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How is bad deception shown in much ado about nothing
How is bad deception shown in much ado about nothing
Much ado about the theme of deception
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In the play Much Ado About Nothing written by William Shakespeare the theme of deception is very conspicuous. Throughout the play, characters are constantly eavesdropping in on conversations or situations that they believe they should not be a part of. While some of these encounters may have seemly positive results, I believe that the deception many of the characters experience have very negative outcomes. Examples of the mischievous deceits can be clearly seen through the trick that Don Jon maliciously played on Claudio. In Act 3 Scene 2, Don Jon the Bastard deceives his brother (Don Pedro) and Claudio. Don Jon has come up with a gimmick to fool Claudio and Don Pedro into thinking that Hero has been unfaithful to Claudio when she was truly innocent, and to ultimately ruin Claudio’s happiness. Don Jon tells Claudio and Don …show more content…
He instructs Claudio and Don Pedro to, “Go but with me tonight, you shall see her chamber window entered, even the night before her wedding day. If you love her then, tomorrow wed her. But it would better fit your honor to change your mind” (3.2. 581). Later that night, Don Jon leads Don Pedro and Claudio to Hero’s chamber window where he had Margaret and Borachio set up to hoax a scene of Hero being unfaithful. Don Jon lead them there with no intention but to ruin Claudio and Hero’s marriage, and he did just that. Once Claudio saw the display of adultery, he decided to not call off the wedding, but to publicly shame Hero in front of all of her friends and family. The next day at the wedding, Claudio exposes Hero for her
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful.
Have you ever been tricked or deceived? Have you ever been tricked into dating someone you like because you thought what you were told was true? In the book Much Ado About Nothing trickery and deceit is used a lot to get the characters to fall for one another even the ones who say they don’t love one another end up getting involved intimately with each other. For Example, trickery and deception takes place when Don Pedro tells Claudio that he will woo Hero for Claudio to marry her. Tricking her to believe that Don Pedro has feelings for Hero. Don Pedro says Claudio, I will assume thy part in disguise and tell fair Hero that I am Claudio, and in her bosom I’ll unclasp my heart, and take her prisoner with the force and strong encounter of
...ce Borachio confesses about his and Don John's plot, everyone lays their grudges and challenges aside. Claudio still marries Hero while Benedick and Beatrice also wed together.
Evidence to support this reason says, “How you know he loves her? I heard him swear his affection. . . But hear these ill news with the ears of Claudio. ‘Tis certain so; the prince woos for himself. . . trust no agent; for beauty is a witch. . . Farewell, therefore, Hero” (Shakespeare pg. 23). This quote shows how Claudio was easily convinced to believe that Don Pedro loves Hero for himself, even though there wasn’t anything to prove of this, and how he doesn’t even try to ask Don Pedro if this is true or not. Another piece of evidence says, “If I see anything tonight why I should not marry her tomorrow, in the congregation where I should wed, there will I shame her” (Shakespeare pg. 50). This quote shows how again, Claudio was easily convinced by Don John that he will not wed Hero if he sees her being disloyal towards him. This quote also shows how he’s easily convinced to do something due to someone telling him to do so. To sum this all up, Claudio’s manipulation is his second most major tragic
as they are told, and as Hero, Claudio’s future wife, had not been. faithful and therefore disrespectful, the blame was shifted to her. However, this was embarrassing for Claudio, and his anger was. great, making him seem aggressive. As the play begins to end.
	The first example of deception we see is with the characters of Beatrice and Benedick. These two characters provide the humor throughout Shakespeare's comedy; their repartees and soliloquies tend to leave the reader smiling and anxious for more dialogue between them. Beatrice and Benedick have had a relationship prior to their battles of wit to which she alludes to in Act 2: "Marry, once before he won it for me with false dice; / Therefore your grace may well say I have lost it’ (2.1.265-7). We see that at one time in the past they had a relationship that somewhere went wrong. The deception of Beatrice and Benedick comes courtesy of Don Pedro in Act 2. In this scene, Don Pedro, out of pure amusement, asks Leonato, the governor of Messina, and Claudio, a lord attending on Don Pedro, for help to bring these two together: "If we can do this, Cupid is no / longer an archer; his glory shall be ours…" (2.1.363-4). In Act 2.3, Claudio, Pedro, and Leonato, see Benedick in the garden and decide that that is the right moment for them to try and trick Be...
The beginning of the play shows Claudio, on numerous occasions, as gullible and paranoid that everyone is against him. When Don John tells Claudio that Don Pedro has wooed Hero for himself he responds by saying, ““But hear these ill news with the ears of Claudio. Tis’ certain so. The Prince woos for himself” (Shakespeare 24.) This quote shows that Claudio often puts his trust in the wrong people. He takes the word of an enemy, who he has already defeated in battle, over someone who fought along side him and is supposedly his best friend. It also shows how naïve Claudio can be and how easily he will take what others say as the truth without using his better judgment. In this quote, Claudio proves how fast he can turn against someone, even one of his best friends, when he hears they have wronged him. When Don John accuses Hero of being unfaithful to Claudio he says, “If I see anything tonight w...
