Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essays on conflict between mother and daughter
Two kinds by amy tan conclusion
Two kinds by amy tan essay conclusion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essays on conflict between mother and daughter
The story “Two Kinds” written by Amy Tan is about a Chinese-American family looking for new opportunities in California. Jing-Mei’s mother would to sit her down after dinner and read magazine articles about prodigy children and then quiz Jing-Mei to see if she could do what the prodigy child was doing. Jing-Mei was always feeling that she was not reaching her full potential in her mother’s eyes. Through Jing-Mei struggles with her mother and the piece of music the protagonist matures into the realization that she controls her own destiny and becomes stronger in her own beliefs.
Jing-Mei’s story really starts before she was born because Jing-Mei’s mother came to America after she lost her parents, her first husband, and her two twin baby girls. Her mother set really high exceptions for Jing-Mei before she was ever born because she mother wanted a prodigy child. Jing-Mei starts at a young age to defy her mother on the quizzes her mother gave her because she does not want to be a prodigy child. Jing-Mei would daydream and not answer the questions right if she even knew them at all. For example her mother asks Jing-Mei “what is the capital of Finland?” Jing-Mei said “Nairobi” because she did not know any foreign cities. The only capital city she knows was the capital of California and that is because it was the name of the street Jing-Mei lived on (Page 227).
The next significant event in Jing-Mei ’s life was when she started to play the piano. Mr. Chong, her piano teacher, was deaf and somewhat blind, so Jing-Mei used this to her advantage by not playing the right note when she knew it was wrong. Jing-Mei never would correct herself because she knew that the teacher was not able to hear the
Creech 3 mistake. Her mother soon bought a piano for Jing-Mei to practice on at home. Jing-Mei also knew that her parents could not tell if she was playing the right tune or not. So when she practiced she did not attempt to really learn to play the piano at all.
The next event in Jing-Mei’s life is when she had to play the piano in a talent show. The piece of music that was chosen for her was called “Pleading Child” (Tan 230). As always she does not want to play and fights it in her own way by playing the left page over and over again.
The turning point in the story occurs when Jing-mei finally refuses to do what her mother wants and accepts that she will never be a genius. Her "true self finally emerged, and this was what had been inside her all along.."
In their articles, Chang Rae-Lee and Amy Tan establish a profound ethos by utilizing examples of the effects their mother-daughter/mother-son relationships have had on their language and writing. Lee’s "Mute in an English-Only World" illustrates his maturity as a writer due to his mother’s influence on growth in respect. Tan, in "Mother Tongue," explains how her mother changed her writing by first changing her conception of language. In any situation, the ethos a writer brings to an argument is crucial to the success in connecting with the audience; naturally a writer wants to present himself/herself as reliable and credible (Lunsford 308). Lee and Tan, both of stereotypical immigrant background, use their memories of deceased mothers to build credibility in their respective articles.
Jing-mei 's mother wants Jing-mei to be a prodigy and get popular. Thus, the mother rents a piano for Jing-mei to help her achieve this. Many years later, Jing-mei finds the piano in a broken state, so she decides to have it repaired. She starts playing the song she used to play, “Pleading Child.” But to the right of “Pleading Child,” she finds a second song named “Perfectly Contented.” She starts to play both songs, “And after I [Jing-mei] had played them both a few times, I realized they were two halves of the same song.” (6) Jing-mei’s mother tells Jing-mei that there are two kinds of people: the respectful kind and the disrespectful kind. At that time, Jing-mei also finds out that there are two kinds of people inside her. She could choose to be the kind where the person is a prodigy and respectful, or be the kind that is ugly in the eyes of people. When she plays “Pleading Child” and “Perfectly Contented,” Jing-mei realizes that her identity had changed completely because of her laziness and beliefs. Jing-mei learns that there are two kinds of people in the world, and she should choose the right
see Jing-mei struggles with her identity for over 30 years, but it finally is resolved once
In the story, Two Kinds by Amy Tan, the most predominant object would be the piano. The mother has it set in her head that her daughter, Jing-Mei can and will become a child prodigy. The mother hires a teacher that lives in their apartment building. Jing-Mei constantly feels like she is a disappointment to her mother. Her mother had very distinct goals for Jing-Mei and this is way she always felt that she was disappointing her.
