For around an expansive segment of a century, starting in the late '50s, a Greyhound transport overflowing with African-American models smoldered through four months consistently going to the United States, its cargo hold stacked down with countless of planner articles of clothing. Each day, the vehicle stopped in another city—from Hamden, Connecticut, to Itta Bena, Mississippi—and the models, joined by a jazz band that ran with them, put on a mind boggling style show for an, as it were, African-American gathering of spectators, strutting the catwalk in the most forefront outfits that engineers like Yves Saint Laurent, Emanuel Ungaro, and Christian Lacroix conveyed to the table. This was the Ebony Fashion Fair, and its coordinator, the late Eunice Walker Johnson, did perhaps more than some other individual to independent style's shading obstruction. …show more content…
The presentation plunges into the sensible's inconceivable document, which fuses key pieces in the recorded scenery of present day outline like a night outfit from Saint Laurent's famous 1977 Chinoiserie assembling, a 1968 sparkling pink jumpsuit and purple false hide article of clothing by Christian Dior, and a Christian Lacroix–designed Jean Patou evening dress from 1986. "Passing on those bits of garments to a dull social event of individuals and putting them on dim models said 'You can wear these things' and also 'You are the standard of beauty,' " Bivins says. "It was a dynamic
An entrepreneur is someone who recognizes an opening in the market for a product or service and carries it out using initiative. Usually being innovators; entrepreneurs are risk takers in means of not knowing whether their ideas will in fact succeed (Business Dictionary, 2016). Fashion leaders are considered entrepreneurs because to be strong in the fashion industry one must attempt to stay ahead of competitors and know what is already out there as would an entrepreneur. One of Australia’s most successful fashion designers could also be considered an entrepreneur; Collette Dinnigan is an award winning fashion designer who has exhibited in London and Paris and was the first Australian to launch a ‘ready-to-wear’ collection, as well as being
Berry, Hannah. “The Fashion Industry: Free to Be an Individual.” The Norton Field Guide to
Over 84 years ago New York was the city of swing. In a realm where culture clashed with politics, race with class and gender with society most teenagers spent an ample amount of their spare time dancing to the music of Cab Calloway, Benny Goodman, Duke Ellington and the likes of others. With the music, blasting in their ears and sweat dripping of their skin the youth was engulfed in a period that would come to stand as a turning point for African-Americans. Despite the rage of the music, there is no question that appearances and the right attire also played a prominent role in the culture of that time. In a society wherein which, Blacks were discriminated and stereotyped against their clothing distinguished and set them apart. The Zoot-Suit, one of the significant symbols of fashion during the era of Swing music was more than embellished get-up. It was a statement, a rebellion, a cultural identification even, but mainly it was a reminder of the social order of society that failed to express and identify certain races1. Although many have argued that racial tensions leading up to the riots emerged from the attitudes of the various races, I stand that fashion choices chosen by the youth of that period played a substantial role in the insurgence. This paper explores the history of the suit, its social and political contexts, its connection to music as well as the implications of fashion choices during the 1930’s and 1940’s.
With African Americans being apart of the fashion industry, they faced many hardships. However, they created a distinctive voice in the history of fashion. Throughout the early twentieth century, Blacks designers influenced the fashion industry in America, having, “a system and structure for maintaining their particular type of fashion.” African American fashion was very popular and caught the attention from the media. Department stores held successful fashion shows, screened fashion movies, and staged fashion pageants. Fortunately, African Americans were allowed to attend these events, yet they were not welcomed. Fast-forward to today, the fashion industry has opened up several doors for African American designers, stylist, and models. However,
Jackson, P. (1992). (in)Forming the Visual: (re)Presenting Women of African Descent. International Review of African American Art. 14 (3), 31-7.
In “Marilyn in Fashion,” the authors explore Monroe's favorite designers, including those she discovered on her own and those who dressed her in films. With chapters covering the individual designers who were lucky enough to dress Monroe, the book is a must-have for student designers and Monroe fans alike. Though some facts about Monroe's life are disputed by some sources, the authors do well at describing Monroe's career trajectory and family background.
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
On the twenty-first of August, our Wearable History class took a trip to downtown Bowling Green, to visit Mosaic Confinement Studio. The studio had an old-fashioned vibe, and was like a vintage-garment haven. There, we were asked to choose a piece that we thought was vintage, identify the time period it actually came from, and also take some additional notes on the style and the garment’s details. After searching through multiple racks, the first piece I found was a lace blazer. It turned out to only be vintage-inspired, so I went searching again. I came across a few other pieces, but nothing was really jumping out at me. Eventually, I came across a lavender dress that immediately made me think of Julia Roberts in “Mystic Pizza”, and I knew I found my garment.
In Deauville, she introduced casual knit dresses which was shockingly different from what others were creating and wearing. “She introduced relaxed dressing expressing the aspirations of the 20th century woman, replacing impractical clothing with functional styling.” (Martin 80). Her designs stressed simplicity and comfort and revolutionized the fashion industry. Within five years of her original use of jersey fabric to create a poor girl look, had attracted the attention of influential wealthy women seeking relief from the prevalent corseted style. In 1954, Chanel presented her new collection of the signature suit. The Chanel suit is a standard garment in modern fashion. “The key to her design philosophy was construction, producing traditional classics outliving each season’s new fashion trends and apparel.” (Martin
In this essay, the visible boundaries, position and capital within the wider field of fashion were argued. The capital required to join elitist haute couture clubs were explain and clothing was shown to be a mark of social distinction. Bourdieu’s field theory provided a functionalist perspective to an expository insight into the field of fashion, particularly in terms of participants within boundaries and the hierarchical system of the fashion industry. The clothing choices made by individuals are closely related to self-concept and is used as a means of self-expression. Ultimately, clothing has a function in role fulfilment and can be viewed as an essential social tool in the lives of individual’s world-over.
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
Yang, C.K., 2004, ‘A Study on Surrealistic Expression in Modern Fashion – Focusing on Surrealistic Fashion in 1990s’, Fashion Business, 8(6), 39-56.
Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the rich to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creators of haute couture, and how the following designers developed couture, as well as leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers in the modern fashion industry.
Introduction Historically, multiple styles of dressing have been created during the last several decades, which played an important role in modern fashion in the UK. Everyone has a different and unique dressing style in their everyday life. Some styles are influenced by vintage styles which are attributing to the deep effects of old vogue, and another group of dressing styles are inclined into the fresh element. Despite those different styles, some of them have even evolved into the milestones in fashion history. To start this essay, it will introduce the evaluation of the first significant revolution of dressing style in the 1960s.
Clothing has been around for thousands of years; almost as long as the modern human has. At first, it served the practical purpose of protection from the elements; but, as life for early humans stopped being a constant struggle to survive, they started noticing how they looked and the concept of fashion began to take shape. These first few garments were typically dyed draped cloth that was pinned at the shoulder and/or waist. This was seen in many ancient civilizations around the world, Greek and Roman the most notable. Over time, clothing began to get more and more complex and formed to the body’s shape, eventually leading up to the tailored style we now have today. However, the sophisticated world of Haute Couture; or high fashion, can distinctly trace its roots to Paris during the mid-19th century. Clothing from there was thought to be superior to those from anywhere else, and women began to come from all over Europe just to buy dresses. This was probably due in part to one notable dressm...