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Camus the stranger literary criticism
The stranger essay
Camus the stranger literary criticism
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The Stranger by Albert Camus was written in 1942. The main character Meursault is indifferent and absurd, and chooses to live day by day. In this novel, Meursault commits a murder by killing an Arab and did not have any further investigation on the crime. However, Kamel Daoud an Algerian writer decided to write a response to Camus’ book called The Meursault Investigation. This novel is about the victim’s brother that was killed in The Stranger by Meursault. Haroun tells his own version of the story from an Arab’s point of view by giving an homage to his brother Moussa. Dead Man’s Share is a detective novel, but also a political novel announcing the excesses of an authoritarian regime. The author also demonstrates his commitment and his affection …show more content…
for Algeria. The three novels convey injustice during the colonization, and Dead Man’s Share depicting life after independence. Sometimes even humans respond to injustice by injustice and one may wonder why. That’s exactly what the main character does in the Meursault Investigation by killing an innocent French man to seek justice and get revenge for his brother. But do we have the right to harm anyone? How is injustice portrayed in these three Algerian novels? There are so many things that are unfair in life and every human being has a different definition of injustice. If it exists that means that a majority of people believes in justice and tries to enforce it. All humans should have equal rights. Injustice reminds us cruelly that it is not necessary to live good and real to be well treated by life. There is a saying by Plato, “The worst evil, apart from injustice, is that the author of the injustice does not pay for the penalty of his fault.”(Plato, 1). This relates to Meursault being prosecuted not necessarily because of the crime he committed but because of his careless self. Also it relates to Haj Thobane when he killed all these families to take their goods but then his death is portrayed as a suicide when in fact it was murder. These following sources also speak about injustice. A Parable of the Overthrow of French Rule in Algeria (Scherr, Arthur) speaks about the depictions of Arabs and Muslims in the French colony of Algeria. It also speaks about the history and the injustice of French imperialism and the Stranger as a parable of political change. The following journal, "Can We All Get Along?” takes note of the ever outstanding concern for African Americans being targeted by law enforcement personnel. Detective fiction and working through: Investigating the (post) colonial past in Boualem Sansal’s Le Serment des barbares and Yasmine Khadra’s La part du mort; these articles discuss the collateral damages from psychological standards. In fact that is why in this article the term Freudian model is implied. Thus showing critical psychical analysis on how the post colonial era affected the people who lost their loved ones. The Kite Runner tells the story of Amir, a young boy from Kabul Afghanistan, whose closest friend is Hassan, his father's young Hazara servant who gets raped. The Stranger is part of what Albert Camus calls "cycle of the absurd" and which transposes into the novel his philosophy of the absurd, that the existence has no meaning and that only fate and luck guide one’s steps. It is interesting to notice that Meursault seems to suffer rather than act as if he is a tragic hero not a master of his destiny. In chapter 6, Meursault, his friend Raymond, and his other friend Masson are walking on the beach when suddenly they notice two Arabs who are staring at Raymond.
One of them turns out to be Raymond’s girlfriends’s brother. Meursault takes Raymond’s gun, goes to one of the Arabs with whom he has just had an altercation, and shoots him in cold blood. Meursault doesn’t seem to care about anyone’s emotions, he shoots this Arab for his friend. In this passage, Meursault appears as a body fully dominated by his physical sensations. He complains about the sun, and the heat, when he says “I could feel my forehead swelling under the sun. All that heat was pressing down on me making it hard for me to go on.”(Camus, 40) This demonstrates also when he had to attend his mother’s funeral, throughout the journey he complains, evokes the heat but does not speak for a moment of pain he feels for the death of his mother. However, throughout this scene of the murder of the Arab, the reader has access to extremely detailed physical sensations of the character than to his thoughts or feelings, that only intervened at the end of the passage. Meursault shoots this Arab for no reason, he does it for his friend Raymond because he has no sense of humanity. It appears to be a random act of injustice for no apparent motive. Death plays a dominant role, it is the link that merges the two parts of the book, as the first part ends with the death of the Arab and second ends with Meursault’s …show more content…
death. The word "stranger" as indicated in the title, commonly claims that someone does not belong to the group or someone we do not know.
