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The dark side of edgar allen poe
The dark side of edgar allen poe
Literary analysis catch 22
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The Cask of Amontillado by Edgar Allan Poe
The book “Cask of Amontillado” chronicles what a perfect crime is. Giving an account of the events that transpired 50 years prior, Montresor, an aristocrat from Europe introduces the story by explaining how Fortunato a fellow aristocrat and wine connoisseur insulted him. Though it is not revealed how Fortunato insulted Montresor to make him want to kill him, it is evident that he really angered him. Montresor’s plan is not just to punish Fortunato but to bypass the punishment associated with the crime. Montresor exploits the pride that Fortunato has in his abilities to taste wine to lure him into the catacomb where he manages to send him to the afterlife. To highlight what a perfect crime constitutes,
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the author uses the concept of history. This paper therefore highlights three aspects of history that the author has used to explain what a perfect crime is. The first aspect of history is carnival which is a class of festivities that takes place in multiple Catholic cities annually before the Lenten season. In the 18th century France and Italy carnival season was the years highlight. Normally done for at least a week, it marked a period of costumes, parades, feasts and parties (Britannica). In these catholic states the season was the last opportunity for one to have fun prior to lent which is a 40 day period of penitence and fasting. During these festival women dressed like male characters while men dressed like the female characters (Britannica). Lent starts on Ash Wednesday and on particular days of Ash Wednesday Catholics are required to abstain from consuming meat as a spiritual and physical reminder of the sacrifices of Jesus. Prior to As Wednesday a large number of Catholics consume every fat and meat in their homes as well as hold big parties on the streets as a celebration before the season of Lent (Britannica). During this time, all social classes congregate, disguise themselves and forget all their tribulations. In the Cask of Amontillado, the use of Carnival is ironical as well as symbolic. Carnival is used to communicate the fact that things do not always appear as they actually are and it serves as a disguise to the crime Montresor is about to commit (Poe, 1). For one to plot the demise of a person during a carnival is unusual. One would expect a horror story of revenge in a setting such as a stormy and dark night as opposed a happy festival of individuals. The irony lies in the fact that the setting is contrary to the evil plans and dark mind of Montresor. Also, the carnival creates a chaotic setting in which Montresor is able to lead Fortunado to the catacombs without being noticed (Poe, 2). The carnival work exceptionally to fit the crime as Fortunado is easily accessible subject to his ridiculous costume that has a jingle-bell hat. Also, under this setting, Fortunado wouldn’t expect that his life would be in danger. By prodding and poking in the holes, Montresor is able to hear the jingles of the bell and keep track of Fortunado and thanks to the disguise of the carnival that Montresor is able to avoid his servants witnessing him finishing off Fortunado. The second aspect of history is Freemasons which is believed to have emanated from the stone masons guilds in the middle Ages. Established in the Middle Age as a stone workers guild, Freemans emerged as a strong social force in the 18th century Europe (The Sun). Come the mid-century, the former labor union became a common people and aristocrats’ society devoted to social betterment, rationality and frees though ideals. The symbols and language employed in the rituals of this fraternity are from the Middle Age and reference to it is found in the Regius Poem printed in the 1030s (The Sun). The fraternity significantly spread in the colonies of America and Europe and it was very prominent in colonial America. Though initially instituted to support the spiritual and moral values of its members, it has historically been made up of significantly wealthy men and is involved in secret rituals. Due to the secrecy of the group, the group faced suspicion for multiple evil behaviors. They faced accusation for having loose morals, threatening government power and being anti-Christ (The Sun). Even though Freemason is associated with spreading enlightment ideals in the 1700s it was considered sacrilegious by others. The same is evidenced in the year 1826 when 3 men kidnapped a Masonic prisoner from a jail cell in New York for threatening to publish the secret rituals of Freemasons. The membership of Fortunato to the Freemasons is evidenced by the sign he made with his hand that Montresor would have managed to recognize had he been a mason since they are taught to recognize it (Poe, 5). It is also evidenced by the trowel which Montresor uses to cement him on the wall. By asserting that Fortunato is a member of the Freemason society, Montresor forecasts the cruel death of Fortunato through live burial. Bringing up Freemasons and revealing the tool of murdering Fortunato shows Montresor eagerness to harm Fortunato. Hiding it as an innocent symbol of mason is his excuse to unveil the murder weapon (Poe, 5). The trowel foreshadows the end of the story as well as reveals the nature of Montresor as a calculating killer. The freemason symbols by Fortunato and the trowel use by Montresor highlight the notion that the hate Montresor feel towards Fortunato is because he is a member of Freemason. In Freemason trowel a symbol of the cement of affection and brotherly love that binds its members without hostility but Montresor has used them for purposes of hostility thereby tainting what it stands for. Finally the book highlights the historical aspect of burial customs in the 18th century Europe when it is revealed that Montresor stored his wines alongside the skeletons of his family in similar underground vaults (Eggleton).
