Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
History of modern architecture
History of modern architecture
History of modern architecture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: History of modern architecture
Nearly every aspect of life was redefined in the mid nineteenth century during the industrial revolution. Fundamental changes occurred in agriculture, textile and metal manufacture, transportation, economic policies and the social structure. Yet somehow architecture did not catch the bug, buildings still reflected the past with their stately capitals, columns, and other unnecessary fluff. This matter puzzled the young artist Le Corbusier; he believed that “we should make a machine for living”, and our buildings should reflect this newfound consciousness that has been adopted in the rest of our society. These ideas were the catalyst of an architectural revolution. Le Corbusier led the way in a movement that strove to bring architecture to the technological age, while still respecting the revered geometric proportions of the past and the beauty in simplicity.
Le Corbusier was born as Charles-Édouard Jeanneret-Gris, in 1885, La Chaux-de-Fonds Switzerland. He attended art school in in his hometown, where he focused on painting but did a bit architectural studies as well. In 1907, he traveled to Paris, and got a job working with Auguste Perret, a french architect pioneering work in reinforced concrete. While in Paris, Le Corbusier soaked up the culture and the art-centric life of the city, and began to get a deeper understanding of who he was as an artist.
Le Corbusier's earliest works are elegant, but they are in no way revolutionary; the Villa Fallet, which he built at the age of 17 in La Chaux-de-Fonds, is a traditional load bearing stone house. It wasn’t until he built the Villa Sevoye in 1929, that he really came into his own and tried new things. This home contains many aspects that became part of his signature style; by using a ...
... middle of paper ...
...d allow him to display his abilities with composition adding an artistic component to a useful design).
In 1965 at the age of 77, Le Corbusier passed away. He had a long successful career, designing over 100 buildings, and leaving a big mark on the architectural world. His five points of architecture:
Pilotes – Reinforced concrete columns bearing the load of the structure
Roof gardens – Taking advantage of every square inch of the building, making a previously useless area habitable
The free designing of the ground plan – The absence of supporting walls means that the house is unrestrained in its internal usage.
The free design of facade – By separating the exterior of the building from its structural function the façade becomes free.
The horizontal window – The facade can be cut along its entire length to allow rooms to be lit equally. are now the norm in design.
Futagawa, Yukio. Pierre Chareau with Bernard Bijvoet: Maison Dalsace (“Maison de Verre”) Paris, France 1928-1932. (Tokyo: A.D.A. Edita). 1988. Print.
In the early twentieth century the Modern movement of architecture and industrial design came about. This movement was a reaction to the change within society and the introduction of new technologies. The ever changing world and technology meant artists to evolve alongside the changing world and this kind of ‘industrial revolution’ that was happening. Modernists ideas have seeped into every form of design especially architecture and design. Although most modernists insisted they were not following any style in particular, their work is instantly
Le Corbusier’s Vers Une Architecture (Towards a New Architecture) is focused on the architectural qualities of “the machine”. He states that “the house is a machine for living in,” where the principles of architects should be to make the house suited for its purpose, as if it was a machine. This restates the argument that functionalism is more important than appearance, and that progress comes from architects abandoning the concept of traditional styles and decorative effects. Le Corbusier understood that architecture has nothing to do with various styles because functionality will always come before the subjectivity of appearance; he saw the aesthetic, not as just another style but the substance of architecture. In which he drew parallels
Auguste Escoffier was born on October 28, 1846, in the village of Villeneuve-Loubet, France. He was the son of Jean-Baptiste Escoffier and his wife Madeleine Civatte. His father was the villages blacksmith, farrier, locksmith, and maker of agricultural tools. Escoffier's childhood dream was to become a sculptor. Unfortunately he was forced to give up that dream at the age of thirteen, just after he celebrated his first Holy Communion Escoffier was told he was going to be a cook.
“In the Cause of Architecture” is an essay written by Frank Lloyd Wright in 1908. In this work, Wright outlines many of his architectural values. This text goes into great detail about the philosophy behind Frank Lloyd Wright’s architecture, as well as many important milestones in his life, such as working for Adler and Sullivan. This text is useful because it comes straight from Frank Lloyd Wright himself. It talks about many things important to his role as a notable American, such as his influences for his architecture and his architectural
nature. He called this Organic Architecture. Wright felt the relationship between the site and the building, and the needs of the client where very important. In contrast to Wright, Le Corbusier displayed industrialization rather than nature. ...
