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Leadership in the army
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Aria knew the day of bloodshed would come, and she was prepared to fight to the death. The moon rose high in the sky and moonlight illuminated the castle with silver, brightening the main hall several flights of stairs below. She scanned the castle grounds with her dark blue eyes, waiting for the opportunity to leap from the stairs and call her well-hidden army to attack. When one of her recruits came running into the castle with news that the enemy arrived, Aria shouted for her army to attack. Within moments, the castle was filled with battle cries, roars, screams, and chaos. Beasts and their riders crashed through the doors and wizards teleported into the main hall. Aria’s army streamed through the doors below the stairs and the doors behind her, fueled by the passion that was justice in their minds. In Aria’s mind, it was all for revenge. Everything was going as planned so far—she had anticipated the attack at that exact moment. She looked up at the glassy ceiling of the castle and briefly gazed at the bright moon lingering over the new battlefield, her mind wandering for a bit:
Aria walked up to Rome the night before the battle and bowed low before him. Her mentor walked up to her. When he touched the back of her head and kissed her hair, she smiled. She looked up to him and handed him his saber.
“My princess. Do you know what you’re getting yourself into?”
Aria smiled, receiving a smirk from her superior, “I have a fairly good idea.”
“Be careful. I don’t want you dying on us.”
“I won’t. I won’t rest until I see King Icarius Lupin dead and writhing on the floor in pain. He’ll pay for torturing you and those countless other innocents.”
Rome nodded, “If it so happens that he doesn’t appear?”
“Then we demolish his army as a warn...
... middle of paper ...
... as another, heavier body crashed into her from behind, stunning her and making her lose grip of her dagger. Thick arms wrapped around her neck and squeezed. Aria clawed and pulled at the arms with whatever strength she had left, but her foe wouldn’t let go.
Aria struggled while gasping for air and getting angrier each second for what seemed like an eternity. Soon the muscular arms around her throat slackened and the wolf man behind her made a rattling sound deep in his throat. Aria flinched when her assailant dissolved into red crystal shards, feeling the fragments running down her back and shoulders. Strong hands steadied her when she stumbled and coughed, her head spinning slightly. The tall, dark figure in front of her recited a quick series of spells in a hoarse voice. Soon enough, her head cleared and she could breathe normally after taking a few gasps of air.
and heaves the huge blade at her head. She sees his surprise as his sword
Good morning/ Afternoon Teacher I am Rachel Perkins And I was asked by The Australian Film Institute to be here to today to talk about my musical. My musical One Night The Moon which was the winner of the Australian Film Institute Award for Best Cinematography in a Non-Feature Film in 2001. I am also here to talk about how distinctive voices are used to show the experiences of others. The voices of Albert and Jim are two characters that give us two different perspectives this is due to their views. Albert one of the characters in my film is an Aboriginal character played by Kenton Pell who is hired by the police as a tracker. Albert is a very deeply spiritual person this gave him a spiritual voice throughout the play but when he get 's kick off the land and banned from the search the gets frustrated which gave him this really emotional voice. This event has a greater meaning which I will elaborate on later and now Onto Jim. Jim is your 1930s white Australian that owns a farm and is going through tough times because of the Great depression. Jim does not allow Albert to find his daughter, This is due to his racist and prejudiced views of black Australians. Jim has an authorial voice because he see’s himself as inferior. Near to the end of
One of his horns sank until it pierced her heart, and the other curved around her side and held her in an unbreakable grip.
Agamemnon and his fleet were stuck in Argos because Artemis had stilled the winds. Calchas, a seer, foretold great victory matched with great sorrow. The chorus then redresses the omen in lines 133-139
The story of the Battle in the Hall symbolizes ignorance from Penelope. Throughout the entire fight Penelope had been sleeping. She had not yet seen her husband that was missing for 20 years. When the old nanny came up to wake her Penelope replied with, “... the gods have made you mad… why do you mock me with this crazy tale…”(282c) and similar remarks. If she had not been asleep her ignorance of the situation would be gone and she would have already been
His expression hardened. “The bounty is six hundred dollars. I’m not going to kill him for the
“'They asked me at the trial with what and how I killed her. Fools! They thought I killed her with a knife, on the 5th of October. It was not then I killed her, but much earlier. Just as they are all now killing, all, all...'”
“Yes. I believe justice should be done for what I did to all those innocent lives.”
“Can I kill him? Can this be the end? No, it’s not going to work.”
Corvo walked the streets of Dunwall, which was a happier place now that the plague was gone, and the Lord Regent was out of power. Corvo was looking for a man by the name of Teague. He hoped that it would be worth his time, since he was just in the middle of teaching the Empress how to defend herself before he got interrupted. Everything about meeting this man felt wrong, and even though he tried to distract himself with happier thoughts, he couldn’t help but feel a tinge of dread. Corvo let the feeling subside and continued walking since the letter that was sent to him had the marks of one of the governors of the cities.
“You know what? I’ll do it! Juthe department that if I get killed, I want a big gold statue of me in my remembrance.”
And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before.” (pg.79). The castle is sealed and guarded in order to not allow the plague in. There is absolutely no way that someone human could just appear within the castle walls, especially since they were able to capture the attention of so many people at once without saying a word. Therefore, the event is without any explanation and possibly supernatural. The sudden appearance of the figure, which is later revealed to be Death, adds yet another reason to classify the mood as suspenseful.
“Are you kidding me?! You’re worried about your precious throne, what about the lives of these men. They’re fighting against death every day.”
“You of all people should be the last to question the order after all they did for you. You swore on your blood.”
Quick to react, one girl steps forward from the crowd and takes control of the situation. Preventing Al from further injury by grabbing both sides of his head, the brave young senior moves with the seizing boy, fighting to hold him steady. She does not cry nor do anything but instruct a teacher to “YES, call an ambulance.” Al thrashes, not breathing, upon the white speckled linoleum.