Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay african american theatre
Reactions to african american theatre
Essay african american theatre
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay african american theatre
In her play in one-act, “Mine Eyes Have Seen”, Alice Dunbar-Nelson explores a belief that was prevalent in the early twentieth century; where a black man’s race and service to his country required his life. Chris, the younger brother in the play, has come to face the decision to accept his draft to the U.S. military or to exempt himself in order to support his crippled brother Dan and his frail and limp sister Lucy. Chris constantly questions Dan why would he fight in a war that was not his, and Dan proudly states that “Our men have always gone, Chris. They went in 1776 … 1812 ... 1861 … they helped work out their own salvation. And they were there in 1898” (5). Nelson’s text uses Christianity and patriotism to help describe poverty-stricken African-Americans as proud citizens of America as they were drafted to fight for …show more content…
America in World War I. Throughout the play, Nelson uses Christian ideals and values to validate Chris’s possible sacrifice for his country, and for those who are against inhumane acts of violence.
Nelson depicts images of women and babies being thrown into pits of fire, and of people being crucified for reasons such as false religion. This appears to be done in order to prove that for someone to be considered with human values, they have to be willing to stop grieving with their own problems and help those who need it. In other words, if the African-Americans were to ignore Europe’s call for help during the war, African-Americans would be making an inconsiderate statement towards Europe’s plea that goes against the same idea of freedom that their previous generations had fought for. The end of Nelson’s play establishes Chris’s decision to accept his draft into the military with a tune called, “The Battle Hymn of the Republic,” and it includes a parallel that relates Chris’s sacrifice to the Christian version of Jesus’s. Nelson has Dan, Chris and Cornelia sing, “Mine eyes have seen the glory of the coming of the Lord! … And Mine! As he died to make men holy, let us die to make them free!” (7). This comparison to such a highly respected religious figure in the American society gives great meaning to what Chris is doing
for the European white population as a drafted African-American free man. Furthermore, these supportive actions of an African-American, described by the hymn, are used as a paradigm. The hymn connects their Africa-American identity to their patriotic nation’s identity and therefore provided a less strict separation of blacks and the country. America’s profound valuation of Christianity and religion makes the support of the African-Americans’ sacrifice that much more important as religious morals can be tied between the races that exist throughout the nation. Not only does “Mine Eyes Have Seen” show African-Americans’ patriotic values towards their inherited culture, the play also shows that even those with the lowest status in society can have the most religious and humane ideals that can bring out the similarities of all who live in that society.
The symbols and language used in “Battle Royal” allow readers to understand the concept of being black in America; fighting for equality. Symbols such as the white blindfold, stripper, and battle itself all give a suggestion about how the unnamed protagonist felt, but more importantly, Ralph Ellison’s “Battle Royal” depicts the difficult struggles facing the black man in what’s supposed to be a post-slavery era.
There are many different ways in which the war was represented to the public, including drawings, newspaper articles, and detailed stereographs. Stereographs such as John Reekie’s “The Burial Party” invoked mixed feelings from all of those who viewed it. It confronts the deaths caused by the Civil War as well as touches upon the controversial issue over what would happen to the slaves once they had been emancipated. This picture represents the Civil War as a trade-off of lives- fallen soldiers gave their lives so that enslaved black men and women could be given back their own, even if that life wasn’t that different from slavery. In his carefully constructed stereograph “The Burial Party,” John Reekie confronts the uncertainty behind the newly
The book ‘For Cause and Comrades’ is a journey to comprehend why the soldiers in the Civil War fought, why they fought so passionately, and why they fought for the long period of time. Men were pulling guns against other men who they had known their whole lives. McPherson’s main source of evidence was the many letters from the soldiers writing to home. One of the many significant influences was how the men fought to prove their masculinity and courage. To fight would prove they were a man to their community and country. Fighting also had to do with a duty to their family. Ideology was also a major motivating factor; each side thought they were fighting for their liberty. The soldier’s reputations were created and demolished on the battlefield, where men who showed the most courage were the most honored. Religion also played an important role because the second Great Awakening had just occurred. Their religion caused the men who thought of themselves as saved to be fearless of death, “Religion was the only thing that kept this soldier going; even in the trenches…” (McPherson, p. 76) R...
