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Modernism versus Romanticism
What is the difference between modernism and neoclassicism
Modernism vs post modernism
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Modernism vs Neo-Traditionalism: A debate on the merits and failures of two major competing paradigms in architecture and urban planning.
Beyond the term modernism underlies one of the greatest ideas in architectural development. Modernism was meant to provide more green areas, cheaper housing and more efficient use of space. This was to be accomplished by creating vertically dense spaces with the use of the new inventions of the nineteenth century, such as steel, glass, electricity and elevators. By decreasing costs of building, modernists hoped to provide cheaper housing, affordable to almost anybody. The modernist movement was also promising to meet the growing demand for office spaces, hence the motto “form follows function” . Today, the inhabitants of every large city are able to see products of modernist influence. Its opposite, neo-traditionalism, is admired for its beauty and variety. “Small City U.S.A.” is an extremely popular concept among today’s citizens, looking to escape the ordinary, colorless office buildings. Boring and redundant, is modernism today what it was conceptualized to be? Its ideas shape today’s housing, from housing projects to single homes that have neo-traditional skin. Modernist concepts are of incredible importance and necessity; however, they were misunderstood in application.
“Modernism was a response to the rise of industrial manufacturing as man’s chief economic activity.” Modernism fulfilled the growing demand for office space. It made use of such inventions as steel, glass, concrete and elevators. Steel and concrete allowed building to go to whole new heights. Glass and electricity provided lighting, thus making the workday longer. Elevators made the office buildings possible by carrying its inhabitants to any floor in the building. These materials also solved the problem of fireproofing and were definitely less costly than the materials used for traditional buildings. At the same time, modernist buildings became uniform: built from the same materials, modular, colorless with the same components, flat roofs and lack of ornamentation. Kunstler argued that such buildings have seized to have any meaning that they destroy social arrangements and do not consider natural resources. He blamed modernism for ruining the cities with corporate gigantism, failing to creat...
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... supposed to provide for both.
People who despise modernism, probably do not know what it is supposed to be. Post-modernism seems to be more or less of an answer. It finally lets modernist buildings nurture creativity. Post-modernist buildings vary in shape, size and color, thus making them more appealing to the eye and less redundant. It seems that the costs of such innovations would still be less than those of traditional buildings.
I believe that our society needs post-modernism. People long for trees and parks and waterfronts, as well as for buildings that one can look at and think, “Oh, G-d, that is beautiful.” We need this no less than we need office buildings. Modernism and post-modernism are deemed to be different, and they are in the sense that post-modernism is exactly what modernism was supposed to be, may be with a bit more variety. In many instances, post-modernist buildings are even more attractive than neo-traditional. So, maybe one day when all modernist ideals are realized, a person will come out of the new Federal Plaza and for a hundredth time think, “This is the most relaxing landscape I’ve ever seen.
In his opinionated book, From Bauhaus to Our House, Tom Wolfe describes his views on the way architecture has framed our modern world. He frames his book long essay with an excerpt from America the Beautiful, "O Beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today? . . . Every child goes to school in a building that looks like a duplicating-machine replacement-parts wholesale distribution warehouse . . . Every new $900,000 summer house in the north woods of Michigan or on the shore of Long Island has so many pipe railings, ramps, hob-tread metal spiral stairways, sheets of industrial plate glass, banks of tungsten-halogen lamps, and white cylindrical shapes, it looks like an insecticide refinery." (Wolfe 1) This quote, in short, is the premise of his critique. He does not like the way modern architecture
In Macbeth, written by William Shakespeare, the third murderers identity is unknown and it is never revealed at the end of the play. But there are some clues throughout the story that suggests Lady Macbeth could be the unknown third murderer. Lady Macbeth could be the third murderer in Macbeth because she shows signs of wanting to be like a man, she is the one that influenced Macbeth to kill Duncan, and because she shows signs of extreme guilt later in the story. With these three pieces of evidence, Lady Macbeth is shown to be the third murderer in Macbeth.
Dell Upton is a historian and renowned professor of architecture and Urbanism at the University of California. He has published several books on architecture; one of them is “Architecture in the United States”, published in 1998. In this book, Upton analyzes the architecture of the United States in different aspects, such as nature, money and art, thus depicting the great variety in architectural forms, and how throughout the decades, different interests have lead communities to different ways of building, different purposes and materials, thus reflecting their way of thinking and their relationship with the environment. By exploring so many different architectural styles, Upton reveals the great diversity and richness that has always, and continues to characterize American architecture.
Preservation of modern architecture is unique in its own way and adds a whole different dimension of preserving old buildings. The vast difference in the materials of construction from the traditional ones, the complexity involving preservation and renovation adds to the diversification of preservation. It is not just the difficulties in preserving but the indifference towards the modernist buildings which is the major factor for the neglect. “For all the talk of technical difficulties, in reality it is the unpopularity of modernism that is often the greatest challenge for advocates of postwar architectural preservation” (While 2007, 649)
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
In healthcare profession, leadership is defined as utilization of personal characteristics and experiences to communicate effectively with the patients suffering critical health problems for which there are no specific answers and to direct health care team in developing policies to solve these problems. The nurse leader establishes relationships to encourage others to set and accomplish clinical or administrative goals. An effective leader provides guidance, use moralities to direct the process, and develop self-confidence in others (Yoder-Wise, 2010).
