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Prison poulation research paper
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Prison essay introduction
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A New Prisoner Experiences ‘More Hate Than Fear’
Adam New
‘More Hate Than Fear’ takes a dispiriting look at prison life, as well as the inequities of the law.
Over the years, prisons have served as great settings for movies. Beloved pictures like ‘The Shawshank Redemption,’ ‘Cool Hand Luke,’ and ‘The Green Mile’ tell the stories of inmates and their struggles of living in custody. Prisoners can make for compelling protagonists. By definition, they have (or are accused of) committing a crime. Therefore, it gives them a reason for finding redemption, setting up their character arc. Stories taking place in prisons can also shed light on interesting subjects, such as corruption of the criminal justice system, psychological issues, or forgiveness and atonement.
‘More Hate Than Fear’ is a 2015 British short film directed by Billy Boyd Cape and written by Molly Manning Walker. Lasting about fifteen minutes, this drama premiered at the British Film Institute and was an official selection at multiple festivals, including the London Short Film Festival. With its bleak tone and its poignant message, ‘More Hate Than Fear’ is a piece that will
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While he has a hard time at first, he starts creating an unlikely friendship with an older inmate (James Clossick) who has underlying secrets that eventually become known.
As you may expect from a prison drama, ‘More Hate Than Fear’ is a very somber affair. The colors are subdued, the movements are languid, and the background music is sullenly ambient. This is certainly not a feel-good movie. Cape does a tremendous job of conveying the melancholy of the main character and his plight. Viewers will empathize with the character, as he is forced to undergo a harsh punishment for a relatively trivial transgression. In essence, ‘More Hate Than Fear’ emulates the bleakness of prison life
Neither Conover nor Santos paints a favorable picture of conditions within prison. In particular, Santos description of violence within prison shows a very disturbing setting for people to live. Santos describes a daily fight to remain safe and alive. ...
I feel that this book gives a rough, inspiring and passionate warning that the rush to imprison offenders hurts the guards as well as the guarded. Conover reminds us that when we treat prisoners like the garbage of society, we are bound to treat prison staff as garbage men -- best out of sight, their own dirt surpassed only by the dirt they handle. Conover says in one part of his book, “Eventually admitting that being in a position of power and danger brings out a side of myself I don’t like.” I feel both prisoners and officers deserve better.
" With violence affecting so many lives, one can understand the desire driven by fear to lock away young male offenders. But considering their impoverished, danger-filled lives, I wonder whether the threat of being locked up for decades can really deter them from crime" (305). Hopkins is definitely not our stereotypical prisoner. Most generally, our view of prisoners is not that of someone who has this profound use of wording and this broad sense of knowledge.
Love is considered a wonderful connection between two people that brings happiness to many. Although without hate no one would realize how marvelous love truly is. Does this mean hate is more powerful than love throughout the world? Hate overpowers love because there may be so much love in this world, but with the tiniest bit of hate everything could be changed in a split second. Hate is an indestructible power that will demolish anything in its way, like it did in The Coffin Quilt, by Ann Rinaldi. Roseanna McCoy and Johnse Hatfield’s love was simply not powerful enough to defeat the hate that came along with the love.
Although prisons have the primary objective of rehabilitation, prisoners will likely go through many other troubling emotions before reaching a point of reformation. Being ostracized from society, it is not uncommon to experience despair, depression, and hopelessness. Be that as it may, through reading various prison writings, it can be seen that inmates can find hope in the smallest things. As represented in “Hard Rock Returns to Prison from the Hospital for the Criminally Insane”, the author, Etheridge Knight, as well as other black inmates look up to Hard Rock, an inmate who is all but dutiful in a world where white people are placed at the top of the totem pole. However, after Hard Rock goes through a lobotomy-esque procedure, the motif
Martin Luther King Jr. declared, “Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that” ( citation ) . Many people feel as Mr. King did, that love can fight hate, and ultimately love is the answer, the fixer, to this figurative darkness. The word’s love and hate express a strong and perhaps intense feeling for something or someone. However, these intense emotions are commonly used in opposition of each other. It is crucial, though, to note that these powerful emotions can easily cross lines and become blurred. Evidence of this claim is supported by Rempel and Burris’ “...Integrative Theory of Love and Hate,” which outlines what it means to love and what it means to hate, and how humans
In every society, throughout all of time fear is present. It is a an evolutionary instinct thought to have kept us alive, throughout the darkest moments in human history. However as time has progressed fear has had an unintended consequences on society, including the suffusion of incomprehension. During the Salem Witch Trials and Cold War a large sense of fear overcame these societies causing tragedy and misinformation to become commonplace. It is in these societies that it is clear that fear is needed to continue a trend of ignorance. Although bias is thought to be essential to injustice, fear is crucial to the perpetuation of ignorance because it blinds reason, suppresses the truth and creates injustice.