A more adequate perception may explain the choice of the title. Meursault can be seen as a "strange" man who lives in the "strangeness". These adjectives sticking to his skin gives us a picture close to the title of this book. The strangeness of Meursault is characterized by his lifestyle and his perception of life in general. Meursault through his account only realized the day of his trial that he is a stranger to the people around him. For that reason, that day he had more ways to close loopholes surrounding his world. The only thing he can see is the judgment issued by the people present in the trial room. We witness the events happening in his life, that he is focused on himself. He can be also called selfish for not having any feelings for anyone. By the end of the novel, for example when he was in prison for this so called murder of the Arab, although it was most likely because of his indifference towards his mother’s death, it helped him open his eyes to the value of nature, of life. However he did not fear death, he meditated and was prepared to die because he is at peace with
himself. In The Meursault Investigation, referring to the Stranger, Meursault’s victim has no name, no age nor a life. The narrator has devoted his life to give a name to the Arab who is his brother, to show the world that the Arab had a life, a family, and a history. But what life? What family? What story? This mission weighs on him as curse. He is labeled as “The Arab” and this is a sign of segregation. Haroun from his childhood growing up in isolation and grief with his mother, is the main character of the novel. However, Kamel Daoud starts his novel with “Mama’s still alive today”, even though Camus has taken away his brother Musa, he still has his mother. As the character of Camus, Haroun has a mother present and absent at the same time. “Mama wanted to believe—irreversibly—that the water was the culprit that the water had carried off her son’s body. My body, therefore, became this visible trace of her dead son, and I ended up obeying her unspoken injunction.” (Daoud, 41) He had to live in his brother’s body to please his mother, he was faced to injustice since the day he lost Musa. Haroun fights back by also committing a crime, not because of the Sun but because of the moon. More specifically Meursault justifies his actions by blaming it on the heat. However, Haroun kills this French man to seek justice not because of the sun but because he felt that he owed this to his brother. Although, Haroun kills a French person, who has a name, Joseph. “Camus occasionally implies that Meursault internalized the anti-Arab, racist ethos of the French, which depersonalized the Muslims, considering them as nonentities whose lives possessed little value.” (Sherr, Arthur, 52) Meursault is an anti-Arab and this embodies the character of a racist French person amongst Arabs. Before colonization, the French devalued the Arab society. The superior race always believes that they are bringing a more proper civilized manner and culture to the inferior race whom are the Arabs. “Similarly. In La Part du mort (2004). Llob’s investigations do not resolve many of the complexities of the case. Certain clues convince him that Haj Thobane’s death is not suicide as presumed. But he falls to bring the suspected killer to justice.” (Brisley, 102). From this quote the reader gets the impression that Llob had an instinct that the case was directed for the benefit of Soria. In Dead Man’s Share, the main character is called Brahim Llob, he is a police officer who is against injustice and oppression. He runs an investigation about a person that just got graced by the government and that was put in jail for murder. Moreover, with the help of a
He, however, seemed question his presence because the death of his mom or even from the absence of his father—the fairly dynamic that every child should have (both parents present). In chapter two Meursault found himself alone in his apartment as Marie had left for work earlier that morning. In this section he explains that, “After lunch I was a little bored and I wandered around the apartment” (21). In this quote, Meursault demonstrates just how meaningless is life is. To have nothing more to do with his time than walk around his apartment shows that Meursault is questioning his place in this world. He is a man with virtually only two friends—Raymond and Marie—and a neighbor that he associates with on occasion about his dog. As he wanders the apartment he explains that he lives, “in just one room now” (21), one that he literally put his dining table in so that he could eat in his room. This quote symbolizes his loneliness as a person. Not only is the apartment too big for him, the world is too, and his is basically alone in both. For some reason—maybe a tragedy or trauma that he faced in earlier years—Meursault has closed himself off from the world and does not express love for anyone or anything. In fact, Meursault made a statement about the death of his mother saying that, “at one time or another, all normal people have wished their loved ones were dead" (65). At this point in the story, I think that Meursault may not have had the best family dynamic. He does not speak of anyone else but Maman, and mentions a father that he does not know. So, he may not feel like he belongs or does not know how to. He also explains that, “it was one of Maman’s ideas, and she often repeated it, that after a while you could get used to anything” (77). This quote could explain the fact that Meursault is closed off—he has gotten so used to not having anyone around that truly cares for him (his
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
At the beach with Raymond, the sun provokes Meursault to commit a crime. He says, "(the sun) shattered into little pieces on the sand and water." While going to get a drink of water, the foreign Arab uses a knife to shine the sunlight in Meursault's face. Meursault knew that all he had to do was turn around and walk away. His emotions (again not shown externally and reserved) took over. Camus states, "All I could feel were the cymbals of sunlight crashing on my forehead and, instinctively, the dazzling spear flying up from the knife in front of me. The scorching blade slashed at my eyelashes and stabbed at my stinging eyes." This strong imagery forces Meursault to fire and kill the Arab with a revolver. What makes it worse, he fires four more times to make sure the sun is dissipated for good.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
All in all, the influence of Raymond is negative towards Meursault and leads to Meursault’s death sentence. The peer pressure put on Meursault to testify against Raymond’s mistress sets Meursault up and was the first of many instances where Meursault was manipulated into doing something. The aggression of Meursault to use violence against the Arab is a forced demand that Meursault is to fight for Raymond in times of hardships, as if Raymond owns Meursault. Finally, the declaration of Meursault as “a pal” influences the jury heavily because Raymond runs a whorehouse and the people one hangs out with have strong affects. Together, these three things lead to Meursault’s downfall, the death sentence, and Raymond is the one to blame.
