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Representation of women in literature
Representation of women in literature
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His Last Duchess
Robert Browning’s My Last Duchess is a dramatic monologue narrated by the Duke of Ferrara Even a passing gaze to this poem would paint a picture of a selfish prick of a husband and a wife whose mere fault was naivete, someone who was merely appreciative of the beauty around her, a quality that bugged her husband to the point where he accuses her of being unfaithful and gets her killed. The narrator of the poem indicates an arrogance embedded so deep in a bold sense of male superiority. However, a wise man once said ‘there is no smoke without fire’. While the Duke sounds a little mental for not being able to have enough balls to communicate with his duchess and being on a brink of remarrying after causing
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The use of ‘mule’, instead of a horse or stallion, which are the common indication of male sexuality, it was a sterile mule that she took so much pleasure in riding. Her riding it also indicates duchess being in a powerful position, she had a sexual appetite that could not be sated by one man. A mule could be used as a metaphor for insulting another man who enjoyed the company of his wife in a conjugal horror suggested by her bough of cherries broken by “some officious …show more content…
The carnal significance of ‘cherry’ in English folklore is undeniable and has been in use since at least 15th century. An association between cherries and virginity in “The Cherry Tree Carol” indicates that the idea was fairly established in English literature. In this Christmas song Mary declares her pregnancy to Joseph in a garden:"Joseph, gather me some cherries for I am with child". To which he replies “ Let the father of the baby gather cherries for thee” (7-10 LF). Joseph’s enraged reaction suggests that he considers picking of cherries to be linked with the loss of virginity. Another example of the term ‘cherry’ being used in a similar manner is Thomas Campion 's poem “Cherry-Ripe” which mentions “There cherries grow which none may buy” (5-CSG), indicating that a woman’s intimacy is priceless and no one can afford to buy it. Several odd admissions of loss of control over his wife like “Are you to turn and ask thus. Sir, ’twas not, Her husband’s presence only, called that spot” suggest that she had needs that her husband alone could not fulfill. She has a weakness for men’s compliments that a cold hearted duke couldn’t provide. After he gets her killed, and lets the memory of his late wife to exist in a painting, he’s finally in control of her smiles and kindness that she
Harte showed Duchess’s emotional side of her. Her “...pent-up feelings found vent in a few hysterical tears...” (Harte, 2) shows the Duchess as emotional, a drama queen, spontaneous and impulsive. This was before she changed, though. “The Duchess, previously a selfish and solitary character, does all she can to comfort and console the fearful Piney.” (Moss and Wilson, 4) Duchess's character reveals that people can switch their habits no matter what the circumstances
However, later, in her "Tale" the Wife of Bath presents another opinion - women wish to have emotional power over their husbands as well. The fact that the hag is able to decide for herself whether to turn into a beautiful wife or to remain in her present state, manifests her power over the husband. It is up to her whether to make the knight the happiest men on earth or to make him miserable for as long as she lives:
The Wife of Bath was a plump, florid, jolly, bold, lusty, and voluptuous woman. She was the most valuable of women. The wife of bath cannot resist telling her companions about all of her sexual experiences. She has had five husbands. Her husbands fell into two categories. The first category of husbands was: rich, but also old and unable to fulfill her demands, sexually that is. The other husbands were sexually vigorous, but harder to control. The first three were rich, old, and jealous. She tamed them by accusing them of promiscuous behavior, that she herself practiced. Her fourth husband had a mistress, so she "gave him a real cause for jealousy" (Halliday 119). At the funeral of her first husband she fell in love with the legs of an Oxford clerk. Although he was half her age, he became her fifth husband. This marriage was unhappy because he beat her. To anger her fifth husband, the wife of Bath tore three pages from his book. After this he beat her again. She pretended to be dead and he felt so guilty that he threw his whole book in the fire. This gave her the upper hand for the rest of his life. She presently is looking for a sixth husband when her character is introduced (Halliday 119).
over his wife as he refers to her as a belonging; it also shows that
“My Last Duchess” is written in rhymed iambic pentameter lines. It is about the inner thoughts of an individual speaker (Duke) who reveals a portrait of his former wife to the count’s agent and explains what happened as well as what led to her unfortunate fate. There are several hints of symbolism and imagery that play a key role throughout the poem, such as the portrait of the duchess, the smiling, and the stooping. Not much is said about the portrait except that is lifelike and captures the duchess’s emotional state. The Duchess’s smile and joyous state are the biggest signs of imagery in the portrait itself and the poem. According to the Duke, he thinks their worthless because ...