In the region of Palermo, Sicily in the event that an individual died him or her corpse were walled up in catacombs which are underground tombs. Six months following the disappearance of the flesh, the skeletons are considered ready for them to be displayed. The catacombs were lit brightly so that every skeleton could be viewed while holding a card that displayed the title and name of the dead (Eggleton). As for public officials that died in the region if Sicily, dead bodies were showcased on the chairs of church floor with officials fanning away the flies. In some other places, the bones of humans were laid down in boxes that are decorated for their relatives to view. Therefore, the long wall pilled with skeletons was not unusual in the 18th century of Europe (Eggleton). This historical concept has been used to highlight how smart Montresor was in planning his revenge and get rid of evidence that may lead to punishment from the crime committed (Poe, 5). By using the funeral processions of 18th century Europe, Montresor was able to bypass any punishments that may come from committing murder as someone could mistake the remains of Fortunato for those of a dead person that was buried in the tomb.
That said it is pertinent to assert that the author of “The Cask of Amontillado” has used carnival, freemason and 18th century burial custom aspects of history to outline what a perfect crime is. Carnival has been used to highlight how one can perfectly disguise a crime, freemason has been used to communicate the reason behind the crime and 18th century burial custom has outlined how to make the evidence of a perfect crime to go
away. Works Cited Britannica, The Editors of Encyclopaedia. “Carnival.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 16 June 2017, www.britannica.com/topic/Carnival-pre-Lent-festival. Eggleton, Pat. “Patti Chiari - Death in Sicily.” ITALY Magazine, 19 Nov. 2013, www.italymagazine.com/featured-story/patti-chiari-death-sicily. Neuleib, Janice, et al. “The Cask of Amontillado.” Mercury, PEARSON CUSTOM LIBRARY, pp. 1–8. “Who Are the Freemasons, What Are Their Beliefs and Are There Female Freemasons?” The Sun, The Sun, 12 Mar. 2018, www.thesun.co.uk/news/3322564/freemasons-uk-masonic-lodge-female-members-discrimination/.
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
The Cask of Amontillado, written by Edgar Allan Poe, is a chilling story about two men named Fortunato and Montresor. The story begins with a narrator voicing his anger and resentment towards a man named Fortunato for “a thousand injuries” and insults. Our narrator sees Fortunato and lures him down into his vaults, or “catacombs,” on the premise of verifying that some wine is a certain type. Fortunato was already drunk, and had a cold. Eventually, the men reach a crypt, and the narrator chains Fortunato to the wall. Not stopping there, the narrator begins to trap him in the hole by filling it with bricks. Fortunato is quiet, until the hole is nearly filled, when he screams and then tells the narrator that it was a good joke. The narrator’s name is revealed to be Montresor. Montresor calmly takes the last brick and prepares to slide it into place, but stops and listens. All he hears are the jingling of bells. Then Montresor puts in the last brick, hence sealing Fotunato’s fate. There is chilling irony woven all throughout The Cask of Amontillado. It isn’t until the end of the story that we discover the tale took place fifty years before. Montresor’s vile deed’s motivation can be largely attributed to social class, fulfilling what he considered to be “just retribution” for the unnamed insult that was given him by Fortunato.
"The Cask of Amontillado" takes place in an appropriate setting, not only is the setting underground, but also in the blackness of the night. The story begins around dusk, one evening during the carnival season in a European city. The location quickly change...
Baraban, Elena V. "The Motive for Murder in 'The Cask of Amontillado'." Rocky Mountain Review 58.2 (Fall 2004): 47-62. Rpt. in Short Story Criticism. Vol. 111. Detroit: Gale, 2008. Literature Resources from Gale. Web. 7 Dec. 2010.
