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Gender roles in the second world war
World war ii the role of women
World war ii the role of women
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During the 1940s, Los Angeles was a period with liberating and limiting experiences for Mexican-Americans, especially for women. After the events of the Zoot Suit Riots Mexican-American people were ostracized for their “violent” nature. In order to distance people away from that stigma the debate centers on the cultural overview of the period. Women were given a voice that centers on their contributions to the workforce during WWII. While men were away fighting in the war women were working in the defense industries and gaining the means to live a comfortable lifestyle. The historiographical debate showcased that Mexican-American women were acquiring higher status, as they refused marginalization. Escobedo (2013) answered the questions that …show more content…
In contrast to the negative depictions of Mexican-American youths in Los Angeles newspapers, federal efforts at inclusiveness opened the door for mothers and daughters of Mexican descent to utilize wartime ideologies of racial liberalism creatively and to their advantage” . The minority within a minority, Mexican-American women, were given a voice in the historiography that captured the array of ways in which women were continuously advancing because of their involvement in the workforce. Before women entered the workforce the gangster zooter stereotype affected them just the same as men. Escobedo (2013) stated, “By August 1942, the Los Angeles populace began to recognize young Mexican-American women as an integral element of the gang menace allegedly plaguing city streets” . The Sleepy Lagoon case investigated women as well, the investigation led to a scandal within the population. Mexican-American women were going against the expected gender norms of society and seen as menaces. The courts and mainstream media used the term “Pachuca/o” after the …show more content…
Anthony Macia’s Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 (2008) and Ignacio Lopez-Calvo’s Latino Los Angeles in Film and Fiction (2011) served to, “Shed light on their creations, aspirations, acculturations, and associations, brushing layered details into a historiographic portrait of a generation” . The clean look that Mexican-Americans wore is what gave them the higher profile in society. They were able to steer clear of the stereotypes that depicted them as dirty, greasers, farmers etc… and present themselves as people who were worthy of the California good life. The influence of music is what kept Mexican-American youth off the streets. The start of weekend dances was a way they incorporated themselves into mainstream society, they were not these outlaws who were only looking for trouble. These authors approached the subject socially and culturally, contributing to the debate that the power of expression liberated Mexican-Americans from their
However, in Los Angeles and throughout the southwest, the Mexican population had shifted from heavily immigrants into United States-born citizens. These new English speaking, young generation no longer thought of themselves as “Mexico de afuera” but, started to embrace the American clean-cut style at the time. Resulting in new Deal youth programs...
On page 277, what does the author say about gender issues within the Chicano Movement? Notably, on page 277 Vigil states that “When Chicanas began to raise the issue of gender inequities, some movement activists responded by arguing that feminist concerns diverted attention from the ‘real’ issues of racism and class exploitation.” Furthermore, I believe that racism and class exploitation are equally as important in acknowledgment as is feminism exploitation because women in the media are constantly being exploited for their sexuality. Further, Vigil also states “Chicano intellectuals ‘interpreted the condition of Mexican men and women to be synonymous; gender was irrelevant in determining life experience and power’” (277). In all honesty,
Ragland, Cathy. "Mexican Deejays and the Transnational Space of Youth Dances in New York and New Jersey." University of Illinois Press: Ethnomusicology. Autumn 2003 47.3 (2003): 338-53. Print.
Martinez, Demetria. 2002. “Solidarity”. Border Women: Writing from la Frontera.. Castillo, Debra A & María Socorro Tabuenca Córdoba. Minneapolis: University of Minnesota Press, 168- 188.
