Mixture of Realism with Non-Realism in John Godber's Play Bouncers
John Godber was born in 1956, in Upton, West Yorkshire. He graduated
from Bretton Hall College, Yorkshire, England in 1978 as a qualified
teacher of drama and English and went on to an M.A. in Theatre at the
University of Leeds where began to write, direct and act in a
succession of increasingly successful productions. His most famous and
critically acclaimed play is Bouncers, which was nominated for Comedy
of the Year in 1985 and won seven Los Angeles Critics Circles Awards
and five awards in Chicago in 1987. The play is about a group of
Bouncers, who, through a mix of realism and Non realism, tell the
story of what happens in the discos and after the bars are closed.
In the first act, we are introduced to the characters: Judd, Ralph,
Les and Eric. While there is dialogue between the characters, it is
not in the context of a realistic scene. Instead, the style of the
dialogue is of a Greek drama, or in chorus style Here, Godber uses
non-realism in order to capture the audiences attention. The advantage
of using Non-realism in a play is that there are no boundaries;
anything can be included in the play. During our practical for the
first act, we had several ideas of how we could address the audience.
The fact that this is non-realism was a huge advantage to us, as we
could perform in any way that we felt best suited the play. We decided
that the scene should reflect the way we would perform. All the
characters are very excited and happy in the first scene, so we used
this in our body language and voices. The result is a fun performance
that the audience could interrupt in any form they wanted. Also, we
were able to perform the dialogue in a way which would reflect the
atmosphere of the scene. We also added some actions with some of the
lines:
Hip gipp hop bop
Drink that slop and don't you stop.
After Charles finished his schooling he returned to Australia he taught briefly at Sydney Grammar School but then moved on to be a Legal Assistant in 1905 to 1907 he then resigned and did a series of stories in the Sydney Morning Herald as a reporte.
Jennie, Schulman. "Geoffrey Holder: A Life in Theatre, Dance, and Art." Back Stage 20 Sept. 2002: 11-12. Rpt. in Back Stage. N.p.: n.p., n.d. N. pag. Print.
He received his masters from the School of Visual Arts located in New York City. He currently resides in New Jersey. According to information given
degree in 1978. He taught at the University of Calgary from 1978 to 1983. But he hated
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“Gentlemen, you can't fight in here! This is the War Room!” Most famously quoted from the movie Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, this black and white satiric film produced and co-written by Stanley Kubrick in 1964, is a prime example of Kenneth Waltz’s Realist theories in regards to International theory.
He was a professor at SUNY Cortland, Ross Borden. And it was only by a twist of fate that my path was fortunate enough to cross with his. As I signed up for Early British Literature as an undergraduate, I expected simply to carry on with my typical style of enduring English, for my major was in the sciences. I had known from the time I graduated from High School that I was probably most apt to succeed in English, though my personal restraints pushed me away from it. Nonetheless, as I walked through the door to Early British Literature, I had expected a woman professor, as my schedule...