In James McPherson’s novel, What They Fought For, a variety of Civil War soldier documents are examined to show the diverse personal beliefs and motives for being involved in the war. McPherson’s sample, “is biased toward genuine fighting soldiers” (McPherson, 17) meaning he discusses what the ordinary soldier fought for. The Confederacy was often viewed as the favorable side because their life style relied on the war; Confederates surrounded their lives with practices like slavery and agriculture, and these practices were at stake during the war. On the other hand, Northerners fought to keep the country together. Although the Civil War was brutal, McPherson presents his research to show the dedication and patriotism of the soldiers that fought and died for a cause.
The 1989 film Glory is a classic Civil War film based on the history of the 54th Massachusetts Volunteer Regiment. The film focuses on the courage displayed by the first black regiment in the Civil War, also known as the “Fighting Fifty-fourth.” The regiment headed by the admirable Colonel Robert Gould Shaw, Matthew Broderick, must overcome an enormous amount of adversity during the war. The film was daring for filmmakers Zwick and Fields because it was a film not only with, “vivid and frightening battle scenes and finely etched dramatic characters, but a film that shattered the great Civil War taboo-it told a story of African Americans(Chadwick). Many articles and texts leading up to the film failed to mention the participation of African Americans in the Civil War. In fact, the participation of African Americans helped turn the course of the war and nearly 300,000 fought for the North.
During the Civil War, there were people who were extremely prejudiced against the 54th regiment because the soldiers were all different colored skin and the people where used to the idea that different color skinned people worked as slaves. In “Glory,“ Colonel Montgomery, the Sargent that trained and prepared them for war, and the colonel that was in charge of distributing necessities, served as the people who discriminated the African American soldiers. When he was teaching the soldiers how to march, some of them couldn’t tell the difference between left and right. He acted as if all African Americans were uneducated and they were hopeless to teach. Shoes were an essential part of training. Many of the African American soldiers didn‘t even have decent shoes when they enrolled for the war. Naturally, after all the training, their shoes wore down. If the 54th regiment were composed of white soldiers, the department that passed out shoes would already have prepared extra shoes for them. But since the 54th regiment was composed of all African Americans, the regiment was discriminated and there were no extra shoes for them. The other white generals thought the 54th regiment would never go on a battlefield and even if they did, they probably would all die. Therefore there were no extra resources for them. Another fact that there were some racist sentiments was that the African American soldiers only got a $10 pay while the white soldiers got $13.
A minor tale in the canon of Poe’s short fiction, “The Man That Was Used Up” was first published in the August, 1839 issue of Burton’s Gentleman’s Magazine and subsequently revised and published twice more in Poe’s lifetime, first in Tales of the Grotesque and Arabesque (1840), and, finally, in the 9 August 1845 issue of the Broadway Journal. In this odd story, which chronicles the compromised stature of a military hero of the Indian Wars, Poe makes what would seem to be one of his most scathing, if indirect, commentaries on contemporary American politics. Specifically, the tale evokes the troubled relationship between the oppressive racial policies of the United States in the Age of Jackson and the burgeoning sense of national purpose and unity embodied in the figure of the robust, heroic, Jacksonian “self-made man.” Composed at a time when the United States was embroiled in the Second Seminole War (1835-42), among the longest and costliest of the Indian Wars, the story positions its central figure, Brevet Brigadier General John A.
