What is fantasy? Fantasy is an element of literature that pulls away from reality; it takes away from what the readers know to be true. It can be unrealistic, creating a story with the stereotypical fantastical element; however it can also be a more realistic setting - such as a Midwestern town - and have elements of fantasy intertwined. The Most Dangerous Game, by Richard Connell is a realistic story focused on a professional hunter, Rainsford, and his journey through a mysterious island after he falls off his ship. The fiction elements in this story show fantasy and affect the reader’s thoughts in persuasive ways. The majority of the elements are left to the reader’s interpretation, and allows the reader to think of the story in a variety …show more content…
of ways. Throughout the story, Connell uses the element, mystery, to help the story along.
An example of this is shown in “The old charts call it ‘Ship-Trap Island,’” Whitney replied. ‘A suggestive name, isn’t it? Sailors have a curious dread of the place. I don’t know why. Some superstition--”. The open ended questioning of the mysterious island, foreshadows that something unusual will occur there. This conversation creates an air of mystery, which leaves the reader questioning about what kind of effect the island has on the characters, and whether something twisted will occur later in the story. This also helps to leave the situation up to the reader’s interpretation, resulting in the reader making up a version of the story until it is officially resolved. As a reader, this conversation can be twisted in the brain and result in a fantastical idea. The conversation between the two men in the story contributes to the overall mystery of the story, which therefore influences …show more content…
fantasy. Another element of fiction in The Most Dangerous Game, is the difference, and influence of both realistic and unrealistic events.
An example of this is shown in the following, “Mirage,” thought Rainsford. But it was no mirage, he found, when he opened the tall iron gate. The stone steps were real enough; the massive door with a leering gargoyle for a knocker was real enough; yet above all hung an air of unreality.” In this passage Rainsford is disoriented and cannot discern if the place is real or imaginary, until he touches it. The description of the house is unrealistic for an island like this one, for both the reader’s and Rainsford’s imaginations, as this is shown in Rainsford’s initial reaction. Another example of an unrealistic element is when the general tells Rainsford what he hunts. However, the way Rainsford gets to the island, and how he is welcomed and shown respect in the house is realistic. These realistic and unrealistic events being spread throughout the story make the reader question what is real, and what is artificial; it can also give the reader a more abstract view of the story. Using realistic and unrealistic elements to contrast each other adds a great deal of fantasy to the subject. It is hard to tell what is real from what is artificial until you get up close and personal with that particular part of the
story. The final element used through the story is focused on how the reader interprets the story, which adds to the fantasy of the story. “It came to me as an inspiration what I must do,” the general went on. “And that was?” The general smiled the quiet smile of one who has faced an obstacle and surmounted it with success. “I had to invent a new animal to hunt,” he said.” This vague explanation of what the general hunts, and what he has invented leaves the rest open to the reader's interpretation. It provides a mysterious, almost fantastical sort of feeling. With the unrealistic themes being brought into the story earlier on, it is possible for the reader to interpret it in a more fantasy driven way. In The Most Dangerous Game, the author, Richard Connell, uses the element of fantasy in an unconventional way. Connell makes use of the realistic elements beautifully, but contorts certain events throughout the story in a way that turns them into fantastical elements. The story shows mystery, and realism alongside unrealistic events, it twists the reader’s view and pushes them to think about the story as a fantasy.
The Only Game, by Mike Lupica, is about a 6th grade boy named Jack that is very good at baseball. When the book starts out Jack and his old team mates are very excited that baseball season is just about to start up again. They all are out on the field explaining how it looks and smells so great. Then the day arrives that they had all been waiting for, tryouts. Jack explains how it is great to be back at it with his best friend Gus. After tryouts they found out who all made the team and it was basically the same team that they had last year. This year was supposed to be the year that they win the Little League World Series. They had all the offence and defense they needed to go all the way. Last year’s team made it to the World series
The Killings by Andre Dubus Plot is defined as, "the authors arrangement of incidents in a story it is the organizing principle that controls the controls the order of events (Meyer,64). " The element of plot is heavily relied on in the short story, "The Killings" by Andre Dubus. The plot which is completely made inside the imagination of an author (Meyer,64), gives the audience important insight to people, places, and events in the story (Meyer,64) . "The Killings" provides a somewhat conventional plot pattern, where the character is confronted with a problem and is then led into a climax, which late leads to the resolution of the story (Meyer,65). The conventional plot is easy to follow and serves as a basis for movies and other forms of fictitious entertainment (Meyer,65).