Gehry’s additional design of the exterior has created an unconventional model form of house. The asymmetrical form characterizes the entire external side of the house. According to Goldstein, Gehry tried to slant the house roofline, create a false perspective and cause an absurd viewer’ perception or expectation (1979, 9). The complexity of the form might also produce a relationship with the house’s elements such as door, wall, and roof. For example, those elements, which linearly constructed, were hardly noticed since the distraction of geometric form around the exterior part of the house. It’s even barely hard to find the entrance of the house as a result of the salient angles of exterior.
Eileen Gray spent most of her designing life in France and was influenced greatly by a veriety of designers and architects. She found her self indulged in the art of Toulouse-Lautrec, Cezanne, Van Gogh, Gaughin, Seurat, and Bonnaard. Eileen Gray admired Le Corbusier’s Five Points of Architecture, and found it to be a stating point in her designing of buildings. It could be seen in her E-1207 house, Tempe A Pailla, and her Lou Perou house built near St. Tropez.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
In conclusion, Wright had successfully break through his vision of destructing a rigid boxy style of 19th century architecture and refined his idea of what a house should look like; to be in a harmony with nature. As been described earlier, with plenty of technical problems, he acknowledged young architects; even a house needs constant attentions (Stungo, N., 1999). Wright’s ideal of bringing human closer to the nature had inspired many architects until today, Wright to his students “Falling water is one of the great blessing to be experienced”. In point of fact, admirers of him never stop praised of his works; Cliff Hickman passionately said “I had never before seen anything so beautiful … Over and over I came back to look at the photograph of Fallingwater, the most illustrious of all Frank Lloyd Wright architectural masterpieces” (Hickman, C., n.d).
In his book, Precisions on the Present State of Architecture, Le Corbusier breaks down the construction of the modern house. Following functionalist ideals, he states, “There is really not a square centimeter lost here; and that’s not a small job!” (Le Corbusier 130). This idea of making the most of every centimeter ties back to functionalist thought. In Le Corbusier’s house, there is no excess space, no grandiose rooms or decoration, and no elements that are not essential for living. Each centimeter has a purpose. Later in the passage, Le Corbusier proclaims, “Monsieur will have his cell, Madame also, Mademoiselle also. Each of these cells has floors and a ceiling carried by freestanding independent columns” (130). By reducing each room to simply a cell, Le Corbusier removes the excess of a dwelling; the inhabitants do not have designated rooms or spaces, but cells. Evoking ideas of prison cells, the rooms described by Corbusier appear only large enough to sleep. There will be few extravagancies. Combining the two quotes, functionalisms influence on Corbusier’s planning and thought become strikingly
Le Corbusier’s work became an inspiration for the following generation, who recognised his work to be intellectual and of a new dimension. Le Corbusier was commissioned to build more villas and a museum in India, after his work in Chandigarh. During this time he came across an Indian architect, who had already worked for him in Paris, Balkrishna Vitaldhas Doshi. Doshi was an architect by profession and a fellow of the Royal institute of British Architects. He was supposed to supervise Le Corbusier’s future projects. Doshi came across the project of the
Territoriality emphasized the capacity of the physical environment to create the sense of the ownership. This can be achieved by using real or symbolic boundary barriers and markers (i.e. signs, fences, walls, trees, walkways…), limiting entry and access to the building, encouraging and regulating the legitimate activities in the public spaces. Natural surveillance underlined the capacity of physical design to provide necessary surveillance opportunities for residents and their agents. Limiting building height was one of the most vital strategies of Newman. Besides this, limiting the through access, deigning easily witnessed lobbies and limiting niches and alcoves, as well as positioning the entry and public space of the building close to the street could increase natural surveillance as well. This goal could also be achieved by reducing traffic lanes on streets while encouraging more pedestrians. Image put efforts on the capacity of design to influence the perception of a project’s uniqueness, isolation and stigma. The goal was to enhance residents’ sense of safety, let them perceived the environment is well-maintained and they were not isolated. This can be achieved by improving the lighting condition, enhancing and specializing the appearance of the buildings and streets, responding to disorder quickly and so on. It was generally accepted
In this essay I will discuss how concrete regionalism was presented in the work of Le Corbusier who is the most classic example of this movement, Oscar Niemeyer, and Antoine Predock . With each architect having a highly individual vision that has created unique buildings for people and their environment. These architects each has combined vernacular buildi...
Frequently, Basire would send William off on different trips to complete different works of art and also writing for different people. It is difficult to know which of the works produced in Basire’s shop during this period Blake hi...