In Part One of The Stranger, Albert Camus avoids religious confrontations with Meursault in order to subconsciously place blame on Christ for his criminal actions. Camus restricts Meursault’s relationships to further distance him from his mother. Meursault then alienates himself from the typical spiritual ceremonies and actions to demonstrate his distrust of religion. Simultaneously, Camus uses diction of clear and bright elements to characterize people in the novel, excluding Meursault. Camus associates dark colors with Meursault to depict a sadistic persona. To conclude, Camus places Meursault in recurring situations which result in him being distracted by “the light”. Camus uses these literary techniques in The Stranger to demonstrate man’s condemnation of God.
Firstly, Camus juxtaposes the stories of Meursault and the Czechoslovakian man to create a presage of the denouement of Meursault. The Czechoslovakian man undergoes major life changes, and this ultimately leads to his demise. He goes to make a better life for himself, and he returns to his village with riches in wealth and in family. Unrecognizable to them, the Czechoslovakian man returns to his mother and sister, and he decides to play a simple joke “of taking a room” and “he had shown off his money” (80). This trick ends when “during the night his mother and sister had beaten him to death…in order to rob him” (80). The Czechoslovakian man’s newfound courage results in obstinacy. Contrastingly, until Meursault commits his crime of murder, his life appears nearly painfully simple. ...
“The Stranger” is an appropriate title for the novel’s main character because when you think of a stranger you think of avoiding them because of safety concerns. Meursault is a type of person that you’d avoid if you saw him randomly in the streets. He’s always looking up at the sun and is very socially awkward. When Meursault is asked if he’d been traveling for a long time after discovering he had been leaning against a soldier on the bus while asleep he simply says “‘yes’… so [he] wouldn’t have to say anything else” (Camus 4).
As his writing career began to grow, Camus moved to France in 1938. Where in 1942 at the age of 29 Camus he wrote his famous book, The Stranger. Connections between the protagonist, Meursault, and Camus can be seen because of small, similar details between both of the main characters and authors. When Camus was one year old his father died in the Battle of Marne during World War I; a reflection of this is seen in the novel as Meursault's father is not mentioned.... ...
When Meursault is in the court room, at one point he finally realizes how distant he actually is from normal society and how much they judged him it. “for the first time in years I had this stupid urge to cry, because I could feel how much all these people hated me.”(pg. 89-90). He starts to feel the force of condemnation against him, this starts to make him break down and feel an
Camus’s motif of the sun illustrates Meursault’s emotions as he approaches the Arab, the sun’s rays separating Meursault from reality. “I knew that it was stupid, that I wouldn’t get the sun off me by stepping forward” (59). Yet after he utters this statement he takes another few steps forward. This sets the stage for the climax of Meursault’s murder of the Arab. More than anything the sun is depicted as a distraction to Meursault. It causes him to do things he would not normally do and clouds his judgment, causing him to commit a serious crime which will cause his own death. The sun is in a way a representation of the constraints society places upon Meursault. The effect the sun has on Meursault that results in death is a parallel to the effect of society on Meursault, which also results in death.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.