The quote above is from the British governor of Virginia, Lord Dunmore who proclaimed freedom for African American slaves who fought for the British, after George Washington announced there would be no additional recruitment of Blacks in the Continental army in 1776. For numerous free blacks and enslaved blacks, the Revolutionary War was considered to be an essential period in black manifestation. Many public officials (like Dunmore), who initially had not expressed their views on slavery, saw the importance of African Americans and considered them an imperative tool in winning the war. Looking back, it almost seems like an inherent paradox in white America’s desire of emancipation from England while there still enslaving blacks. This concept has different grounds in white’s idea of liberation in comparison to that of the African-Americans. To white Americans, this war was for liberation in a political/economical tone rather than in the sense of the privatized oppression that blacks suffered from. But what started this war and what would this mean for blacks? How did these African Americans contribute to the war effort? What were there some of their duties? How did the white communities perceive them? How did it all end for these blacks? The main topic of this paper is to show how the use African Americans helped the control the outcome of the war while monitoring their contributions.
Living during the early nineteen hundreds was not easy for African American women. Women gained power through marriage, but they still were looked down upon and treated like slaves. In the story “Their Eyes Were Watching God,” Zora Neale Hurston uses diction, symbolism, and foreshadowing to reveal how Janie sought to discover her own identity marrying three different men who helped her discover her independence leading to the fact that women were poorly treated during this time period and deserved more respect than they received.
In “The Wife of His Youth,” by Charles Chesnutt, and Invisible Man, by Ralph Ellison, the authors have used their characters to show the disconnection between African Americans and their heritage. Embracing the past of slavery is a struggle for both the black and white communities. By giving specific examples of these struggles, Chesnutt and Ellison are targeting African Americans who are caught in this web; they are able to show and overcome the rejection of black heritage.
We remember Mrs. Lithebe's words, "For what else are we born?" and we see that there are some white men who do care. We also learn of James Jarvis's suffering and fear.
Luckily, Mrs. Daniels along with other people who work for the “Unsung Heroes Living History Project” was able to give a hope to African American soldiers. Mrs. Daniels’ team conducts interviews
Such a reading suggests that African Americans are often the vehicle through which Southerners experience powerful lessons of hatred (as in Nelson’s first experience with the black man on the train), pride (when Nelson witnesses his grandfather’s witty rejoinder to the stuffy black waiter), sexuality (Nelson’s run-in with the black temptress in the Atlanta ghetto), and even redemption (as they witness the statue in the story’s penultimate moment). No matter that Nelson has only recently learned what a “nigger” is, never mind that the statue itself is plaster and one eye is “entirely white” – the overturning of the master/servant relationship is only possible when firmly on the white side of the segregated line; this reality ensures that all the “niggers” in this story remain
Composers show how confronting and meaningful discoveries can be through how their characters and settings of their works are depicted. I agree with this statement, because the discoveries made within a text by the audience are there to piece together the picture of which is the texts underlying motive. Examples of this can be seen in the texts ‘Rainbow’s End’ a play by Jane Harrison and the children’s book ‘The Rabbits’ by John Marsden and Shaun Tan. ‘Rainbow’s End’ follows a family of three Aboriginal Australian females; Gladys - single mother trying to support her daughter and help her succeed in life, Nan Dear – Gladys’s mother and Dolly – Gladys’s teenage daughter, showing the struggles that they as an Aboriginal family face in a Anglo-dominant, 1950’s Australian society. ‘The Rabbits’ is an allegory, or retelling, of the British colonisation of Australia, with the British being represented by rabbits and the Indigenous Australians being represented by numbats, an endangered Australian native animal. Both of these texts display themes of discrimination and assimilation towards aboriginals, giving us the chance to discover and understand their struggles.
“The Negro Solider” film begins with blacks gathering in a church to give their respects and acknowledgement to the Black troops that participated in the American wars. As the film continued it rewards blacks by giving individual recognition to the black soldiers who fought in the wars against Cuba, Japan, and Germany. Peter Salem, Samuel Haynes and other individuals, were great examples of how blacks were loyal when defending the countries liberty. Blacks were loyal attributes, to this country and helped up build the cities, factories, and roads. For example in the 1770 during the Boston Massacre, when everyone had given up it was a colored man lent a helping hand in making sure that the boat continued to move towards the fight for its Liberty.