The film titled, “The Life and Times of Rosie the Riveter”, looks at the roles of women during and after World War II within the U.S. The film interviews five women who had experienced the World War II effects in the U.S, two who were Caucasian and three who were African American. These five women, who were among the millions of women recruited into skilled male-oriented jobs during World War II, shared insight into how women were treated, viewed and mainly controlled. Along with the interviews are clips from U.S. government propaganda films, news reports from the media, March of Time films, and newspaper stories, all depicting how women are to take "the men’s" places to keep up with industrial production, while reassured that their duties were fulfilling the patriotic and feminine role. After the war the government and media had changed their message as women were to resume the role of the housewife, maid and mother to stay out of the way of returning soldiers. Thus the patriotic and feminine role was nothing but a mystified tactic the government used to maintain the American economic structure during the world war period. It is the contention of this paper to explore how several groups of women were treated as mindless individuals that could be controlled and disposed of through the government arranging social institutions, media manipulation and propaganda, and assumptions behind women’s tendencies which forced “Rosie the Riveter” to become a male dominated concept.
The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.
Hernandez, Tanya Katerí, “The Buena Vista Social Club: The Racial Politics of Nostalgia.” Latino/A Popular Culture. Ed. Michelle Habell-Pallán, Mary Romero. New York: New York University Press, 2002. 61-72. Print.
Print. The. Fernandez, Lilia. "Introduction to U.S. Latino/Latina History. " History - 324 pages.
World war II was one of the deadliest war in history that associated with at least 30 countries and estimate at least 85 million deaths. This war went on for six fatal years until Allies defeated Germany and Japan in 1945. Many as 500,000 Latinos and Mexican-Americans served in World War II, which impacted many of them in the United States. Mexican-Americans were drafted or volunteered for the military services. Many risked their life wanting to protect our freedom. For Mexican Americans, they faced many challenges during this war but shows how soldiers contribute, women contribute, what the bracero program did and the effects after the war.
also managed to prove that they could do the jobs just as well as men
Women in Mexico and the United States of America have played an important role structuring their society and elevating their status. Between 1846 and 1930, the stereotype and position of women within these countries differed vastly from one another. While various traditional roles of women remained the same, the manner in which they were viewed differed. In many ways, women in Mexico held a higher position than those in the United States during this time.
...wler-Salamini and Mary Kay Vaughan, eds Creating Spaces, Shaping Transitions: Women of the Mexican Countryside, 1850-1990 Tucson: University of Arizona Press, 1994.
During this trivial time period, “La Raza”—a group of people mainly conformed of Hispanics who expressed their racial pride—outnumbered the whites and somehow were still forced to accept the poor living conditions they were being submitted to. “Most of La Raza owned no property and worked as cotton pickers and were locked out of the higher-paying jobs in foundries, machine shops, creameries, cotton oil mills, and small factories” (Orozco 20). The constant belittling of races would eventually lead to a divided society, a society that would soon become segregated. Restaurants, schools, barber ...
Indigenous people of the world have historically been and continue to be pushed to the margins of society. Similarly, women have experienced political, social, and economical marginalization. For the past 500 years or so, the indigenous peoples of México have been subjected to violence and the exploitation since the arrival of the Spanish. The xenophobic tendencies of Spanish colonizers did not disappear after México’s independence; rather it maintained the racial assimilation and exclusion policies left behind by the colonists, including gender roles (Moore 166) . México is historically and continues to be a patriarchal society. So when the Zapatista movement of 1994, more formally known as the Ejército Zapatista de Liberación National (Zapatista Army of National Liberation; EZLN) constructed a space for indigenous women to reclaim their rights, it was a significant step towards justice. The Mexican government, in haste for globalization and profits, ignored its indigenous peoples’ sufferings. Chiapas, the southernmost state of Mexico, consisting of mostly indigenous peoples living in the mountains and country, grew frustration with the Mexican government. It was in that moment that the Zapatista movement arose from the countryside to awaken a nation to the plight of indigenous Mexicans. Being indigenous puts a person at a disadvantage in Mexican society; when adding gender, an indigenous woman is set back two steps. It was through the Zapatista movement that a catalyst was created for indigenous women to reclaim rights and autonomy through the praxis of indigeneity and the popular struggle.
3. Anita Edgar Jones, "Mexican Colonies in Chicago," Social Service Review 2 ( December 1928): 39-54.