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Much Ado About Nothing Literary Analysis
A tragically flawed character is a person in a story that has a trait that leads to his or her own downfall. There are many characters in the play that have these tragic flaws. Don John is prideful, Beatrice is stubborn, and Dogberry is ignorant. These traits all lead to something negative in the end. However, the most tragically flawed character in William Shakespeare’s play, Much Ado About Nothing, is Claudio because he so gullible and trusting.
The main reason that Claudio is the most flawed character is because he is trusting of others. The night before the wedding, in act 3, scene 2, Don John comes up to Claudio and Don Pedro and tells them that Hero is cheating on him. Claudio says, “If I see anything tonight why should I not marry her, / tomorrow, in the congregation where I should wed, / there will I shame her” (Shakespeare 50). Claudio, even though he knew Don John was a liar, still believed
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It shows that he will trust and believe the first thing he hears even without any proof. No where in the play does it say that the three men actually went out and saw what was happening. A journalist for the British Library named Emma Smith says, “Interestingly, those stage or film productions of the play that want to be sympathetic to Claudio do tend to depict the scene at her window to suggest that the trick was a convincing one and therefore he should not be judged too harshly. But by leaving it out, Shakespeare suggests that the men have already made up their minds.” Without him even asking for Hero’s side of the story, Claudio just assumes that Don John is telling the truth. This is pretty sad considering Claudio was about to marry Hero and still wouldn’t believe her. Also in act 2, scene 1, Don John goes up to Claudio during the party and tells him that Don Pedro confessed his love Hero. Claudio says, “This is an accident of hourly proof, / Which
First, Don John want to retaliate Claudio just because that Claudio hath all of Don John’s glory. After Claudio get glory in the battle, Don John begin to retaliate Claudio in many ways. Claudio was very brave in the battle, and he got many glory and was award by Don Pedro. In the other side, Don John said, “come, come, let us thither: this may prove food to my displeasure. That young start-up hath all the glory of my overthrow: if I can cross him anyway, I bless myself every way (Act I: Scene III).” Jesus tells us that, “You have heard that it was said, ‘Eye for eye, and tooth for tooth.’ But I tell you, do not resist an evil person. If anyone slaps you on the right cheek, turn to them the other cheek also (Matthew 5:38-39).” This means that we should forgive others, and
He becomes jealous and he tries to take it away or make them feel inferior in some way. Seeing people that have something he didn’t, makes him feel like he is below them and he makes them an enemy. Don John shows this trait in ACT 2 Scene 2 when he says “ Any bar, any cross, any impediment will be/ mendicable to me. I am sick in displeasure to him,/ and whatsoever comes awart his affection ranges/ evenly with mine. How canst thou cross this marriage?”(Shakespeare 30). Since Claudio and Hero love each other and he has never experienced love he tries to ruin their wedding. He feels jealous and therefore thinks he has to intervene and that they should not love each other anymore either. This shows another Machiavellian trait of Don John as his selfishness and self-centeredness come through simply because they have what he wants and doesn't know how to get. Another thing that he wants is the throne. His brother Don Pedro is the current king. Don John goes to war with his brother Don Pedro over this. In ACT 1 Scene 1 Leonato asks the Messenger about the war, “How many gentlemen have you lost in this action?”(Shakespeare 1). Don John’s brother has the throne but he believes he is entitled to it. Don John is jealous of what his brother has and is willing to do anything he can to get it. This shows that he is Machiavellian because he tries force people to comply to his
Evidence to support this reason says, “How you know he loves her? I heard him swear his affection. . . But hear these ill news with the ears of Claudio. ‘Tis certain so; the prince woos for himself. . . trust no agent; for beauty is a witch. . . Farewell, therefore, Hero” (Shakespeare pg. 23). This quote shows how Claudio was easily convinced to believe that Don Pedro loves Hero for himself, even though there wasn’t anything to prove of this, and how he doesn’t even try to ask Don Pedro if this is true or not. Another piece of evidence says, “If I see anything tonight why I should not marry her tomorrow, in the congregation where I should wed, there will I shame her” (Shakespeare pg. 50). This quote shows how again, Claudio was easily convinced by Don John that he will not wed Hero if he sees her being disloyal towards him. This quote also shows how he’s easily convinced to do something due to someone telling him to do so. To sum this all up, Claudio’s manipulation is his second most major tragic
Shakespeare, William. Much Ado about Nothing. Ed. Paul Werstine, Barbara A. Mowat, and Gail Kern. Paster. New York: Simon &ump; Schuster Paperbacks, 1995. Print.
How Shakespeare Presents the Character of Claudio in Much Ado About Nothing and How Interpretations of His Character Can Vary Claudio is firstly presented, though he is not in the scene where this takes place as a brave, young and fresh addition to Don Pedro’s. troops and that he is quickly growing to be a hero and this is commented on by the messenger in the scene. He is extremely nave in the early scenes, he has a very simple and trusting view of the world. and the way it works, he seems to be flirtatious, making him possibly. desperate or genuinely in need of love.