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
In “The Cask of Amontillado”, the combination of the carnival and the catacomb settings contribute to the themes of revenge, and deception which the protagonist takes responsibility in. Because the story takes place during the carnival, the protagonist, Montressor, has an easier time plotting against Fortunato:
In Edgar Allen Poe’s “The Cask of the Amontillado”, Montresor has always been viewed as a sociopath. He is a man who lured his friend into his family 's catacombs by lying to him. He then got his friend, Fortunato, drunk enough that he did not know what was going on. Montresor then chained his friend to a wall and boxed him in with mortar, all as an act of revenge and justice in his eyes. Although Montresor trapping Fortunato in the catacombs can be viewed as a cold, evil, heartless act, it does not mean that Fortunato’s death was meaningless. Montresor viewed Fortunato’s death as poetic justice, but others can not help but think of the irony of the situation. Poetic justice is defined as a result or occurrence that seems proper because someone
Edgar Allan Poe’s “The Cask of Amontillado” is a horror story about revenge and murder that occurred half a century ago. Through the haunting confession of the narrator, Montresor, the reader is able to feel what Fortunato had endured half a century ago. In this tale of revenge and murder the dark, damp, and bone-filled catacombs provide a contrast to life during the “madness of the carnival” (553).
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
The horror that presents itself in “The Cask of Amontillado,” like in many of Poe’s short stories, resides in the small amounts of proof that lies in Montresor’s alleged “insult” and “thousand injuries” from Fortunato.(insert citation here) Poe’s story “The Cask of Amontillado” features vengeance through a secret murder as a method of avoiding the use of the legal system for doing him justice. Law has no place in Montresor’s life, and the enduring terror of the short story is the epitome of execution without evidence. (insert citation here) Montresor subjects himself to re-experience Fortunato’s unintentional offense over and over making Montresor build in anger. In Montresor’s mind then appoints him to judge Fortunato’s fate in this story, which is Fortunato's enviable demise. It is because of this that Montresor becomes an unpredictable narrator.(insert citation here) Montresor admits to what he has done in his story approximately fifty years after its release. (insert citation here) Such a huge amount of time in between the actual events and the narration of the story makes the narration of the events less reliable and seem more fiction. The story “The Cask of Amontillado” has a skewed interpretation, it can be interpreted many ways. The fact that many different people find meaning of the story differently it all comes down to the stories horrific destination.
Carefully, cautiously the Montresor plotted precisely how he would exact revenge upon Fortunato. Much time and great energy was devoted to this plan, selecting a time that would be best: during carnival when the town would be celebratory, his servants apt to run off and join the celebration, when the two could silently disappear without notice or question. No detail is forgotten; he allows for no deterrents. He follows through with such a confidence that never does he stumble or hesitate in carrying out his plan. The Montresor indicates that he had never given. To continue with this ploy, he even goes so far as to express false concern for Fortunato as they pass through the catacombs. Blaming the nitre and damp, the Montresor suggests that they turn back as not to compromise Fortunato’s ill health, though he has no intent of doing so. Never once until the very end did Fortunato have cause to suspect that there were any foul plans afoot.
...Baraban, Elena V. "The Motive For Murder In ‘The Cask Of Amontillado’ By Edgar Allan Poe." Rocky Mountain Review Of Language & Literature 58.2 (2004): 47-62.
James Gargano, a famous critic, said The Cask of Amontillado was a masterpiece; a powerful tale of revenge; one of Edgar Allan Poe 's richest aesthetic achievements; deserves more analysis than it has received; and that critics have rightfully expressed admiration for the tale (Gargano). Like Gargano, many critics give Poe’s The Cask of Amontillado great acclamation. Though few critics are displeased with the narrator, The Cask of Amontillado is widely praised by most critics. "The Cask of Amontillado" is a work of art, and not just an ingenious Gothic exercise” (Milne). Other critics such as Bettina Knapp and Charles Dana, did not like The Cask of Amontillado or that Montresor felt no guilt. Poe 's characters murder and commit heinous crimes and feel no remorse towards their victims. "Bettina Knapp places ‘The Cask of Amontillado’ among Poe 's ‘shadow tales,’ which do not offer values. No judgmental forces are at work. Crime is neither a negative nor a positive act. Poe 's psychopaths do not distinguish between good and evil, nor do they usually feel remorse or guilt”