For decades, prison has been signified as an unspeakably horrifying place for those who have done harm to our society. Nevertheless, in today 's society, shows like Wentworth, orange is the new black and prison break illustrate prison in an entertaining way. A way that is so detached from reality. However, in the article "Norway 's Ideal Prison," by Piers Hernu, he clearly reveals and gives us a vivid picture of what prison life is like in Bastoy, the home of Norway only prison. On the other hand, "The Prisoners Dilemma," by Stephan Chapman argues how in Islamic countries criminals are being cruelly handled and how flawed the American penal system is and needs to be adjusted. Even though there are many similarities in both articles on what
Gresham M. Sykes describes the society of captives from the inmates’ point of view. Sykes acknowledges the fact that his observations are generalizations but he feels that most inmates can agree on feelings of deprivation and frustration. As he sketches the development of physical punishment towards psychological punishment, Sykes follows that both have an enormous effect on the inmate and do not differ greatly in their cruelty.
He convinces the audience that we all inherit these mad thoughts, whether it is talking to ourselves to murdering our enemies in reality through jokes and illusions. King attracts us by stating that “the potential lyncher is in almost all of us and every now and then.” He includes reasons why we continue to dare the nightmare and initiate our sense of being normal. His arguments portray normal people that think are not mentally ill, are. Demonstrating the choices, we make independently like buying that ticket and sitting down to watch the gore before our eyes, proves that our insanity gets the best of us and must feed our negative thoughts. Proving people’s odd decisions, he states, “When we pay our four or five bucks and seat ourselves at tenth-row center in a theatre showing a horror movie, we are daring the nightmare.” When explaining our mental health, he informs how we release our madness through bloody horror films.
One of the primary causes of fear that leads to change is the lack, loss, and gain of power. Shortly after Stephen Kumalo learns that his son, Absalom, murdered Arthur Jarvis, Kumalo is horrified and approaches Msimangu for support and advice. Even upon doing so, Kumalo is thoroughly shaken, with only one thought in his head at the moment, “What broke in a man when he could bring himself to kill one another? What broke when he could bring himself to thrust down the knife into warm flesh, to bring down the axe on the living head, to cleave between the searing eyes, to shoot the gun that would drive death into the beating heart?” (79). In his questioning of “what [breaks] in a man” to trigger cold-blooded murder, Kumalo is face-to-face with a direct product of a
And the more we know about the scene, the more we really are horrified” (“Sympathy for the Devils”). Violence, especially committed by this special class of felons, is enthralling. News reports play a role in this strange attraction, as it is through the news that people even have knowledge of such killers, but the evolution in the “serial killer genre” (Lindsay, “Sympathy for the Devils”) of film and television helps to desensitize people to the gruesome murders that are committed. This begs the question of whether this disturbing trend should be stopped, lest the American “culture of violence” (this has a source) continues to grow stronger. Through news reports, film, and television, criminals are constantly romanticized through use of sympathetic characterization and gratuitous depictions of their crimes, which lends to peoples’ increasingly positive attitudes toward violence and, in turn, feeds the growing culture of violence in America.
When we do research on daily prison life, we come across two typical but less than ideal situations: either social imaginaries cloud our judgment or information provided by the prisons themselves hide certain weak or bad aspects that they do not want to make public. We can also find information on TV, but most of the time it either exaggerates or minimizes the facts. In order to obtain more reliable information, we have to have access to people who are working or have worked in this institution, and such will be the sources of this essay. We will be describing and giving examples of prison violence according to three types of violence: sexual, physical and psychological violence.
Lappin, H. G., & Greene, J. (2006). Are prisons just? In C. Hanrahan (Ed.), Opposing Viewpoints: America’s prisons (pp. 51-98). Detroit: Bonnie Szumski.
...ly makes for fresh conversation among inmates, at the same time truly violent acts remind the prisoners of the harsh realities of prison life.