Autonomy, valuable problem-solving skills, goal orientation, and determination are also by-products of early, secure attachments (Coste,
Macbeth is a true Shakespearian tragedy, in which mast murders take place, in order for one man and women to take the throne and become king and queen. It starts with Duncan’s murder, which is done because Macbeth did not want to see Duncan’s son next in line for the throne and the only way to prevent that was by eliminating Duncan. The nest murder was that of Banquo. Banquo is a friend of Macbeth and his murder is un-predictable. Macbeth may have feared that if he did not kill Banquo, Banquo would kill him in order to gain a position power seeing that the witch’s just informed both Macbeth and Banquo that Macbeth will be the next King of Scotland and Banquo will never have the chance to hold the throne. Once Banquo is out of the way, Macbeth turns his attention to his real target, King MaCduff. Although at first hesitant about killing MaCduff, Macbeth chooses to murder MaCduff, a man who Macbeth himself said was a good man and a fine leader. The last murder is of MaCduff’s family. Macbeth can not take any chances and must kill any associated with the former king (King MaCduff). The murder of MaCduff’s wife and son is the most vicious crime of them all because for one we see the killing on stage and number two a child is murdered, the most vicious and horrific thing one can show. Macbeth murders for personal gain and has no regrets or else he would not have continued his mass slaughtering. Macbeth is responsible for these murders because he commits them himself, without any assistance, he kills everyone out of necessity, and because all these acts were done out of free will.
One person is the same as the other. It does not matter whether you are an adult or a child. In Feed, everyone talks and acts the same. M.T Anderson depicts this when Titus’s father comes to see him on the moon. Titus describes his father as someone who was very serious, “He was being very powerful and businesslike. He was dressed up, and he looked like he was ready to give some orders” (55). This gives us a sense of hope that the Feed is really just a thing that only affects teenagers and as they age, they will grow out of it. But they don’t, it is a vital part of you, a necessity. “Oh. Shit. Yeah, I forgot. No m- chat. Just talking”, Titus’s father says (55). Our hopes immediately drop as Titus and his father has no difference in language and use of profanity. This shows that the Feed is making everyone lose their identity and just organizes them into a certain type of people, dumb
After reviewing the article titles given for this first assignment, I believe they indicate that Sociology, generally speaking, is not only a study of diversity or commonality in traits among people; it is also a science about factors in a person’s life and how these factors culminate responses. Interestingly enough, its topics of concern seem to be directly determined by current and common events of the world. Through the invention and expansion of new ideas, popular trends and fashions through time, Sociology adapts to responsibly to service the very subjects of interest it studies; for, even the slightest change of a person’s daily experience can have an insurmountable impact on attitude, personal growth, family dynamics and basic group behavior.
Nearly every aspect of life was redefined in the mid nineteenth century during the industrial revolution. Fundamental changes occurred in agriculture, textile and metal manufacture, transportation, economic policies and the social structure. Yet somehow architecture did not catch the bug, buildings still reflected the past with their stately capitals, columns, and other unnecessary fluff. This matter puzzled the young artist Le Corbusier; he believed that “we should make a machine for living”, and our buildings should reflect this newfound consciousness that has been adopted in the rest of our society. These ideas were the catalyst of an architectural revolution. Le Corbusier led the way in a movement that strove to bring architecture to the technological age, while still respecting the revered geometric proportions of the past and the beauty in simplicity.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
Charles Jencks in his book “The Language of Post-Modern Architecture “shows various similarities architecture shares with language, reflecting about the semiotic rules of architecture and wanting to communicate architecture to a broader public. The book differentiates post-modern architecture from architectural modernism in terms of cultural and architectural history by transferring the term post-modernism from the study of literature to architecture.
Modernists portray a dull, gloomy and pessimistic picture of culture in America during this time period. This despair is often caused by an apparent boredom and the people’s feeling of uncertainty, of changes to come. Modernism uncovered has an anti-traditionalist theme instilled in it, because of the inevitability that changes will occur. “Modern” itself possesses the qualities, such as being simple and spontaneous along with an indefinite time frame to allow people’s acceptance of unknown. In many ways, this movement is difficult to define, but it can be generally applied to the work o...
In chapter one of Frampton’s writing, “Cultural Transformations,” he describes how changes in society create new architectural styles due to new cultural needs. Frampton starts by explaining the relationship between man and nature in different architectural styles. Man and nature were distinct entities; however, for the sake or ornamentation in architecture, the two were constantly combined. This idea soon changes with Baroque architecture where man and nature started to be distinctly separate, and this later leads to the Neoclassical style which shows an increased desire for man to have control over nature (Frampton 1). Neoclassicism essentially stems from a new cultural formation that grew from the life styles of declining aristocracy and the rising bourgeoisie, and this transition leads