s analogy between death and sleep is the musings of an ordinary man who wonders what happens to a soul once its body dies. Just as no one knows what dreams they will experience when they lay in bed, no knows what they will experience when their body is finally laid in a grave.
It could be perhaps argued that Hamlet's state of mind which has become debased, but this is until Horatio claims, "Something is rotten in the state of Denmark (I, IV, 90)." The notion of festering carrion being a metaphor for King Hamlets death epitomizes this notion. The ghost furthers this idea by stating at the moment of his death, his skin became "Most lazar-like with vile and loathsome crust all my smooth body (I, V, 72)." This attempts the elucidate on the feeling of death almost like becoming like a leper before death finally takes its toll.
In the beginning of the play Hamlet's view of death is mournful but, as the play continues he begins to think of death as this incredibly terrifying concept, this is clear when he states “To die,to sleep-- to sleep, perchance to dream […] But that the dread of something after death, The undiscovered country of whose bourn” (Shakespeare III i
“So shall you hear of carnal, bloody, and unnatural acts, of accidental judgements, casual slaughters, of deaths put on by cunning and forced cause”, (Hamlet, Act V, Scene 2, Lines 381-384). Horatio, best friend of Prince Hamlet, says this in the final lines of the play. He says this after Gertrude, Queen of Denmark, Hamlet, Claudius, King of Denmark, and Laertes, son of Polonius all die in the battle between Hamlet and Laertes. Hamlet, King of Denmark, Rosencrantz and Guildenstern, former friends of Hamlet, Polonius, councillor to the King, and Ophelia, daughter of Polonius are also dead. Death is a very important theme in William Shakespeare’s Hamlet.
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
Hamlet’s belief in what happens after you die first came about after his father’s ghost tells him about his experience with dying before repenting of your sins. In act 1 scene 5, the ghost of Hamlet’s father says,
The soul is a mysterious entity; unlike its counterpart the body, it cannot be concretely study as a physical object. Parts of philosophy and religion delve into the topic of the soul, trying to denude its nature. As philosophy and religion sometimes resemble each other’s views, assumptions of similarity are made between the two. However, despite appearing similar, upon deep review of the subjects, philosophy and religion may differ in views. This is seen in Socrates’ view of the soul versus the Christian idea of it. Socrates idea of how a soul becomes purify through living a philosophic life rather than a materialistic life is different to the Christian idea of living in the world and not of it. Each idea has similar points, yet there are strong dividing points between the two. I will first discuss Socrates view on the soul, according to his ideas presented in the text Phaedo. Then I will highlight the Christian view on the same topic looking at the Biblical books of James and John before giving the opposing idea based on the similarities of the
Death, revenge, murder and suicide are major themes in this play. The presence of death embarked in act one. The Ghost appears before two characters, Barnardo and Francisco. They were unaware that the spirit is the old King. The spirit of the old King, is haunting the characters throughout the entire play. Hamlet is the only person that communicates with the ghost directly. The King is searching for rest and peace in purgatory. “ I am thy father’s spirit, Doom’d for certain term to walk the night, And for the day co’fin'd to fast in fires, Till
One of the very first pieces of Christian evidence provided to the audience in Hamlet is the idea of purgatory. The Ghost, in act one scene two, says that he is neither in Heaven nor Hell, and that during the night he is able to leave, but during the day he is stuck in purgatory until he has paid for his sins (Shakespeare 1.5.10-13). Purgatory, part of the doctrine of the Catholic Church, is believed to be the place where souls go after the body is dead. In purgatory the soul is able to compensate for its sins it had not confessed and earn its way into Heaven. At first this idea of purgatory may not seem crucial to the play, but a closer analysis proves to contradict this thought. The whole idea of purgatory being neither Heaven nor Hell allows for the Ghost to return as a spirit. In his return to the real world, the Ghost, informs his son that he did not pass away from natural causes that Claudius, the Ghost’s brother, murdered him. If the Ghost did not make an appearance to Hamlet then he never would have found...
Death threads its way through the entirety of Hamlet, from the opening scene’s confrontation with a dead man’s ghost to the blood bath of the final scene, which occurs as a result of the disruption of the natural order of Denmark. Hamlet is a man with suicidal tendencies which goes against his Christian beliefs as he is focused on the past rather than the future, which causes him to fall into the trap of inaction on his path of revenge. Hamlet’s moral dilemma stems from the ghost’s appearance as “a spirit of health or a goblin damned”, making Hamlet decide whether it brings with...
Shakespeare shows the ideology of death internalizing within Hamlet first with Hamlet’s emotions following the death of Old Hamlet. In the scene in which Hamlet is introduced, Hamlet is portrayed as an embodiment of death, dressed in “suits of a solemn black”(1.2.81) and has “dejected havior of the visage”(1.2.84). Hamlet’s physical representation as death signifies his lack of desire to continue living himself, being detached and discontent with the world around him. Hamlet, in his first soliloquy, opens by stating, “Sullied flesh would melt/Thaw, and resolve itself into a dew,/ Or that the Everlasting had not fixed/His canon ‘gainst Self Slaughter!”(1.2.133-135). This is significant, as it shows Hamlet’s full willingness to commit suicide and end Hamlet’s internal pain, if not for suicide being a sin under religion. The reason for Hamlet’s desire for death and his dis...
After a death, we find ways to overcome grief in this painful world. Some people binge eat their way out while others find the easy way out, which is suicide. In the play Hamlet, Shakespeare portrays mortality in the image of death and suicide. Shakespeare develops Hamlet as a man who is sensitive and uncontrolled by his actions. Hamlet faces challenges that mess with his subconscious, making him feel vulnerable to making decisions that will affect his life.
The beginning of the play lets us know that it is winter with Fransisco’s statement that it is “bitter cold” (1.1.6) This may be an allusion to death in itself – things are dead in winter. The guards speak of the ghost and we know right away that we have a supernatural theme, as well as a theme of death. In act 1 scene 2 we get the impression that King Hamlet has been gone for a while. Gertrude is already re-married and is happily out of mourning clothes. Gertrude even tells Hamlet, who is in full black mourning clothes, to cheer up.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
Ancient Athenian culture thought very little of the concept of death, in fact, they withered away from deliberating it and or questioning it entirely. Alternatively, one Athenian, Socrates, had different perceptions on the way he viewed life and the latter, death. Socrates, a philosopher, believed that philosophy necessitated a dire connection with oneself and the soul. Considering the many accounts of Socrates explaining how this connection can come about, he stated, if practiced correctly, only true philosophers would be able to experience the fruits of the after-life. Given the process, Socrates explains that philosophy exercises the mind and trains it to embrace death.