“Gentlemen, you can't fight in here! This is the War Room!” Most famously quoted from the movie Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, this black and white satiric film produced and co-written by Stanley Kubrick in 1964, is a prime example of Kenneth Waltz’s Realist theories in regards to International theory. The realism that will be the focus of this paper is that of Kenneth Waltz. Kenneth Waltz presents his theory of realism, within an international system, by offering his central myth that, “Anarchy is the permissive cause of war”. Kenneth Waltz’s central myth helps answer the question as to why war happens in the first place. During the cold war, there was a heightened sense of insecurity between Russia and the United States due to presence of nuclear weapons. The Movie Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb used cold war tension between the two countries to tell the story of a general who went crazy and decided to unleash his fleet of nuclear bombers onto Russian military bases. The film tells the story of a deranged United States Air Force general who orders a first strike nuclear attack on the Soviet Union. United States Air Force Brigadier General Jack D. Ripper who was the commander of Burpelson Air Force Base, launches a planed nuclear attack on the Soviet Union via his nuclear-armed B-52 fighter jets, which were holding at their fail-safe points, to move into Soviet airspace, based upon a twisted paranoia that the communist party was contaminating “our precious bodily fluids”. The movie follows the course of events proceeding General Jack D. Ripper’s ordered attack. In Kenneth Waltz’s book called Man, the State and War he attempted to show how realist pr... ... middle of paper ... ...r and interactions among super powers. Through Kenneth Waltz’s IR theory of realism, it becomes easier to understand the dynamics and motivations behind the characters actions. Works Cited Dr. Strangelove, Or, How I Learned to Stop Worrying and Love the Bomb. Dir. Stanley Kubrick. Prod. Stanley Kubrick, Victor Lyndon, and Ken Adam. By Stanley Kubrick, Terry Southern, Peter George, Gilbert Taylor, Anthony Harvey, and Laurie Johnson. Perf. Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, and James Earl Jones. BLC, 1963. DVD. Waltz, Kenneth Neal. Man, the State and War: a Theoretical Analysis. Columbia U.P.; Oxford U.P, 1959. Print. Waltz, Kenneth Neal. Theory of International Politics. Boston, MA: McGraw-Hill, 1979. Print. Weber, Cynthia. International Relations Theory: a Critical Introduction. London: Routledge, 2010. Print.
War is seen as a universal concept that often causes discomfort and conflict in relation to civilians. As they are a worrying universal event that has occurred for many decades now, they posed questions to society about human's nature and civilization. Questions such as is humanity sane or insane? and do humans have an obsession with destruction vs creation. These questions are posed from the two anti-war texts; Dr Strangelove by Stanley Kubrick and Slaughterhouse Five written by Kurt Vonnegut.
The Art of War. Translated by Samuel B. Griffith. Oxford: Oxford University Press, 1963. Von Clausewitz, Carl. A. Translated and edited by Sir Michael Howard and Peter Paret.
Some people that not account the story through the aspects of war and history may see this movie as a fiction movie due to its beliefs of people getting brainwashed or maybe a drama due to the ending. Others may see this movie as a threat to the president at that time, because one of the murder tentative was at one of the presidential candidates in the movie, which ended up to be a murder to the mother that was hypnotized her son and her elected husband. In details, Raymond (the son) was brainwashed by the Soviet Union and surprisingly his mother was also working with the Soviet Union. Indeed, the outcome finished with her assassination giving that it was an anti-communist movie from the
The black comedy follows the story of a paranoid U.S. Air Force Commander, General Ripper, who irrationally orders a group of patrol B-52 bombers to attack their targets in Russia. This character’s full name, Jack D. Ripper, is a parody of the notorious murderer of prostitutes, Jack The Ripper. The duration of the narrative involves the President and military personnel’s frantic effort to abort the attack. In conclusion, a single bomber follows through with the attack, triggering the detonation of Russia’s secret “Doomsday Device” and ending civilization.
Many of the elements of the 2004 remake have been modernized. While the original movie placed the soldiers in Korea, the remake placed them in Kuwait. Demme did changed the location of the war, in order to appeal to current fears and suspicions. In 1962, the threat of communism was at the forefront of everyone’s thoughts. However, during 2004, only three years after the 9/11 terrorist attacks, citizens were no longer concerned about communists, but rather about the Middle East. If Demme did not change the setting to Kuwait, the movie would not instill the same fear as it did in the original movie, “by outfitting the superbly insinuating basic story with a battery of up-to-the-minute concerns that readily feed on present fears and suspicions, Demme... inject[s] new life into a recently dormant genre - the paranoid thriller” (McCarthy). Raymond Shaw’s mother, Eleanor, was also given a more modern job in the remake; instead of merely being the wife of the senator who leads behind the scenes, in the remake she is the one who is the senator. Her role depicts the emerging role of women in modern politics. Demme also chose to give Major Marco’s girlfriend, Rosie, a more modern and important job as an FBI agent. By modernizing the film, Demme allows the contemporary audience to be able to better relate and understand the film.
