During the mid-19th century, England experienced a major societal and intellectual upheaval. Prior to the Industrial Revolution, Victorian men had to “overcome their appetites, their animal natures, in order to gain [...] a sense of the civilized self” (Garton 54). In order to maintain dignity within his communities, a man’s barbaric nature remained restrained from the outside world. During this time, men had created two personas: their public self and their private self. This attitude, however, began to change as English society transitioned from rural to urban; as England evolved, so did its citizens. People flocked to the cities in search of work, culminating in overcrowded and congested living environments. With so many people living in …show more content…
In spite of his great wealth, the narrator of the poem, the Duke of Ferrara still struggles to achieve his need for unwavering love in his marriage, similarly to Porphyria's lover. While negotiating with an envoy for the hand of a count’s daughter in marriage, the Duke guides the envoy to his private art gallery and shows him several of the objects in his collection. Among these objects is a portrait of his late first wife hidden behind a curtain that only he is allowed to draw open. Immediately, Browning begins to foreshadow the Duke’s overly controlling nature. The portrait of his last Duchess is more satisfactory to him than the Duchess herself; he can open or close the curtain as he pleases, therefore, giving him the complete control a man of his time felt entitled to. As the envoy sits and observes the painting, the Duke describes the circumstances in which it was painted and the fate of his unfortunate former wife. The portrait was painted by Fra Pandolf, whom the Duke believes captured the singularity of the Duchess's glance. However, the Duke angrily insists to the envoy that his late wife’s deep, passionate glance was not reserved solely for him: “she liked whate’er/ She looked on, and her looks went everywhere” (Browning 23-24). The Duke views the Duchess’s tendency to devote her attention to trivialities, such as a beautiful sunset, and accepting flattery and politeness from other people as an insolent act of defiance. Victorian women were supposed to “keep a tight rein on both their aspirations and their behavior” (Gorham 102). Yet, the Duchess continuously disgreads this standard, much to the displeasure of her husband. By revealing that her actions cause the Duke to feel jealousy and anger, Browning alludes to men disapproving of their wives acting outside of
The death of the female beloved is the only way deemed possible by the insecure, possessive male to seize her undivided attention. This beloved woman represents the "reflector and guarantor of male identity. Hence, the male anxiety about the woman's independence for her liberty puts his masculine self-estimation at risk" (Maxwell 29). The jealous and controlling males in Robert Browning's "Porphyria's Lover" and "My Last Duchess" possess a fervent desire to fix and monopolize their unconstrained female beloveds. Due to a fear of death, both speakers attempt to achieve control and deny object loss; by turning their lovers (once subjects) into objects, they ultimately attain the role of masterful subject.
Most people have fallen in love at least once in their lives. I too fall in this category. Just like any Disney movie that you watch, people fall in love with each other, and they get married and live happily ever after right? Wrong! In real life, there are some strange things that can happen, including death, divorce, or other weird things that you never see in Disney movies. Robert Browning’s literary works are great examples of “Non-Fairytale Endings.” Not only does Browning have endings in his stories that aren’t the norm in children movies, but he also has some twisted and interesting things happen in the story of lovers. In Robert Browning’s works, Porphyria’s Lover, and My Last Duchess, the speakers can be both compared and contrasted.
The purpose of this essay is to analyze and compare and contrast the two paired poems “My Last Duchess” by Robert Browning and “My Ex-Husband” by Gabriel Spera to find the similarities presented within the pairs. Despite the monumental time difference between “My Last Duchess” and “My Ex-Husband”, throughout both poems you will see that somebody is wronged by someone they thought was a respectable person and this all comes about by viewing a painting on the wall or picture on a shelf.
In contrast to Macbeth’s love for his wife, in Browning’s ‘My Last Duchess’ there is an absence of the romanticised emotion of love. The Duke refers to his wife as ‘My Last Duchess. Here the use of the possessive pronoun ‘my’ gives us the idea from the outset that the Duke saw his wife as merely a possession. The iambic pentameter of ten syllables per line used in the poem also emphasises possession by stressing ‘my’ further in the pattern. Browning’s portrayal of love is one that is absent of emotional attachment, but instead something by which he could possess and have power over her. It could be argued that there are similarities in the way that Lady Macbeth also uses the emotion of love. Being in the form of a dramatic monologue, use
I read a critical article on Robert Browning’s “My Last Duchess”. I confess it was harder to find something in the NCLC’s than I would’ve thought. There was a considerable accumulation of critiques on Browning’s work, but very little on “My Last Duchess”.