The story "Two Kinds" by Amy Tan is about a mother and daughter who have strong conflicting ideas about what it means to have a sense of self. This may be partly due to the mother growing up in China, which is a very different culture than the American culture where endless opportunities are available to anyone who wants to pursue them. Jing-mei's mother wants her daughter to be the best, a prodigy of sorts, and to have the kind of life, full of hopes and dreams that she did not have. In the beginning of the story Jing-mei liked the idea of becoming a prodigy however, the prodigy in her became impatient. "If you don't hurry up and get me out of here, I'm disappearing for good." It warned. "And then you'll always be nothing" (500). After disappointing her mother several times Jing-mei started to detest the idea of becoming a prodigy. The idea Jing-mei's mother had for her to become a prodigy was too much pressure for a small child and was something that Jing-mei was clearly not ready to be. As a result the pressure that her mother laid upon her only made Jing-mei rebel against her mother and she resisted in giving her best. Jing-mei did this because she only wanted her mother's love and acceptance for who she was not only what she could become. Furthermore, Jing-mei's point of view of being the kind of person that one can be proud of was very different from her mother's point of view.
In addition, Chinese parents disregard their children’s preference and decide what is best for the children. This idea might seems unacceptable and cruel to Westerners, but it is how Chinese parents care for their children. Chua illustrates the idea with an “The Little White Donkey” piano practice session with her daughter, after which all the child’s frustrations and the mother’s patience were paid off. The seven-year-old’s performance at a recital was greatly admired by other parents.
Our mothers have played very valuable roles in making us who we are and what we have become of ourselves. They have been the shoulder we can lean on when there is no one else to turn to. They have been the ones we can count on when there is no one else. They have been the ones who love us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be.
piccolo, piano, and took dance lessons. She was also a tomboy and wanted to play
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
She was a wealthy Chinese woman that lived in China from 45 - 120 C.E. and whose family had connections to the imperial court in China. Do to her familial status she grew on the strict customs that were present in ancient china. Thus, she wrote Lessons for Women in order to instruct women how to behave in their households. Also, so that they may successfully carry out their womanly duties and learn how they should act when married. But, Lessons for Women also reflects many of the ideals that were based on women during this time period in China (and arguably still continued for many years). Such ideals were those of how a woman should act and be represented in the overall Chinese society. If a woman were to dishonor her household or stray from the cultural norms then she would not be allowed to pass on with their ancestors. This caused pressure since there were many beliefs that were associated women in this time period of China. These beliefs devalued many of the women in this society making them out to be “Unsophisticated, Unenlightened, and by nature Unintelligent” (Lessons for Women, 106). Thus, these belief made women inferior and allowed for males to be the dominant gender in this society. These beliefs also made sure that women did everything possible in order to appease their ancestors and subsequently be allowed in to
For many of us growing up, our mothers have been a part of who we are. They have been there when our world was falling apart, when we fell ill to the flu, and most importantly, the one to love us when we needed it the most. In “Two Kinds” by Amy Tan, it begins with a brief introduction to one mother’s interpretation of the American Dream. Losing her family in China, she now hopes to recapture part of her loss through her daughter. However, the young girl, Ni Kan, mimics her mother’s dreams and ultimately rebels against them.
was climbing up to the piano bench to play a song. By the age of five, she was the
She sees the opportunities that America has to offer, and does not want to see her daughter throw those opportunities away. She wants the best for her daughter, and does not want Jing-Mei to ever let go of something she wants because it is too hard to achieve. "America is where all my mother's hopes lay. . .There were so many ways for ... ...
In Amy Tan 's Two Kinds, Jing-mei and her mother show how through generations a relationship of understanding can be lost when traditions, dreams, and pride do not take into account individuality. By applying the concepts of Virginia Woolf, Elaine Showalter, and the three stages of feminism, one can analyze the discourse Tan uses in the story and its connection to basic feminist principles.