Kubrick came across the novel Red Alert, and instead of deciding to make the work into a film that tackled the notion of nuclear war in a serious manner, he chose to make the film a satire. This was immensely risky. Only two years after the conclusion of the Cuban Missile Crisis, which nearly plunged the world into a nuclear holocaust, as the topic of nuclear war as a film subject, let alone a satire, was considered taboo and by no means socially ac...
Jones, Peter G, War and the Novelist: Appraising the American war Novel. University of Missouri Press, 1976. 5-6. Rpt. in Literary Themes for Students, War and Peace. Ed. Anne Marie Hacht. Vol. 2. Detroit: Gale, 2006. 449-450. Print.
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
This movie follows the fictional Dr. Strangelove and the US president as they struggle to avoid all out nuclear war with the Soviet Union, along with also avoiding the dreaded Soviet Doomsday Device. The countdown begins when General Ripper, who is afraid that adding florid to US water supplies is a soviet plot, calls for a all out nuclear strike on the soviet union and he is the only man who can recall it. The main argument made in this film is how the largely absurd Red Scare after World War 2 looks when viewed in a comedic way. Not only does this film highlight the Red Scare but other “hot topics” of the time, including: Fluoridation of US waters, US use of Nazi Scientists and movies sexualization of the time.
The Cuban Missile Crisis exhibits the struggle for power between the two dominant powers of the time. The realist theory believes that world politics is a repetitive struggle for power and or influence. Power, in politics is largely perceived as influence and military capability. Power in mass amounts are located in objects such as nuclear missiles that have an immense influence on others. (Schmidt, 2007; Sterling-Folker & Shinko, 2007). This is clearly depicted through the actions taken by both leaders, as the simple placement of a missile had such a tremendous effect.
The Cold War historiography, specifically the issue of nuclear deterrence has provided historians the classic dialectic of an original thesis that is challenged by an antithesis. Both then emerge in the resolution of a new synthesis. Unfortunately, each evolution of a new synthesis is quickly demolished with each political crisis and technological advance during the Cold War narrative. The traditional/orthodox views were often challenged by the conventional wisdom with the creation of synthesis or post revisionism. There appears to be a multiple historiographical trends on nuclear deterrence over the Cold War; each were dependent and shaped upon international events and technological developments. I have identified four major trends: the orthodox, the revisionist, the post revisionist, st and the New Left. Each of these different historical approaches had its proponents and opponents, both in the military as well as the political and
Classical realism originates from the ancient times of the Greek empires. This theory in international relations has dominated the sphere and the conception of world politics for centuries. Classical realists such as Morgenthau and Thucydides outline different factors in explaining politics at all levels and emphasize that politics is described throughout the theory of classical realism. Like every theory in international relations, classical realism has strengths and weaknesses that define its impact in the international level. In our current age of diplomacy, classical realism is not a common theory in current international politics. Although it is not as relevant as it has been in the past, there is potential for classical
Realism can be described as a theoretical approach used to analyze all international relations as the relation of states engaged in power (Baylis, Owens, Smith, 100). Although realism cannot accommodate non-state actors within its analysis. There are three types of realism which include classical (human
The whole premise of the film is based on insubordination committed by General Jack D. Ripper. Named after the infamous serial killer of prostitutes, General Ripper claims his “loss of essence” is because of the Communist’s use of water fluoridation, a completely off-base theory by the general to explain his impotency , and uses his military status to start a cataclysmic nuclear war with Russia. This in itself is comical because that inane and inherent need to dominate and prove both physical and sexual prowess seems to exist solely in males and in Kubrick’s eyes serves as an origin for this unwarranted war between two overly capable countries. The cigar, machinegun, and pistol that Ge...
In International Relations it is commonly accepted that there is a wide range of different theoretical approaches which attempt to provide an explanation for the different dynamics of the global political system. Realism and Liberalism are well known theories which are considered to be two of the most important theories in international relations. They are two contrasting ideas when it comes to explaining how two states relate to each other in the absence of a world government. Both theories agree that the world is in anarchy and therefore it is helpful to start with a definition of anarchy and what it implies. This essay aims to discuss the contrasts between Liberalism and Realism as well as how these two theories agree that the world is anarchy.