Owen Meany Motif
A Prayer for Owen Meany by John Irving has many different motifs. One dominant motif is armlessness. Armlessness was a reoccurring motif throughout the story and came up in many occasions. It seems to symbolize helplessness or being under your own control. There are a variety of things throughout the novel that gives off that feeling.
The armadillo was very dear to John. He had gotten it from Dan Needham the only gift he kept from one of his mother’s beaus. It had great sentimental value to him and to young Owen who had also become attached to it. That’s why it showed great emotional distress on Owen’s part when he removed the claws of the armadillo. He did this when he had hit Johnny’s mother with the foul ball that killed her. Dan had interpreted it as trying to say that Owen was helpless now and that he couldn’t do anything to change what he had done on accident. Though that might be the partial truth it could also symbolize something different. Almost saying that he is the armadillo and he wasn’t in control of himself, but was the instrument of God. His hands were not his own. Though the armadillo never recovered from the declawing, it had mended John and Owen’s friendship and helped ease some of the pain of that situation.
The statue of Mary Magdalene sat in front of a concrete arch. “She was like a goalie protecting her goal,'; John had noted. Owen had sawn off her arms when he was expelled from Gravesend Academy. This might also symbolize Owen’s helplessness, not being able to change what had happened. When the statue is returned John notes that she is unable to protect her goal.
Irving’s use of symbolism in the novel is very effective in supporting this theme of religious faith. One of the most obvious and important symbols is Owen himself. He is portrayed as a Jesus figure, and himself exclaims, “I AM GOD’S INSTRUMENT.” There is also reference to the nativity set in the Meany’s home. It just so happens that the Baby Jesus is missing from the crib in the center.
In John Irving's novel titled, A Prayer for Owen Meany, suspenseful events are of abundance, and there are multiple ways the author creates this suspense. Among these methods of creating suspense, four that stand out are the use of setting, the pace of the story, the involvement of mysteries to be solved, and the ability of the reader to easily identify and sympathize with the protagonist. By placing a character in a gloomy or solitary place, uncomfortable feelings are created, which append to the suspense. Pace and structure of the story also play into the foundation of suspense, as shorter sentences and stronger, more cutting verbs and adjectives are often used to keep the reader highly interested and reading at a rapid speed. Of course, suspense could not be considered what it is if there were no mystery involved. The element of not knowing what is in store for the future and having the urge to find out is the essence of suspense. Also, if the reader cannot easily relate to and sympathize with the character in the suspenseful situation, a loss of interest can arise, and therefore spoil the spirit of the tension. Uncomfortable settings, pace and structure, use of mysteries, and capability to relate to the main character are four techniques that John Irving uses to create suspense.
The main theme of A Prayer for Owen Meany is religious faith -- specifically, the relationship between faith and doubt in a world in which there is no obvious evidence for the existence of God. John writes on the first page of the book that Owen Meany is the reason that he is a Christian, and ensuing story is presented as an explanation of the reason why. Though the plot of the novel is quite complicated, the explanation for Owen's effect on Johnny's faith is extremely simple; Owen's life is a miracle -- he has supernatural visions and dreams, he believes that he acts as God's instrument, and he has divine foresight of his own death -- and offers miraculous and almost undeniable evidence of God's existence. The basic thematic shape of the novel is that of a tension being lifted, rather than a tension being resolved; Johnny struggles throughout the book to resolve his religious faith with his skepticism and doubt, but at the novel's end he is not required to make a choice between the two extremes: Owen's miraculous death obviates the need to make a choice, because it offers evidence that banishes doubt. Yet Johnny remains troubled, because Owen's sacrificial death (he dies to save the lives of a group of Vietnamese children) seems painfully unfair. Johnny is left with the problem of accepting God's will. In the end, he invests more faith in Owen himself than he invests in God -- he receives two visitations from Owen beyond the grave -- and he concludes the novel by making Owen something of a Prince of Peace, asking God to allow Owen's resurrection and return to Earth.
“Each time he grows restless or troubled, he eases the pressure by getting a new tattoo”. Sarah Ruth was driven away because of her desire to be perfect and felt it could only be obtained by staying away from idols, the chief of which was the church.
Carl Jung was a Swiss psychologist and psychiatrist who developed many theories concerning the unconscious mind. Jung’s theories state that the unconscious part of a human’s psyche has two different layers, the personal unconscious and the collective unconscious. The personal unconscious is unique to every individual; however, the collective unconscious “is inborn.” (Carl Jung, Four Archetypes, 3) The collective unconscious is present in everyone’s psyche, and it contains archetypes which are “those psychic contents which have not yet been submitted to conscious elaboration” (Jung, Archetypes, 5); they are templates of thought that have been inherited through the collective unconscious. Jung has defined many different archetypes such as the archetype of the mother, the archetype of the hero, the archetype of the shadow, etc. These Jungian archetypes are often projected by the collective unconscious onto others. If the novel A Prayer for Owen Meany by John Irving is examined through a Jungian archetypal lens it is possible to discern different archetypes projected by the protagonist’s unconscious self to illustrate the effects of the collective unconscious on character and plot analysis.