Survival skills can take over when in a life or death situation. The protagonist, Rainsford, in the short story “The Most Dangerous Game” by Richard Connell is a clear example of this. While on the way to hunting expedition Rainsford is thrown overboard his ship and swims to the nearby shore of Ship Trap Island. He explores the island and finds a chateau. He is invited in by the owner, General Zarroff, and they begin to converse. Here Rainsford learns something dark about this man that will lead to him being on the run for his life. He is forced to let his survival skills, resourcefulness, thinking on his feet, and his good eye, take center stage in the fight for his life.
Fantasy – a series of made up images of the mind which create a world not bound by the rules of reality (Dictionary)
...s sometimes they have a very set meaning to what that story is supposed to be about and sometimes they don’t but in almost every case you can read further into what they are saying by just paying attention to how it makes you feel as you read it.
Fantasy has always been a theme that enthusiasms me so that is why I've decided to uncover its true meaning and use in the artistic world.For me fantasy is a way of expression.It's a way to escape the realities that we experience everyday.With fantasy you are able to imagine new realms and items that we desire for in a world with short possibilism.
David W. Blight's book Beyond the Battlefield: Race, Memory and the American Civil War, is an intriguing look back into the Civil War era which is very heavily studied but misunderstood according to Blight. Blight focuses on how memory shapes history Blight feels, while the Civil War accomplished it goal of abolishing slavery, it fell short of its ultimate potential to pave the way for equality. Blight attempts to prove that the Civil War does little to bring equality to blacks. This book is a composite of twelve essays which are spilt into three parts. The Preludes describe blacks during the era before the Civil War and their struggle to over come slavery and describes the causes, course and consequences of the war. Problems in Civil War memory describes black history and deals with how during and after the war Americans seemed to forget the true meaning of the war which was race. And the postludes describes some for the leaders of black society and how they are attempting to keep the memory and the real meaning of the Civil War alive and explains the purpose of studying historical memory.
Although pride can lead to beneficial outcomes, pride with the absence of empathy can lead to a devastating result. The Most Dangerous Game by Richard Connell shows that having too much pride and no empathy can get someone in some terrible trouble. The theme is proven by Rainsfords pride and unempathetic-ness, how the general had too much pride, and how the general only saw himself as the hunter, not the hunted.
As a socialistic society we live in we find ourselves in positions were conflicts arise between friends or family. 'The Sniper'; was written by Liam O ' Flaherty to express a subtle yet powerful opinion on such a conflict. With references this essay will analyse the short story bringing to light the structure used to contribute to the theme.
seem realistic to a listener or a reader with out some sort of a vice or
The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story, the narrator describes the wallpaper as “Repellent.revolting. a smoldering unclean yellow” (Gilman 377). As the story continues, the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too.
The conflict of good and evil presents itself in “The Most Dangerous Game” and “The Child by Tiger” in two completely different ways. One story being commercial fiction and the other being literary fiction, there are many ways of viewing variables such as good versus evil, realistic versus unrealistic stories and moral significance. The stories have different voices and are meant for different audiences, but in viewing the overall moral importance of both fictional works, the story with a greater moral significance is “The Child by Tiger”.
Magical realism, by definition, is a literary style that addresses social concerns, but masks the...
Realism is a literary style in which the author describes people, their actions, their emotions and surroundings as close to the reality as possible. The characters are not perfectly good or completely evil; they exhibit strengths and weaknesses, just as real people. The characters often commit crimes or do immoral things, and are not always just good or just evil. In a realistic novel, aspects of the time period or location are also taken into consideration. Characters dress in clothes that befit them, and speak with local dialects. Most importantly, characters are not sugar coated or exaggerated. The characters do things as they would normally do them, and are not worse or better then their real life counterparts.
Gavin argues, “During the seventeenth and eighteenth centuries, empirical philosophy recognized a perilous disconnect between knowledge and the actual existence of things in the world” (Gavin 301-325). These ideas of knowledge, and those of the real world, were shaped by Descartes’ theory that reality is perceived by the individual and is not attached to previous ideas of reality. Unlike the novels before, realistic novels appealed to middle-class readers who wanted to read about ordinary people; they could see themselves as main characters in the story (Mario). With the influence of Descartes, novels and the genre of realism came together forming realistic novels. Realism is the attempt to depict all characteristics of human life with such attention to detail that the events seem as realistic as possible, as if readers could perhaps know the characters personally or even be them. Regarding Crusoe, he faces many realistic chall...