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Othello character essay on iago
Character analysis of Iago of William Shakespeare's Othello
Othello character essay on iago
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Celebrated English playwright William Shakespeare is arguably as renowned for his myriad magnetic, mesmeric characters as he is for writing the stunning plays that star them. From Twelfth Night’s charming heroine Viola to sinister Othello villain Iago, Shakespeare can be and is often credited with the invention of the most eclectic collection of characters ever crafted by a single writer. It is often taken for granted that this collection includes a subset of fascinating ancillary characters, but it should be noted that for every Hamlet, Shakespeare has also written a Laertes, and for every Desdemona, a Bianca, where each minor player is as intriguing – and, often, as pivotal to the progression of the play’s overarching plot – as their more …show more content…
It is evident that Venetian women are expected to submit to the whims and the wills of both their fathers and their husbands. Brabantio, lamenting Desdemona’s clandestine love affair with – and subsequent marriage to – the titular Othello, asserts that his daughter had at one point been a good, virtuous woman: “A maiden never bold” (Othello 1.3.94), “Of spirit still and quiet” (Othello 1.3.95). He praises her for having been silent. For having been submissive. In making a decision of her own and, more importantly, in going against his wishes, Brabantio asserts that his daughter has now effectively transpired “Against all rules of nature” (Othello 1.3.101). It is thus relatively easy to understand why Bianca, who is shown using her sexuality to carve out a place for herself in Cypriot society, is constantly denigrated by the other characters. Their beliefs cause them to see her as an entirely unholy, unnatural …show more content…
He first uses her as a pawn in his machinations against Cassio and Othello and then, in the final act, uses her as a scapegoat, directing the blame for Roderigo’s murder away from himself by casting it upon her. In having her stand beside Iago both literally and figuratively, Shakespeare emphasizes Bianca’s unaffected innocence; after all, although Iago fancies himself “Honest” (Othello 1.3.294), the audience sees him for what he truly is: a most malevolent character. It is perhaps also worth mentioning here as an aside that the name Iago is derived from the name Jacob, which belongs to a Biblical figure also known as “the supplanter,” whilst the name Bianca means “white,” a color traditionally associated with purity and innocence. In allowing her to protest her innocence vis-à-vis that last rebuttal to Emilia in which she avows that she is “honest” – mirroring Iago once again – before having her exit the scene with Iago never to be seen again, Shakespeare also creates a haunting image of Bianca as a martyr. He both showcases the notion that what Bianca has suffered is an injustice and suggests, accordingly, that when any woman is condemned and deceived by cruel men, she has suffered injustice. Bianca’s treatment at the hands of the other characters in Othello mimics the titular character’s own struggles with being “Other”-ized; only, in Bianca’s case, what separates
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
The Manipulation of Gender Roles in Shakespeare’s Othello. Of Shakespeare’s great tragedies, the story of the rise and fall of the Moor of Venice arguably elicits the most intensely personal and emotional responses from its English-speaking audiences over the centuries. Treating the subject of personal human relationships, the tragedy, which should have been a love story, speaks to both reading and viewing audiences by exploring the archetypal dramatic values of love and betrayal. The final source of the tragic action in Shakespeare’s
Minor characters play a very crucial role in Shakespear's Hamlet. They serve as narrators for events that occurred outside the immediate play: the Dane's ghost. Distinct contrasts are created through the usage of the play's minor characters. The reader gains new perspective on Hamlet's character when he is compared with Laertes. The presence of these minor characters can also have a direct effect on the action of the play. The actors in the play within the play are used to expose the guilt of Claudius; Hamlet then has proof of the King's crimes. The expertise use of these characters - either to exemplify good and purity, or to spread the vile corruption which permeates Elsinore - is one of the main reasons for Hamlet's success as one of the greatest plays ever written.
Florida state law currently bans lesbians and gay men from adopting children. The American Civil Liberties Union (ACLU) is attempting to get a case before the Supreme Court that could overturn the law. The ban on gay adoption has been in place since 1977, when the state legislature almost unanimously condoned restriction of the rights of its gay citizens. Legislation on the issue was sparked by Anita Bryant's "Save Our Children" campaign, which raged through Florida and even beyond spreading myths about homosexuality and linking homosexuality to pedophilia. At the time of its inception, Senator Curtis Peterson, one of its primary supporters, spoke to the law's true purpose: "The problem in Florida has been that homosexuals are surfacing to such an extent that they're beginning to aggravate the ordinary folks. We're trying to send them a message, telling them: ¡®We're really tired of you. We wish you'd go back into the closet" (1).
