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Pulp fiction movie essay
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Recommended: Pulp fiction movie essay
Max Merritt
Hoffman
Media 10
12 December 2016
Pulp Fiction Messages
Pulp Fiction classic cult film that is a tragedy without the sadness and a comedy without the comedic story line. It comes off as a shining star for those who wish to leave the world of political correctness and social limitations, it also mocks the culture that tends to come along with it, by pretending to have no moral message it only makes the message stronger. I also believe that the film was created with the medias criticism in mind and included such things as jumping from scene to scene with no reason, and throwing together a random mixture of ideals. This movie had many messages and values the director, Quentin Tarantino, makes throughout this timeless piece.
One of
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The main characters are not heroes, or anti-heroes, they are objects of the satire, Vincent’s disconnection from his own actions allow him to argue about the morals of killing a man after massaging his wife’s feet, while he is on the way to murder someone in cold blood. We also see Vincent get very angry when thinking of his car being keyed, but does not question how what he does affects others and how they might react. Another example of this behavior is his thoughts about Marcellus’s wife ordering a $5 milkshake, when money is very important to him because he is a hit man. Vincent is a satire on our own moral systems and beliefs, and also that people are looking to the wrong places for help. When Marcellus’s wife is overdosing, instead of taking her to the hospital and getting medical help, he takes her to his heroin dealer for help. Samuel L. Jackson’s character believes that he was saved by God. In actuality, the only thing that happened was a near-death experience that made him reflect on his life’s decisions. Reality caught up to him, not God. Jules is also a prime example of hypocrisy and lack of awareness based on his actions. Which is why we see …show more content…
Pulp fiction is considered one of the greatest movies of all time. It has great messages of social injustices and the ideals of today’s society and what happens when we are so enwrapped in our own ideals. The first time seeing the first time I saw this movie I did really enjoy it but this essay actually helped me understand it in a whole new light, especially after this class. I paid much more attention to all of the devices the director used to create the themes and messages such as, camera angles, lighting, and use of dialogue. I never realized how much these things could drastically change the pace, feel, and tone of a scene, or entire movie. All of Quentin Tarantino’s films are masterpieces but whenever I hear his name I always think Pulp Fiction which I think happens a lot of Tarantino fans. It is such an iconic film that tested the boundaries for films and spread more messages than you, or I, even realized. It is definitely a film that deserves at least two viewings due to its requirement for the audiences 100% attention. This movie will withstand the test of time and have valuable messages for generations to come and allow us to question why things are the way they are and help us realize what’s wrong within our society
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
Quentin Tarantino’s film, Pulp Fiction, uses words to the fullest of their meanings. Words in the film amplify meaning through their duplicity. Characters call one another names wherein the names’ meanings enhance our understanding of what the character is saying. Even if the author or speaker does not consciously intend the meaning, the language that this paper analyzes contains meaning of psychological importance. Characters’ actual names in the film are also of particular significanc e. Nearly every character’s name reflects his personality or role in the film. Because people are human and integrating a name and personality is difficult, it is only genius for every name to be significant and meaningful. Yet, it may be surprising ho w well thought out the naming of the characters is. Pulp Fiction also touches on the interpretive value of words. Oftentimes, a person or group of people may understand the same definition of a word but interpret it differently. Language is prim arily a means of communicating ideas. The film makes an interesting point of how the actual words used may be irrelevant to the idea being portrayed. In sum, Pulp Fiction demonstrates how the meaning of speech can depend either on the choice of w ords used or on the prescribed reaction to word’s usage.
The second scene of the film opens up to Vincent Vega and Jules Winnfield drivi...
The first thing we see is Christian Bale’s almost surreal beer belly, similar to an overdue pregnant stomach. He stands in front of a mirror and adjusting one of the most complex comb overs I have ever seen, which includes artful interweaving of glued hair extensions. Add to this a pair of smoked colored pilot glasses and a sophisticated outfit that screams out our worst nightmares of the late 1970s, and it is dangerously tempting to expect a continuation of a hard groomed freak show, populated by thoroughly ridiculous people who make and says ridiculous things. Especially as the second thing we see is one of Amy Adams countless, magnificently deep necklines. But if that's what we believe will happen, we will become thoroughly
Director and screenwriter Quentin Tarantino has a unique style that is easily recognizable and sets him apart from other
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
There are movies that make you laugh, that make you cry, that blow you away with jaw-dropping, ever-so-satisfying action sequences. And there is Pulp Fiction, Quentin Tarantino’s masterpiece, an homage to the old Pulp Magazines and crime novels popular in the 1950s. Known for their incredibly dense and complex dialogue and excessive violence, Tarantino adds his trademark nonlinear chronology and thorough character development to create a movie that celebrates the fact that chance governs all of our lives. The film consists of multiple stories that tell of the criminals, gangsters and outliers of Los Angeles, the underbelly of society. It follows Vincent Vega and Jules Winnfield as they embark on their mission to recovering a briefcase that
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’
The film Pulp Fiction was an immediate box office success when it was released in 1994 and it was also well received by the critics, and celebrated for the way it appeared to capture exactly a certain pre-millennial angst and dislocation in Western capitalist societies. The term post-modernist, often used to refer to art and architecture, was applied to this film. The pulp fiction refers to popular novels which are bought in large numbers by less well educated people and enjoyed for their entertainment value. The implication is that the film concerns topics of interest to this low culture, but as this essay will show, in fact, the title is ironic and the film is a very intellectual presentation of issues at the heart of contemporary western culture and philosophy.
Monster is a movie based on a true story about an American female serial killer. Aileen Wuornos was a prostitute who killed multiple men for financial gain to support her and her lover Shelby Wall (her real life name being Tyria Moore). The real life serial killer was convicted of the murders and was executed by lethal injection after ten years on Florida’s death row in 2002.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
When people talks about Quentin Tarantino, some of his most remarkable works include Reservoir Dogs that was released in 1992, and the volume 1 and 2 of Kill Bill released in the year of 2003 and 2004. When Reservoir Dog was released, it immediately became one of the most influential films in the 1990s. The film was so influential that it inspired various stage versions and a video game. Although the film was made on a low budget, it certainly did not degrade the quality of a “Tarantino film.” The audience love the violence, the bloodshed as well as the flow of the story creating a big hit in not only the United States, but worldwide.
The American Filmmaker and scriptwriter Quentin Tarantino is something of a kind. After two academy awards, Golden Globe Awards and BAFTA Awards each, Tarantino is undoubtedly one of the most influential directors of his generation. He established himself as an independent director in his first few films ‘reservoir Dogs’ in 1992 as cult cinema and ‘Pulp Fiction’ in 1994 as a neo-noir crime film. Spaghetti western characters like unusual camera placement, playing with light and shadows, conflicted characters and noir themes. Long sequences, scenes and conversations are very prominent in tarantino films.