Don John plays an essential role for nearly all of the trickery and deception in this play. He acts like a catalyst and an instigator for trouble, whose sole aim is to marmalize the love and happiness between Claudio and Hero. Shakespeare uses foreshadowing of Don John’s villainy to display the trickery and deception:
middle of paper ... ... One final and resounding difference between Don John and Iago has to do with the past of each character. Shakespeare portrays Iago as an intelligent and sometimes caring character until Othello supposedly wrongs him. On the other hand, Don John has more of an evil aura about him, and shows his hatred for Claudio right from the start. Overall, the characters of Don John and Iago are very similar, although the latter is much more intelligent and complex These two men are what draw the reader’s attention to the novel, and share so much in common that the two seemingly unrelated works are read in tandem constantly.
By the end of the play, we see Claudio’s transformation from being an immature, love-struck boy who believes gossip and allows himself to easily be manipulated grow into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for. The wedding dance of Claudio and Hero along with Beatrice and Benedict shows how order is now restored in the city of Messina, and order given to the life of Claudio.
He is helpful, kind, and powerful. For example. “Lady Beatrice, I will get you one” (Shakespeare 27). He wants to help Beatrice get a husband, and help Claudio and Hero with their happiness. Also, “ and, as I wooed for thee to obtain her, I will join with thee to disgrace her” (Shakespeare 96). This piece of evidence shows that Don Pedro is affected by the news from Don John regarding Hero’s disloyalty , and his opinions on other characters start to change. This brings out some strengths and weaknesses in the two brothers. Don Pedro truly wants to help Hero with her marriage without and tricks or change of plans in the beginning of the play. Don Pedro impacts the work with his actions and beliefs, and he is seen as cupid and a peacemaker. His relationship with Don John helps understand what is going on between all the characters and the reasons for the events that took
With this ending and the treatment of Don John throughout the play, it is clear that he will never be able to mingle positively without suspicion, and with other characters. His harsh sentencing for deceit is hypocritical as almost every character in the play, from Don Pedro to Leonato himself have deceived people, albeit not with bad intentions like Don John. His reputation ever since he was born has dictated his life and his only alternative to being called an untrustworthy bastard is to become a “plain-dealing” villain, to forge himself his own identity. Although everyone believes he is a conniving villain, Don John’s just forcing himself to be one; to prove he has his own identity among the “posh” people of Messina even if it is antagonistic.
That is a key part of Machiavellianism which is not present Borachio because it is shown that he willingly follows Don John’s orders and is okay with being an underling rather than in charge. Additionally, when Don John is creating a plan to ruin Hero and Claudio’s wedding he states, “Only to despite them I will endeavour anything.” (Shakespeare 31). Essentially what Don John is saying in this line is that he will work hard and persevere through anything to make sure this plan succeeds. This is the very definition of Machiavellianism. Proving that Don John is more Machiavellian than Borachio.
In Act 3, Scene 2, Don John gave Claudio and Don John false information about Hero cheating or being disloyal to Claudio. In Act three, Scene two Don John says this to Don Pedro and Claudio “I come hither to tell you; and, circumstances shortened, for she has been long too a-talking of, the lady is disloyal.” (Shakespeare) Claudio then believes what he said so much that he actually goes to the wedding and shames her in Act four, Scene one. Claudio said “What man was he talked with you yesternight out your window betwixt twelve and one? Now, if you are a maid answer to this.” (Shakespeare). By calling her out he then ruined his relationship with Leonato, Beatrice, Benedick, Antonio, and Hero for a while. He ruined his reputation along with Heroes. He later becomes known as a criminal throughout the household. He endangers himself to the point that Benedick is asked by Beatrice to kill him, so Benedick challenges him to a duel so he can fight him. Claudio took the bait with saying “If I see anything tonight why I should not marry her, tomorrow in the congregation, where I should wed, there will I shame her.” (Shakespeare). Claudio immediately went into saying how upset he was and how he will disgrace her. He didn’t think anything of what Don Jon was saying coming from him and how he is a known criminal and hates his brother whom is friends with Claudio. After Don John tells
King Charles I changed the name of, “Much Ado About Nothing,” to “Beatrice and Benedick,” in his personal copy of the play. “Much Ado About Nothing” by William Shakespeare is a comedy set in Messina, Italy, when the men are returning from battle. As the reader follows Claudio, Don Pedro, Don John, Benedick, Hero, Beatrice, Leonato, and a few others through this story, the reader will find that the most unusual of relationships can blossom. William Shakespeare is a well-known author of many plays, sonnets, and poems from the Elizabethan Era. In “Much Ado About Nothing” by William Shakespeare, Beatrice is a foil to Hero because of their contrasting emotions, opposite personalities, and differing actions.
In Act 3 Scene 2, Don Jon the Bastard deceives his brother (Don Pedro) and Claudio. Don Jon has come up with a gimmick to fool Claudio and Don Pedro into thinking that Hero has been unfaithful to Claudio when she was truly innocent, and to ultimately ruin Claudio’s happiness. Don Jon tells Claudio and Don
Claudio not only allows himself to be blindly deceived by Don John once, but