Throughout A Midsummer Night’s Dream, Shakespeare uses several powerful metaphors and similes to compare and contrast character motives and ideas, as well as to foreshadow important aspects in the story. Perhaps the most powerful and prominent aspect of Shakespeare’s writing is his excellent use of figurative language. He uses a myriad of symbols, motifs, metaphors, and vivid imagery in A Midsummer Night’s Dream that enrich and illustrate the story. Shakespeare metaphorically uses the moon to tie conflicts together and unite the characters in a common struggle. He uses the moon to a point were it becomes more than just a setting or part of the imagery. It becomes personified metaphorically and is a major influence of desire, deceit and disorder …show more content…
amongst the characters. The prominence of the moon in the story is what ties together what might have otherwise been a scrambled, less cohesive plot. Shakespeare establishes some of the most important themes early in the play, which is why I focused on the opening passage between Theseus and Hippolyta. The play opens at the palace of Theseus, the Duke of Athens. The opening passage shows Theseus as he impatiently waits for his wedding date to his fiancé, Hippolyta. He remarks how slow “this old moon wanes! She lingers my desires, Like to a step-dame or a dowager, long withering out a young man’s revenue” (Act. I.I, 4-6). Theseus is impatiently waiting for his wedding date, and compares the passing moon to an old widow wearing out the last of her inheritance. The tone of this passage establishes a gender conflict in the beginning of the story that will unravel throughout the rest of the play and resurface between Demetrius, Lysander, Hermia, and Helena. His statement also establishes the moon as a manifestation of his lust for Hippolyta. He implies that the passing moon is also an obstacle to his desires, since the night of his wedding cannot come soon enough for him. The moon provokes themes of lust while concurrently representing chastity or abstinence. In contrast to Theseus, Hippolyta responds that “four days will quickly steep themselves in night; four nights will quickly dream away the time; And then the moon, like a silver bow New-bent in heaven, shall behold the night Of our solemnities” (Act. I.I. pg 1). This creates a stark contrast between the motives of characters, especially between men and women. Hippolyta takes sort of a sarcastic defense against Theseus’s lustful impatience, stating how quickly the nights will come and go. She compares the moon shooting over the sky like an arrow shot from Cupid, hinting at her submission to Theseus while at the same time commenting on how she isn’t in a rush to marry him. This theme is particularly illuminated through Shakespeare’s metaphorical use of the moon.
As suggested by the title, the moon is a very prominent part of the story that carries a lot of meaning about love and romance. This passage is particularly important because it lays the foundation for one of the largest conflicts that will arise throughout the story. One of the biggest sources of tension in the story is between genders and focuses on male dominance. When Hippolyta responds that “Four nights will quickly dream away the time,”(Act I.I. 7-9) she places a special emphasis on the night, and how they are dreamt away and forgotten. This makes me think that she wants to “dream away the time” she has to spend with Theseus. There is an obvious misalignment between Theseus and Hippolyta’s desires. While Hippolyta compares the moon to a witness that will oversee their faithful union, Theseus personifies the moon as an obstacle to getting what he really wants from his …show more content…
fiancé. The moon is a concept that comes up again and again, and seems to be associated with a host of themes. The moon influences the characters with greed, lust, illusion, disorder, and romance, all of which manifest in the characters coupled conflicts. Shakespeare uses the moon as a symbol of love, and all of the nasty, negative things that come about because of it. He uses it in a way as to make commentary on real life relationships and romance. The way he compares the moon to a step-dame or dowager says a lot about how he may have felt about women and their motives in relationships. The comparison he makes portrays women in a negative, selfish, and greedy light. Another reason Theseus undoubtedly wants to marry Hippolyta is for sexual gratification.
The moon serves as a symbol of chastity in this aspect. When Theseus talks to Hermia about going against her fathers will, he says that she should not “live a barren sister all your life, chanting faint hymns to the cold, fruitless moon” (I.I.72-73). He is trying to persuade her to comply with her father, Egeus and marry Lysander. The theme of male dominance is particularly present in this scene, as shown through Hermia’s desperate attempts to persuade her father to let her be with Lysander instead of Demetrius. Not only is she restricted to whom she can marry; she can be killed or sent way for disobeying her father’s
command. In conclusion, Shakespeare uses several metaphorical allusions to the moon throughout A Midsummer Night’s Dream that act as a cohesive element, binding the characters and their conflicts together under a unified theme of disorderly love. The moon is used as a means of social commentary on the hardships and difficulties that love inevitably brings and illuminates the differing perspectives and motives that couples sometimes have. Shakespeare also shows how the same entity can carry very different meanings and interpretations among characters and people in general. The moon, for example, influences the characters in a variety of ways. In one sense, the moon acts as a male influence for lust, while serving as a symbol of chastity for the women in the play. The moon acts as not only as a spectator, but maybe more than a spectator, and influencer or purveyor of disorder.
In Act I Scene I, Egeus, father of Hermia, is clearly upset with his daughter’s choice in Lysander as a suitor. Egeus’ has so much love for Demetrius that he has chosen him to be Hermia’s husband in an arranged marriage. Egeus’ desire to have Hermia marry Demetrius is so strong that he would rather Hermia be dead than marry another. Egeus implores upon Theseus, “As she is mine, I may dispose of her, which shall be either to this
In Shakespeare’s Midsummer’s Night Dream he entices the reader using character development, imagery, and symbolism. These tools help make it a wonderful play for teens, teaching them what a well-written comedy looks like. As well as taking them into a story they won’t soon forget.
