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The outsider albert camus analysis
The outsider albert camus analysis
Analysis essay on "the stranger
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In the book The Stranger, by Albert Camus, Meursault is a commonly misunderstood character due to his inhumanities. He does not emote in the same way that most people do, and seems to have an extremely careless attitude towards the things going on around him. In the beginning of the story, we learn that Meursault’s mother has just passed away, and yet Meursault does not show any signs of grief. Another time that Meursault’s abnormalities become lucid is when he is speaking to his girlfriend, Marie, and has a very passive approach to the idea of marriage, which to most people is a major, life-altering decision. Many people say that through the course of the story, in the second half, Meursault develops and learns how to truly “live”. However, …show more content…
Meursault introduces Marie to the story in a rather casual way, by saying that she is “a former typist in our office whom I’d had a thing for at the time” (19). However, not long after, they seem to be in a very serious relationship, and it seems as if they have known eachother for years, so it is curious that they supposedly had not seen each other since they used to work together. Marie and Meursault seem to have a very physical relationship, and we never really see them connect on an emotional level with each other. This could be one reason why Meursault is never able to share his feeling towards her with her, because maybe he is only attracted to her physically, and not on a more personal level; “A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so. She looked sad” (35). Meursault uses nearly this exact same line when he is speaking of Maman; “I probably did love Maman, but that didn’t mean anything” (65), which could possibly show that he really is not capable of loving, if he can not even say that he feels love for his mother. Maybe it is not only that Meursault can’t express his feelings, but maybe he really does not have feeling the way that most people do. Later on in the story, Marie “came by to see me and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted to” (41). Meursault’s indifference about something as life changing as marriage really proves how unusual he is. For most people, marriage is something that is a huge life decision, and something you dream of all of your life. I becomes clear that Meursault does not realize the big deal about marriage at all when he says; “Then [Marie] pointed out that marriage was a serious thing. I said ‘No.’ She stopped talking for a minute and looked
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
In the novel, we are given a more complete view of Meursault. The story is told from his point-of-view, which allows us to understand the situation as Meursault perceives it. Looking at the situation in this light, we can see Meursault as not evil, but simply indifferent and detached from life. He doesn’t attempt to get wrapped up in emotion or relationships, he just takes things as they come, doing whatever is easiest for him. He becomes friends with Raymond and agrees to marry Marie simply because he doesn’t have a very good reason not to. Seeing the story from Meursault’s viewpoint, we understand that even killing the Arab wasn’t an act of malice or evil intent. As Meursault puts it, “My nature is such that my physical needs often get in the way of my feelings.” With this in context, things begin to make more sense. Meursault’s seemingly cryptic statement that he murdered the Arab “because of the sun” can be taken as truth. Meursault does things that society judges as wrong not because he is evil or wants to appear immoral, but because the sun and heat, symbols for Meursault’s emotional state, cause him to become uncomfortable and act “inappropriately.
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
One of the main points stressed in the stranger is that people have no meaning to life. It is stressed that all lives will come to an end guaranteed and that all of their actions are meaningless. This expresses that he believes that all life is equally meaningless. Late in the story after a dispute with the chaplain is when Meursault realizes this. He notices that just as he had no effect to the world the world had no effect on him. He was going to die anyways just like everyone else. He was born and will die with no importance to the world and so will everyone else.
Meursault is a complex- in some ways contradictory- character, and one of the most rewarding challenges of reading The Stranger is trying to figure out his personality. You'll have to sift through a lot of evidence as you try to get a grip on Meursault, and as you do you'll probably need to rethink some basic assumptions you have about people.
At the beginning of the novel, Meursault never mourns the loss of mother; instead, he focuses on the smaller details in order to lessen the tragedy of Maman’s death. While Meursault is at his mother’s funeral, he never actually mentions any idea of missing his mother or grieving her. Even when he sees her casket, he doesn’t feel the normal emotions associated with seeing a dead loved one: “Varnished, glossy, and oblong, it reminded me of a pencil box” (Camus 14). By associating her casket with a pencil box, Meursault completely displaces any mourning for his mother away from his mind, instead bringing ideas of simple office supplies. Furthermore, the people around Meursault during the wake and funeral do not have any effect on him regarding the death of his mother. Maman’s friends who came to pay their respects only annoy Meursault: “Now it was all these people not making a sound was getting on my nerves” (11). Meursault doesn’t recognize that these people are being quiet to respect Maman’s memory. Additionally, Meursault doesn’t see Monsieur Pérez’s sadness for the loss of his best friend, rather, Meursault only sees him as “an awk...
Meursault also only speaks when he feels as if he has too and has no interest in having connections/emotion relationships with others. When asked by Marie, his girlfriend, if he loved her he simply replied by explaining that “it didn’t mean anything and that [he] didn’t think so” (Camus 35) which shows the lack of care and/or interest in his relationship. This can also be seen when he is having a conversation with Raymond Sintes, his neighbor. When asked to be pals Meursault “didn’t say anything, and [Raymond] asked [him] again…[He] said it was fine” (Camus 29).
...immediately gives an impression of a lack of emotion towards the demise of his mother. This lack of emotion highlights the existentialist ideal that we all die, so it doesn't matter what life we have while we are alive. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like indifference towards society. His interactions with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time. Being a single man, he has a lot of time to fill, and finds the weekends passing particularly slowly.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
Throughout the text, Meursault uses Marie simply as a means to an end to satisfy his own ambitions, without very much regard to her own inner feelings and aspirations. “That evening Marie came by to see me and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted to. Then she wanted to know if I loved her. I answered the same way I had t...
The Stranger by Albert Camus was written in 1942. The main character Meursault is indifferent and absurd, and chooses to live day by day. In this novel, Meursault commits a murder by killing an Arab and did not have any further investigation on the crime. However, Kamel Daoud an Algerian writer decided to write a response to Camus’ book called The Meursault Investigation. This novel is about the victim’s brother that was killed in The Stranger by Meursault. Haroun tells his own version of the story from an Arab’s point of view by giving an homage to his brother Moussa. Dead Man’s Share is a detective novel, but also a political novel announcing the excesses of an authoritarian regime. The author also demonstrates his commitment and his affection
Initially, we are brought to believe that Meursault is an uncaring, selfish man. The first few sentences of that he speaks to the readers are, “Maman died today. Or yesterday maybe, I don’t know.” He has no remorse for his deceased mother, Meursault truly believes that all lives are equal and death
Efforts to engage Meursault in secular structures of meaning are equally futile. When Meursault's boss offers Meursault a position in Paris, he expects Meursault to embrace the opportunity for career advancement. Meursault, though, lacks all ambition and turns down the boss' offer without considering it. As a student, Meursault recalls, "I had lots of ambitions…But when I had to give up my studies I learned very quickly that none of it really mattered." When Marie asks Meursault whether he wants to marry her, she expects him to take the institution of marriage seriously. Yet Meursault is indifferent towards it, thinks "it didn't mean anything" to love a person, and agrees to marry Marie simply because she wants to marry him. Though he grows fond of her, he doesn't cultivate any attachment to her more meaningful than superficial attraction. Throughout his trial, Meursault is equally bemused by the meaninglessness of the justice system and finds its attempts to impose rational, meaningful structure on his actions ridiculous. He considers the guilty verdict he eventually receives entirely arbitrary, and describes its "certainty" as "arrogant."
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.