Despite the fact that this lady was supposedly untouchable due to her status as “taken” this man or rather knight made it his mission to win her over or it was his mission to please her. This Knight would go to great lengths sometimes setting into long journeys, battling other knights and going into chivalric adventures in what is known as the other world. This knight or the courtly lover is like a slave to this passionate, romantic love for example in the tale “Le Chevalier de la charrette”, a courtly romance whose hero obeys every imperious and unreasonable demand of the heroine. A slave willing to put his own life at risk in order to show his love and passion for this one woman. For example, In “Lancelot, the Knight of Cart” Lancelot first part is a physical quest though driven by love, the knight tries to rescue Guinevere. However, once he finds her, he does not stop, he continued to quest in order to deserve her love. Even after they consummate their relationship in the tower, he must continue to do her bidding, suggesting that the quest for love never ceases. We see this untouchable love through his love and adulterous feelings for the queen, Lady Guinevere, this lady made untouchable through her marriage to King
The narrator expresses her sorrow when she says "He lured me to his palace home" The word “lured” shows how devious and manipulative The Lord was to the poet. Also it could possibly mean that she was an easy target, and the lord found pleasure from her innocence and took advantage. The word "palace" also shoes a contrast in social status between the cottage maiden and lord and that women had a lower status than men.
On the other hand, on “My Last Duchess”, the speaker is a Duke who is going to be remarried. As the speaker shows his new wife’s father a painting of his previous wife he describes how she was like. Unlike the previous poem, this one clearly depicts the speaker as a monster. He had his wife murdered for what comes across as fairly innocent crimes. In the following lines he states;
The theme of “My Last Duchess” is power, it is based on the Duke’s political and social power applied by the speaker. In this
Judgment is necessary for the self-preservation of humans solely when applied with original intent; however, overused and abused, judgment can mutate into prejudice. Frequently, openly addressing the issues of prejudice is more effective than suppressing it, facilitating optimum understanding while enabling capacity for change. Successfully employed, satire may enlighten hearts and minds to the ridiculousness of prejudice, while opportunely comical. Humorously, Alison exhibits loquaciousness, manipulation, sexual incontinence, indecisiveness, deceitfulness, and countless additional stereotypes in the prologue and tale, while she clarifies that sovereignty over husbands is the exclusive womanly desire. Auspiciously, Geoffrey Chaucer’s theme illustrates the absurdity of female stereotypes by utilizing satirical expression, ironically upholding the irrational presence of misogynistic
In spite of his great wealth, the narrator of the poem, the Duke of Ferrara still struggles to achieve his need for unwavering love in his marriage, similarly to Porphyria's lover. While negotiating with an envoy for the hand of a count’s daughter in marriage, the Duke guides the envoy to his private art gallery and shows him several of the objects in his collection. Among these objects is a portrait of his late first wife hidden behind a curtain that only he is allowed to draw open. Immediately, Browning begins to foreshadow the Duke’s overly controlling nature. The portrait of his last Duchess is more satisfactory to him than the Duchess herself; he can open or close the curtain as he pleases, therefore, giving him the complete control a man of his time felt entitled to. As the envoy sits and observes the painting, the Duke describes the circumstances in which it was painted and the fate of his unfortunate former wife. The portrait was painted by Fra Pandolf, whom the Duke believes captured the singularity of the Duchess's glance. However, the Duke angrily insists to the envoy that his late wife’s deep, passionate glance was not reserved solely for him: “she liked whate’er/ She looked on, and her looks went everywhere” (Browning 23-24). The Duke views the Duchess’s tendency to devote her attention to trivialities, such as a beautiful sunset, and accepting flattery and politeness from other people as an insolent act of defiance. Victorian women were supposed to “keep a tight rein on both their aspirations and their behavior” (Gorham 102). Yet, the Duchess continuously disgreads this standard, much to the displeasure of her husband. By revealing that her actions cause the Duke to feel jealousy and anger, Browning alludes to men disapproving of their wives acting outside of
...ding this poem, it is obvious to think that the Duke was definitely a cruel and heartless man. Assuming he had his first wife killed, he didn't seem to care. He just forged ahead in an attempt to find another woman he could control. As a matter of fact, he used his influence to actually warn the servant of his plans for his marriage to the Count's daughter. Instead of mourning his first wife, he seemed to revel in the fact that he was now able to control her beauty in the portrait by only allowing viewing to those he invited to see it when he opened the curtain. Oh, what a powerful feeling that must have been for him! In the 20th century, however, I think this poem would have been written differently to reflect the freedom women have today. No woman would have put up with him! Maybe the Duke would have had second thoughts about how he treated his beautiful Duchess.
Robert Browning is remembered for his mastery at capturing the essence and power of the dramatic monologue. Through symbolism, structure and technique, Browning creates the model of the ideal dramatic monologue in the poem, "My Last Duchess." "My Last Duchess" was published in 1845. "Ferrara" is the subtitle of the poem and assists in disclosing the design of the poem, a portrayal of Alfonso II, the fifth Duke of Ferrara. The historical life of Alfonso II fits intricately with the events and happenings within the poem.
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Throughout "My Last Duchess," Browning uses diction to further increase the haunting effect of his dramatic monologue. His precise and scattered word choice is meant to make the reader recognize the underlying haughtiness in his speech to the Count's emissary. The Duke refers to his former wife's portraits "depth" and "passion" in order to place a cloudiness over the realism of the painting. This, along with the "faint" and "half-flush" appearance that "dies along her throat," brings about an overcast appearance to the poem. The Duke's "trifling" lack of "countenance" is evident in his jealousy of