The book A Prayer for Owen Meany brings forth various themes and questions that can't be answered easily. One of these questions is "Can religious faith exist alongside doubt, or are the two mutually exclusive?" There are several different possible takes on this question may be answered. How a person answers this question is related to their belief in faith.
Amelia Earhart was born on July 24, 1897, since she was a little girl she was always a hard worker and determined to stand out and be different from everyone. Her mother’s name was Amy Earhart, her father’s name was Edwin Earhart, and she had a sister named Grace Earhart. Amelia’s family was different from many other people’s family back then. Amelia and Amy liked to play ball, go fishing, and play outside looking for new adventures, other family’s would rather stay inside and play with toys and not get messy or spend time outside. Amelia’s parents always knew she was different from all the other kids, she always got made fun of in school, and she had a lot more determination
The ability to create a picture of The Annunciation in one’s mind is a key factor in understanding the analysis of the work. Francisco de Zurbaran approaches the painting with a naturalistic style. The painting features a room in which a woman – like angel is seen at the left kneeling on the ground before the Virgin Mary. The figure of Mary is placed between a chair and a small wooden table draped with a green cloth. Mary disregards an open Bible on the table, as she appears solemn while staring at the floor. Floating above the two main figures in the upper left side of the painting are cherubs resting on a bed of clouds. They happily gaze down at Mary with eyes from Heaven.
Maybin, J. &Woodhead, M. (2003). Childhoods in context. Southern Gate, Chichester: John Wiley & Sons Ltd
Amelia Earhart was a feisty, young girl when she saw her first airplane. Little did she know that her small interest in planes would develop into a full-on passion. Amelia grabbed the hearts of people around the world when she became the first female to fly solo across the Atlantic Ocean. Other than just being an aviator, she was a pioneer and an author. Amelia is a symbol of perseverance and power to American women. Still today she is one of the world’s most celebrated and respected aviators.
...only known as a funeral flower. This again foreshadows the young bride’s death before her allowance of corruption. The mark on her forehead is a symbol of her mistake, a mistake she is never allowed to forget, this can be linked to the view that women are never allowed to forget a mistake made by them. Angela Carter again shows the position of women in society; once a mistake is made you are an outcast in society. This can also be linked to the biblical reference of Cane, ‘him who became an outcast’.
‘Some idea of a child or childhood motivates writers and determines both the form and content of what they write.’ -- Hunt The above statement is incomplete, as Hunt not only states that the writer has an idea of a child but in the concluding part, he states that the reader also has their own assumptions and perceptions of a child and childhood. Therefore, in order to consider Hunt’s statement, this essay will look at the different ideologies surrounding the concept of a child and childhood, the form and content in which writers inform the reader about their ideas of childhood concluding with what the selected set books state about childhood in particular gender. The set books used are Voices In The Park by Browne, Mortal Engines by Reeve and Little Women by Alcott to illustrate different formats, authorial craft and concepts about childhood. For clarity, the page numbers used in Voices In The Park are ordinal (1-30) starting at Voice 1.
The nativist theory, the “Core Knowledge Theory,” was derived from Elizabeth Spelke, a cognitive psychologist at Harvard University. Spelke believed that infants were born
The Health Belief Model (HBM) is one of the first theories of health behavior. It was developed in the 1950s by social psychologists in the U.S. Public Health Services to better understand the widespread failure of tuberculosis screening programs. Today it continues to be one of the most widely used theories. Research studies use it to explain and predict health behaviors seen in individuals. There is a broad range of health behaviors and subject populations that it is applied in. The concepts in the model involve perceived susceptibility, perceived severity, perceived benefits, perceived barriers, cues to action, and self-efficacy. Focusing on the attitudes and beliefs of individuals being studied create an understanding of their readiness to act on a health/behavioral factor based on their particular opinions on selected conditions. Several modifying factors such as age, sex, ethnicity, socioeconomic status, or level of education, etc. can determine one’s opinion on their perceived threat of obtaining a disease such as lung cancer based on the severity of the triggers causing the illness. Their likelihood to change an opinion or behavior depends on their perceived benefits or certain barriers that may be out of their control. Interventions can be used to promote health behavior changes and aid in persuading or increasing awareness on a particular issue.
The Health Belief Model, also known as the HBM, is a psychological model that tries to explain and predict different health behaviors for different