In the meantime, let me be that I am, and seek not to alter me.’ - Don John. o (Act I, Scene III: Lines: 22-30). The first instance of trickery and deception is when Don Pedro tells Claudio that he will woo Hero for Claudio to marry her in Act I Scene I.
The first sign of Claudio’s immaturity is how easily he falls in and out of love. In Act 1, Scene 1, Claudio says to Benedict, “I would scarce trust myself, though I had sworn the contrary, if Hero would be my wife” after merely taking in the beauty of Hero (Shakespeare 1.1.9). There is no real substance yet to his love for Hero other than outward appearance, much like any person young and naïve with love. When Claudio asks Don Pedro, “Hath Leonato any sons, my lord?” helps the reader develop a further understanding of Claudio and what could be his true motive for wanting to marry Hero, the only heir to her Leonato (1.1.13). Another sign of the fickleness of Claudio is when told by Don Jon, the bastard, that Hero has affections toward Don Pedro his best friend, he swears off his love for Hero by saying, “This is an accident of hourly proof. Which I mistrusted not. Farewell therefore Hero” (2.1.24). After having Don Pedro ask Leonato for his permissions to marry...
Don John is the illegitimate half brother of Don Pedro in the play. Don Pedro is the Prince of Aragon and is highly respected throughout the play, whereas Don John is treated with cautious attention and indifference. In Act one scene three, Leonato greets Don Pedro rather enthusiastically and respectfully,
Deception is a common theme throughout literature. In William Shakespeare’s play,”Much Ado About Nothing,” deception is a common theme. Most of the characters lie throughout the play, but some of them can be justified or considered acceptable. According an excerpt of the article, “The US Political Campaign: Lies, Lies, Lies,” by Paul Gray, Michael Duffy, Priscilla Painton, and Elizabeth Rudolph, lies can be categorized into three types. Type one includes the lies used to protect someone else, the main type of deception used in “Much Ado About Nothing.” Type two lies consist of lies in the interest of the liar, or the lies used to protect the liar from certain consequences. Type three lies are mainly comprised of lies to harm others. The main villain in “Much Ado About Nothing” who uses type three lies throughout the play is Don John. Don John doesn’t care for the feelings of those close to him. In the end, Don John’s deception is the biggest act of the betrayal in the play.
In the book Don John plans on sabotaging the wedding of Claudio and Hero by making Claudio believe that she is having affairs with Borachio. In the book Don John goes and shows Prince and Claudio what it seems that is Hero having sex with Borachio. But it wasn't Hero it was Margaret (Hero's cousin) having affairs with Borachio, but Borachio made it seem like it was Hero just so Claudio will get mad and ruin the wedding. On the wedding day that's when Claudio refuses to marry Hero because of what he saw. Claudio exclaims “Not to be married, Not to knit my soul to an approved wanton”(Act IV, Scene I, 44-45).
In Shakespearean literature, there are many dramatic elements, such as tragedy or treachery, that supports the important themes of Shakespeare’s work. Deception and disguise is commonly used by certain characters in Shakespearean drama which includes a certain purpose as a whole. Even with the relevance of emotion, logic, and ethics appeals; the play “Much Ado About Nothing” showcases a tale where trickery creates an impact between the characters’ relationships of the story. Considering its use of figurative language, the play contributes to the themes that the consequences of an act of trickery is depended on the intended actions of the characters and that disguise can generate malevolent or pleasant outcomes whether it’s benign or significant. For the purpose of how these motifs contribute to the development of the play’s themes, examples of deception and disguise includes the need of concealing one’s identity, Don John’s desires, and the changing relationships of Benedick and Beatrice.
Offer them instances, which shall bear no less likelihood than to see me at her chamber window, hear me call Margaret “Hero,” hear Margaret term me “Claudio,” and bring them to See this the very night before the intended wedding, for in the meantime I will so fashion the matter that Hero shall be absent, and there shall appear such seeming truth of Hero’s disloyalty that jealousy shall be called assurance and all the preparation overthrown. Don John: Make the arrangements, and I’ll do it (IT.ii.26-43). It is evident that Don John’s plan was carefully thought out to guarantee the restoration of his ego. He wanted both Hero and Claudio to feel the disappointment he felt when he found out about their wedding, so he blatantly manipulates the truth in order to stop the burning agony of his ego. At this point in the play, Claudio’s ego is also hurt because he feels like he has been humiliated and misled by his soon-to-be wife.
The play is full of dramatic irony in that we know characters are being deceived while they do not know that they are being lied to. This is more entertaining in certain cases, such as with Benedick and Beatrice. Although it is rather annoying and ignorant when we see what happens to Hero as a result of bad hearted deception. We know she has been lied to, and we can only watch helplessly as the love between Claudio and Hero fades away. When filming different scenes concerning deception, such as the ones where people are wearing masks to conceal their identity, one must make it clear to the audience that a character is being deceived.