Every action made in A Midsummer Night’s Dream revolves around the idea of love. It is a concept which few people can understand because of the extremity a person can go through to go after their love. “Lovers and madmen have such seething brains, such shaping fantasies that apprehend more than cool reason ever comprehends.” Lovers see the world in a way which everyday people cannot comprehend. The idea of love leads to them making irrational choices which may seem
Theseus and Hippolyta’s relationship is the most dignified in the play. They show a desire to get along and they are comfortable sharing experiences and feelings important to them (1.1.1-11; 4.1.111-126). Theseus tenderly dominates Hippolyta: “Come, my Hippolyta. What cheer, my love?” (1.1.122; 4.1.185). Hippolyta however never reciprocates his use of terms of endearment such as “my love” and “fair queen.” In addition, the mythical context of their relationship is foreboding. We are reminded that Theseus is able to marry Hippolyta because he kidnapped her (1.1.16-1.1.19). The mythical Hippolyta later either dies in childbirth, or fighting against the Amazons by Theseus's side, or Theseus leaves her for another woman, Phaedra, and the story gets more sordid after that.[1] Theseus’s reputation as ravisher of women is addressed in the script (2.1.74-80). And the Amazon method of perpetuating their tribe is not romantic.[2]
...ical dialogue of the characters, it was also present in the larger-than life, comically ridiculous and unrealistic situations the characters found themselves in. Even the play's name brings it up directly, and provides a real-life analogy, as dreams themselves are often lifelike and vivid, yet still patently inane. Shakespeare's goal was to turn reader expectations of what should happen in these sorts of scenarios on their head to provide a unique play; while he achieved that goal admirably, the play itself is still of a great enough quality in part due to his masterful craftsmanship with hyperbole and exaggeration that A Midsummer Night's Dream continues to be read happily by modern audiences.
There are many instances in A Midsummer Night's Dream where love is coerced from or foisted upon unwilling persons. This romantic bondage comes from both man-made edicts and the other-worldly enchantment of love potions. Tinkering with the natural progression of love has consequences. These human and fairy-led machinations, which are brought to light under the pale, watery moon, are an affront to nature. Shakespeare knows that all must be restored to its place under fate's thumb when the party of dreamers awaken.
She exemplifies her strengths in one occurrence by standing up to her father’s wishes concerning her wedding. Speaking to her father, Hermia proclaims, “So will I grow, so live, so die, my lord, ere I will yield my virgin patent up unto his lordship whose unwished yoke my soul consents not to give sovereignty” (I.i.81-84). Hermia demonstrates immense courage and strength by standing up to her father and threatening to pursue the occupation of a nun for the rest of her life. This persistence in marrying the love of her dreams, Lysander, shows incredible courage that resonates throughout the play. Here, Hermia exhibits boundless courage and strength and from now on, her vigor only grows stronger. Later on in the play, knowing that the rules of Athenian law of marriage did not apply outside of Athens, Hermia and Lysander snuck out of the city. As Hermia and Lysander conversed alone, Hermia demands, “Nay, good Lysander. For my sake, my dear, lie further off yet. Do not lie so near” (II.ii.47-48) when Lysander desires to draw nearer to Hermia. By this point, Hermia battled her father and contains immeasurable mental strength. At this instance, Hermia gains greater moral strength when she resisted Lysander’s inappropriate love. Displaying courage to stand up to her father and her moral strength to resist Lysander, Hermia exemplifies a strong
First, Shakespeare uses the motif of the seasons early on in the play to solidify the connection between love gone awry and chaos. The initial romantic conflict is established when Egeus brings his daughter, Hermia, to Theseus to try and force her into marrying Demetrius, the man of his choice. Hermia has no interest in Demetrius because she is madly in love with Lysander. Unfortunately for her, Theseus sides with Egeus and threatens to enforce Athenian law if she does not obey him. Obviously, this situation is awful for Hermia; she is being kept from her true love. Her options are dismal: she has the choice of disobeying Egeus, betraying Lysander, or living a lonely life as a nun. Either way, she loses. The situation seems completely hopeless. Shakespeare illustrates this hopelessness by connecting Hermia’s grim future with the winter. When Theseus describes Hermia’s potential future, he calls her a “withering” rose and a “barren sister,” destined to a life of “chanting faint hymns to the cold fruitless moon” (Shakespeare 1.1.75). Essentially, Hermia will be trapped in an endless winter. This unnatural seasonal change will become a reality if she becomes a nun and remains celibate. For a young woman who is passionately in love with a young man...
In the first scene, the moon is spoken of by Theseus and Hippolyta as a measurement of time when Theseus announces, “…four happy days bring in / Another moon: but, O, methinks, how slow / This old moon wanes! She linger...
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
toward his tasks is sort of a light and airy one. He does not take life
Unlike the impatient Theseus, who mourns the dark moon, Hippolyta sees the moon as a symbol of Cupid and his arrows, which unite lovers:
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
The title of the play A Midsummer Night's Dream can have many interpretations. I will give you my thoughts on the relationship of the title to the different situations that take place in the play. These interpretations give insight and overall meaning to the thematic nature of Shakespeare's work. Although I am only going to describe three interpretations of the title, there are many other meanings to the title.