At this point in our civilization the play’s fascination and its horror may be greater than ever before because we have been made so very sensitive to the issues of race, class, and gender that are woven into the texture of Othello. [. . .] The issue of gender is especially noticeable in the final scenes of the play – with the attacks on Bianca, Emilia, and Desdemona – which are vivid reminders of how terrible the power traditionally exerted by men over women can be. (xiii-xiv)
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
When Othello summons Desdemona and dismisses Emilia, “Leave procreants alone . . .; / Cough or cry hem if anybody come. / Your mystery, your mystery! . . .” (IV.2.28-30), he not only dismisses Emilia, accuses Desdemona of infidelity, and betrays his own insane bitterness, but he converts the marriage into a brothel arrangement in which all three are involved, and by so doing establishes imaginative lines of connection with the role of Bianca and particularly with the Iago philosophy of sexual conduct. (331)
Bianca is a victim of circumstance and unknowingly involved because of her love for Cassio. I believe that Shakespeare wrote this play to illustrate the injustices done to women during his time, among other political messages that are entwined into the plot. Works Cited: Shakespeare, William. Othello. Ed.
In the Elizabethan society, it was expected for women to be obedient and to be in her place.
Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.
All through history, the role of women and their place in the general public has tremendously changed. William Shakespeare’s Othello was established during a time period where the role of women and their collective value were downgraded in the Venetian and Elizabethan era. During the Venetian era women were dominated by their sexual orientation. The Venetian era had a patriarchal society. In a patriarchal society, the father is the head of the household and men have authority over women and children. During the Elizabethan era the conduct toward women was vicious. Women were considered second class citizens. Males only consider women as possession, who is obligated to remain submissive and meek. Additionally, women are expected to be quiet, obedient to male figures, and chaste. Women were either considered a good wife or a whore. There are only three women in Othello; Desdemona, Emilia, and Bianca. Desdemona is the passive wife of Othello who has a quite idealistic take on life and marriage. Emilia is the cynical, perceptive women who seem to have a bitter take on her marriage to Iago. Bianca is portrayed as the whore of the play, and she has relations with Cassio. Although, each woman varies in roles and personality, they all had a common trait; they lived in a patriarchal society and suffered together. Each of them live in a society where it was ideal to think women were psychologically and physiologically inferior to men, however in reality each of them knew their role in society.
In Shakespeare’s play Othello, the male characters perceive women as adulterous and property, treating them as inferior that need to be submissive and obey. Iago creates a false perception of his wife thinking she is promiscuous. Also, Othello sees his wife as promiscuous, an impression created by his jealousy and one he has convinced himself of it. Furthermore, Iago and Othello perceive their wives as inferior, and by his words, the reader can see that they are both their wife and subordinate. At last, the male characters refer to Desdemona’s marriage as a “steal” and “purchase” of property, then, Iago and Othello end their wives’ lives because they see them as possessions of no good.
Throw your vile guesses in the devil’s teeth, from whence you have them. You are jealous now that this is from some mistress, some remembrance: no, in good troth, Bianca.”(Shakespeare 3.4.184-187). The men would speak to the women in very demanding tones. Bianca was the prostitute that loved Cassio. She was used by both Iago and Cassio in different ways. Iago for his plan and Cassio for his own pleasure. Cassio was especially rude to Bianca since we would never marry her, but would like to sleep with her. Bianca, in a way was seen as unimportant and was only used when convenient. She had a true love for Cassio, but he gave her nothing in return. He was ashamed of being around her in
...es not see her as a wife material and this explains why he shows no commitment towards her. Bianca knows she deserves much better than the way Cassio treats her and this is prove when she leaves him. Bianca is a little bit like Emilia in a sense where she stands up for something and in this case it's for herself, " I am no strumpet, but a life as honest as you thus abuse me." (scene 5, lines 142). With this character Shakespeare shows that the lower class women know they deserve better but they lack the power to be heard because they are considered as nobodies. Bianca would be Emilia's follower is Emilia made a move to fight for women's rights. However even Emilia treats Bianca poorly because she believes what men say about her.