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Influence of poster in cinema industry
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The Evolving Paradigm of Movie Poster
The scene is a dark planet in the middle of space with a lone figure standing in a dark field, only lighting his path with a lightsaber. This poster, of course, comes from the creators of the iconic “Star Wars” movies. The whole purpose of a movie poster is to sell the movie to you, with just a glance, and make a profit. The way a movie poster is designed is all about capturing the viewer’s attention. For example, a person like me would be attracted to colorful images on the poster and an interesting title that holds my attention. Farther more, the design, color, and font are used to properly emulate the mood and tone of the film. And the poster probably includes a memorable sentence or slogan that piques your interest and makes the plot sound alluring.
The background of the poster has planets, stars, and galaxies that indicate that the film is set in space. The planet that is being destroyed in the background suggest that an intergalactic war is happening. The lone figure holding the neon blue lightsaber can be representative of the main character. The poster is primarily dark colors, which is a signature for Star Wars movies, but the color also gives a sinister feel like a
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horror/science fiction movie. The title “Episode VII” stands out among the dark background with its silver coloring; and also represents the seventh installment of the franchise. The tagline: “Return to a Galaxy far, far away,” is another element that shows that this film is a part of a series and a return to a classic. The movie, “Star Wars”, is being geared mostly toward males between the ages of 18 and 30; also older adults who are familiar with this particular franchise.
Most of the demographic is male because, they love the sense of adventure and going through challenging trials to achieve a goal. Being able to achieve one’s goal is what everybody dreams about, which is something males could relate to. The imagery in the poster would hook people in is the symbolism that goes along with lightsabers. The lightsaber creates a sense of nostalgia for a viewer who has followed the series since the beginning; reminding them of the good old days of classic movies. The poster is also quite exotic looking with the image that is presented looks out of the ordinary and
strange. The technical element that keeps our attention is the lighting which is very minimal, the main source of light comes from the lightsaber. The poster is mostly dark colors which brings attention to the focus of the lightsaber. The camera angle is straight on, this aspect has the Jedi in the frame with a planet being destroyed in the background emitting a sense of curiosity from a viewer. The poster is axial balance causing you to view it in a Z pattern.
The movie Shock Doctrine revolves around the concept of the same name. The film begins by discussing psychological research on the effects of shock therapy. It is evident that a person under extreme stress and anxiety commonly experienced during a crisis functions and performs inadequately. It is noted that the studies are conducted by a man by the name of Milton Friedman, from the University of Chicago; the studies took place in the past, and some of the subjects are still recovering in the aftermath. From this research, interrogation techniques were learned and the concept of the shock doctrine was formed. Essentially through causing a crisis, the population of a country can be shocked into complying with accepting laws that favors the United States and capitalism. This theory coexists with Friedman’s belief in that government regulation is bad, and through a crisis a country would better itself with deregulation. The video uses Chile as an example and shows how America allowed a crisis to occur in Chile, through coups, interrogations and subterfuge. In the end a new government is formed that allows capitalism. Unfortunately afterwards violence and riots occur, as the rich gain most of the wealth and poverty rises. In addition to Chile, Argentina, Russia and even Iraq underwent the shock doctrine. Almost in every account, poverty rises and violence ends up erupting. The movie ends by showing how the US was in the process of the shock doctrine, and still is but the population has taken notice. Protests such as Occupy Wall Street are some of the initiatives necessary to bring awareness to the problems of class inequalities in order to prevent capitalism from benefitting the rich and increasing the wealth gap among the classes.
Some posters were designed to influence, promote through confidence, patriotism, and having a positive attitude. One propaganda that was like this was war propaganda which was also used in WW1 a vast amount of times. In WW1 it was used to support armed forces and inspire all Americans to help throughout the war. Cruel images were used to bring out powerful emotions, which drew attention to the people and their consciences, fears, principles and their values. Men, women, and children had to make give up personal things for a public
The stories “Shouldn't I Feel Pretty?” and “The Yellow Wallpaper” feature a dynamic protagonist who undergoes a character development which reveals the consequences of oppression caused by societal standards. Gilman crafted the narrator in “The Yellow Wallpaper” with the purpose of exposing the tyrannical role of gender roles to women. In the story, the narrator suffers a slight postpartum depression in the beginning, but her condition gets progressively worse because her husband John believes “that there is nothing the matter with [her] but temporary nervous depression-- a slight hysterical tendency” (331). He concludes that the best treatment for his wife is for her to be “absolutely forbidden to ‘work’ until [she is] well again” (332).
Posters were mainly used to sway public opinion. They were aimed at brainwashing society to think and act a certain way. Each poster was designed specificly for a particular community, playing upon the cultural norm. Since posters were rather inexpensive, they were not made to last, but were effectively used as a visual tool of propaganda. They were usually very graphic, therefore allowing even the illiterate to be swayed in the direction of the artists choosing.