In Robert Browning's "My Last Duchess," a portrait of the egocentric and power loving Duke of Ferrara is painted for us. Although the duke's monologue appears on the surface to be about his late wife, a close reading will show that the mention of his last duchess is merely a side note in his self-important speech. Browning uses the dramatic monologue form very skillfully to show us the controlling, jealous, and arrogant traits the duke possessed without ever mentioning them explicitly.
... of the love shared between a man and a woman. The aspects of jealousy, vanity, pride, obsessive desire, beauty, and flirtatious behavior are contained in both poems. The desire to completely possess another person's love and affection are related through a dramatic monologue. Robert Browning compares the love Duke Ferrara has for his Duchess with the obsession of Porphyria's lover. The Duke's has a jealous, stubborn, and irrational love for his Duchess. Likewise, Porphyria's is the recipient of a sinister, uncontrolled, and destructive love. Her mysterious admirer is overwhelmed by Porphyria's supreme beauty and her sensual mannerisms. His jealousy and obsession for Porphyria, compels him to act upon his depraved thoughts that will secure her total love and devotion. Porphyria and the Duchess experience similar outcomes that result in the death of both women.
French writer Victor Hugo, was banished by Napoleon III, emperor of France, for writings that were critical to the government. In April of 1857, English Poet, Elizabeth Barrett Browning wrote a letter to Napoleon, which she never mailed. Imploring Napoleon to excuse Hugo for writing a furious letter to the government.
In conclusion, Mr. Robert Browning depicts in ‘My Last Duchess” that the Duke is not an ideal husband by referencing how controlling he is over women and other people in his vicinity. Mr. Browning also references the Duke’s jealous and petty actions that make him seem desperate for a way to seek attention. That is why the Duke disposes of her since she was not giving him the proper care he wanted he decided that she was not worthy. The Duke is also not an ideal husband based on his views of how disposal women are to him. His jealousy and insecurity lead him to be an unhappy self-centered
The Duke of Ferrara was made jealous by everything the duchess did, no matter how unimportant it was. He was especially jealous of Fra Pandolf, the man who painted the duchess in the poem. A woman should be pleased only by her husband, as was not the case with the duchess and Fra Pandolf. She was “too easily impressed'; by the painter (line 23). Fra Pandolf was not the only man that made the duke jealous. Everyone who passed the duchess received “much the same smile'; as the duke (line 44). The duke expected to be the only man to receive a smile from his wife.
Through the course of history, men have sought to subdue women by restricting their rights, limiting their freedoms, and when all else fails – murder. In Robert Browning’s "My Last Duchess", Duke Ferrara kills his wife in retaliation for the fact that he could not control her being – actions and feeling – which is evidenced by his description of his last Duchess, his curtain over her portrait, and his skillful control over the syntax and conversation. Through this poem, Robert Browning addresses a grander issue of the extent to which men will go to maintain control.
The great poet Robert Browning, who created the poems My Last Duchess and Porphyria’s lover, had an interesting taste for speakers of his poems. He seems to be fond of violent, sexual and eccentric people to narrate his intriguing poems. In his poem Porphyira’s Lover, a dramatic monologue, a man in a cottage talks of a woman who brings cheer to his house when she appears out of the storm outside. When the man realizes the moment won’t last, he kills her by strangulation and lays her by his side. In his other poem, The Last Duchess, The Duke of Ferrara is the speaker of the poem, and tells us he is entertaining an emissary who has come to negotiate the Duke's marriage to the daughter of another powerful family. You soon realize when reading the poem that he killed his former wife The Duchess and speaks of her poor behavior despite all of her fortunes. Through out both of these poems Browning’s genius choice in speakers is very prevalent and the similarities and differences between the speakers are striking.
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Throughout "My Last Duchess," Browning uses diction to further increase the haunting effect of his dramatic monologue. His precise and scattered word choice is meant to make the reader recognize the underlying haughtiness in his speech to the Count's emissary. The Duke refers to his former wife's portraits "depth" and "passion" in order to place a cloudiness over the realism of the painting. This, along with the "faint" and "half-flush" appearance that "dies along her throat," brings about an overcast appearance to the poem. The Duke's "trifling" lack of "countenance" is evident in his jealousy of
has a listener within the poem, but the reader of the poem is also one