Mr. Pirzada Comes To Dine 'And A Temporary Matter'

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Separation Friends grow apart. People change. Shifts in relationships are as natural as the relationships themselves. In her collection Lahiri’s characters go through their own separations that are either caused by nature, accidental or self inflicted. Some characters then use additional separation as a way to avoid future pain and as a way to repair themselves from the pain they’ve felt before. While the characters in the stories “A Temporary Matter”, “When Mr. Pirzada Comes to Dine”, and “A Real Durwan” respond differently to the tragedy of separation, each story is a testament to the ways that the separation and decay of relationships causes pain yet still cause. Lahiri insists on the idea that separation is a constant, and the only thing …show more content…

However, even though he is trying to stay connected to his family by sending letters every day and trying to hear as much as possible about the condition of Dacca, he is still separated from them and the loss is still there. In “A Real Durwan”, Boori-Ma suffers a similar loss in that her “deportation to Calcutta after Partition… had separated her from a husband, four daughters, a two-story brick house, a rosewood almari, and a number of coffer boxes” (71). She had no choice when she was forcibly removed from Calcutta and every day she must bare the loss and loneliness that comes with her situation. She lost her family, her home, her belongings, and the right to live in her home country. Throughout the story, she is unable to come to terms with her loss, and is constantly thinking about everything that she had, even exaggerating her own memories so as to distract herself from her pain and make it seem like a dream. Together these characters all have been through such unwanted pain, such loss and separation that effect how they interact with their own worlds and the people they meet. These forced separations cause pain, yet also a unifying theme of the formation and the collapse of relationships throughout the

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