In Charlotte Perkins Gilman’s bodies of work, Gilman highlights scenarios exploring traditional interrelations between man and woman while subtexting the necessity for a reevaluation of the paradigms governing these relations. In both of Gilman’s short stories, “The Yellow Wallpaper” and “Turned”, women are victimized, subjected and mistreated. Men controlled and enslaved their wives because they saw them as their property. A marriage was male-dominated and women’s lives were dedicated to welfare of home and family in perseverance of social stability. Women are expected to always be cheerful and good-humored. Respectively, the narrator and Mrs. Marroner are subjugated by their husbands in a society in which a relationship dominated by the male is expected.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
The poster I have chosen contains a young woman holding a gun with a red bandage covering her eyes and mouth and behind her, on the wall is an American Flag painted on with dripping textures. On the American Flag there is a quote which reads, "We kill people who kill people because killing
Hidden Figures is a movie based on the true story of three pioneering African American women whose calculations for NASA were helpful to several historic space missions, including John Glenn’s successful orbit of the Earth. The Movie was set in 1960, where a lot of historical events were happening, such as the Space race between two initial rivals of the Cold War (The United States, and Russia). Also, Women and African-Americans were discriminated Against during the 60’s, but that did not stop Katherine Johnson, Mary Jackson, and Dorothy Vaughan from advancing and accomplishing what they accomplished. After all they did not only help themselves advance, they helped America advance. Hidden Figures was a very accurate film of how it was in the 1960 and how these three women went with their intelligence rather than their ego.
[22]There was also a prominent use of propaganda in the novel, Such as a poster
Australia is considered as a young country when comparing to other countries as it has been founded around 200 years ago. Today, it is still in the trouble of some sort of identity crisis, trying to find its true identity. To try to define what really is considered as Australianness means one will have to take the plunge. For instance, in Australia the movie, director Baz Luhrmann made a great effort in telling an epic story of Australia but it still falls into the category of imprudent cliché of Australianness. Now we will look at the poster of Australia the movie then analyse it to interpret in what ways it represents the Australianness.
“The Yellow Wallpaper” written by Charlotte Perkins-Gilman explores the oppression of women in the nineteenth century and the constant limitation of their freedom, which many times led to their confinement. The short story illustrates male superiority and the restriction of a woman’s choice regarding her own life. The author’s diction created a horrific and creepy tone to illustrate the supernatural elements that serve as metaphors to disguise the true meaning of the story. Through the use of imagery, the reader can see that the narrator is living within a social class, so even though the author is trying to create a universal voice for all women that have been similar situations, it is not possible. This is not possible because there are many
The front face view allows the viewer to see the problem and or situation at first hand. It is the image that attracts the eye to first. Smoking is a well-discussed topic in the media; due to it kills lot of American’s lives. The way the shadow of the hand hits the background gives the illusion that the cigarette is a gun. The symbolizes that smoking the cigarette is like putting a gun to your mouth. The ad is in black and white, which allows the reader to feel the mood of the ad. The black sets the mood of sadness and death. Black in the art world means death and pain. The white resembles purity as stated in “ How to Read Literature like an English Professor” by Thomas Foster. The purity of you life is leaving when you smoke. These symbols allow you to connect with the ad more.
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
At the same time, the National Socialist German Workers' Party used a variety of campaign posters as a form of propaganda. Posters became an effective propaganda tool based on its low cost and fast production. The NSDAP was able to create thousands of posters at a fast rate and plaster them within Germany. Other propaganda tools such as newspapers, pamphlets, and leaflets took a vast amount of time in order to create. Early NSDAP posters include vibrant illustrations of illusive members and political figures including Adolf Hitler. An election poster from 1929 Saxon campaign reads: “Two million dead. Did they die in vain? Never! Front soldiers! Adolf Hitler is showing you the way!” The claim is that Hitler will redeem Germany from the loss of World War I. This poster depicts a mournful solider who appears to have lost all sense of hope. It also illustrates colorless colors to provide a sorrowful feeling. A second poster consists of the November 1932 election. The text: “Papen is crippling the economy! Away with him and his program for the ruling class! Come to Hitler!” Examples of these posters were used to stir the anger and hatred of the German people against the Weimar Republic in regards to its response towards World War 1.
The composition begins with a grid to create an asymmetrical organization of the elements used. Not only is it eye appealing but it makes the information clear and easy to read. San-serif fonts were also used within the grid design because it is the most legible and good for structuring the information. Josef Müller-Brockmann work “das freundliche Handzeichen” shows characteristics of the International Typographic Style. When looking at it you can quickly see the photo of the hand has hierarchy over the text. The placement of the hand gives movement because it is going off the page. He also uses a limited color pallet which is less distracting. Müller-Brockmann does well with using the grid for the placement of his text. As can been seen in the work, the text running down the left fits in-between his thumb and pointer finger with is visually appealing. Also the way the black and white fingers overlay with the color image makes it merge together rather than just one image on top of another. In like manner, artist Armin Hofmann’s poster shows similar characteristics to Josef Müller-Brockmann. This composition has the same text on the left side along the image, using the grid. Hofmann doesn 't use color so it 's strictly positive and negative space. The dancer in the back is softer than the typography so it gives a good