While the children are very busy collecting their gifts from their godparents, actors and film staffs are also busy creating such wondrous movie as their entry to the Metro Manila Film Festival. MMFF as its shortened name, it is the annual celebration of the Filipino talents in the movie industry. Usually held during the Christmas season, it recognizes the role of the film industry in providing artistic depictions of the Philippine stories and history. And as the time passes by, Metro Manila Film Festival has become part of the Filipino’s yearly celebration of Christmas. Before the films are being sent to various cinemas nationwide, giant floats of them will be rounding the Pasay Rotonda first. The floats are made portraying the setting of the actual movie. For instance, if a certain horror movie is set in a haunted house, then its float will be like a house with an eerie design. In general, all the floats are decorative implying the effort of the people behind those artworks. People are truly enjoying the caravan not only because of the enormous and colorful floats they see but also for the chance to glance at their favorite celebrities. In order to have evidence of achieving their dreams, they will surely take pictures of them. The casts, on the other hand, are usually on top, shining their eyes and swaying their hands to welcome the people. Their sweet smiles and heart-warming yells throughout the procession somewhat convince the people to watch their pompous creations. Moreover, they throw some giveaways such as t-shirts and posters which may help to attract the people’s attention. All are appreciating every single moment of the event. Normally, the first day of the film viewing is placed on Christmas. Imagine how clever pro... ... middle of paper ... ...ovie itself. As the time goes by, movies become more imaginative signifying the rich and brilliant minds of ‘Pinoys’. They are devoted to their profession, trying to reach perfection. After all, they will gather all the gifts of their hardships. Filipino film industry is very significant among them just as how important the Christmas is. Furthermore, it is as colorful as the Christmas celebration of the Filipino community. Works Cited “The 39th Metro Manila Film Festival”. Metro Manila Film Festival. MMDA. 2012. 22 Dec. 2013 “2012 Metro Manila Film Festival”. Wikipedia: The Free Encyclopedia. 28 Dec. 2013. 28 Dec. 2013 “2013 Metro Manila Film Festival”. Wikipedia: The Free Encyclopedia. 29 Dec. 2013. 29 Dec. 2013
A new edition to the course lineup, this week's film classic, Sunset Boulevard. This film will focus on the culture and environment of the Hollywood studio system that produces the kind of motion pictures that the whole world recognizes as "Hollywood movies." There have been many movies from the silent era to the present that either glamorize or vilify the culture of Hollywood, typically focusing on the celebrities (both in front of and behind the camera) who populate the "dream factories" of Hollywood. But we cannot completely understand the culture of Hollywood unless we recognize that motion pictures are big business as well as entertainment, and that Hollywood necessarily includes both creative and commercial
Banning, L. (Producer), Milos, F. (Director) (1996). Research Methods for the Social Sciences. [Film]. (Available from Horizon Film and Video, Austin, TX)
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
" Phil on Film. N.p., 19 Oct. 2009. Web. The Web. The Web.
Small, Pauline. (2005) New Cinemas: journal of Contemporary Film Volume 3, Queen Mary, University of London
During the 1970s, a popularization of New Orleans sparked new mediums to use the unique culture as creative outlet for mediums of entertainment such as film. However, since its progression the use of documentation of New Orleans culture has utilized a far great significance in demonstrating a resolve to record history. In the documentary Always for Pleasure, directed by Les Blank, a colorful portrayal of culture in New Orleans reveals an unknown perspective that goes into making the parades and events happen. The footage shown, shows a array of the different types of practices that go on during Mardi Gras including: Mardi Gras Indians, Jazz Funeral, Second Line parades, and a crawfish broil. Contrasting, When the Levees Broke, directed by
Cinema Journal 48.1 (2008): 27-50. Project MUSE. Web. The Web.
Released in 2000, and called the "…love story of the new millennium" (Time Out New York), In the Mood for Love (2000) is one of the best and most underrated foreign film. From its nostalgic depiction of the 1960s to its artistically appealing cinematography, this film has become a staple in the ever evolving, fast-paced film industry. Consequently, after having watched it I was in a daze for days, day dreaming about the characters, reimaging their fates, this movie could not leave me. I wouldn’t let it. Furthermore, I was more inclined to analyze In the Mood for Love after having watched another Wong Kar Wai masterpiece, Chung King Express (1994), because the resonating power both these films have had on me are immensely powerful. It is extremely rare when a filmmaker has the ability to really leave a mark on your life, twice. The film, In the Mood for Love is produced under the shroud of the Hong Kong New Wave movement (1978-2000), in particularly the Second Wave. This film movement analyzes major social issues grappling Hong Kong such as decolonization, social class, and the importance of women in a rising global economy. As a result the following analysis will chronicle the details of the Hong Kong Second Wave film movement, along with a detailed description of Wong Kar Wai’s film aesthetics, and a deep evaluation of the acclaimed movie, In the Mood for Love.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
Fifteen years ago, South Korean cinema was in precipitous decline. It was facing deadly competition from Hollywood as import barriers were dismantled, and had almost no export market. Today, South Korean cinema is widely considered the most successful and significant non-Hollywood cinema anywhere in the world today. It is successful both in the domestic market, and internationally. This essay sets out to understand this phenomenon. First, it attempts to trace South Korean cinema’s comeback story. I feel a need to do this because I find that so many of my South Korean friends and colleagues are reluctant to admit this, or focus solely on the problems the industry is facing in the future. There may be worries about the future and there may be “ifs” and “buts” about the present state of the South Korean film industry. But we should start out by acknowledging its success.
Winokur, Mark and Holsinger, Bruce. “Movies and Film.” Infoplease. Pearson Education, 2000-2013. Web. 19 Nov. 2013.
Film induced tourism has grown in every aspect around the globe whether its because of the curiosity of the people to indulge in this kind of tourism or just being a part of the artificial world. Then it comes to define film tourism many authors have different views, according to Hudson and Ritch (2006a), it is describe as people visiting places which are directly influenced by films to see the landscapes, building, places as it was shown on TV, advertisement or in cinema screen. In addition to the meaning above for film induced tourism, Riley & Van Doren, (1992) further added that people visiting these places may be overwhelm with the romantic gaze of the place, and feel emotionally attached to it and also with the focal points of the film such as actors and their attributes, where they used to live, themes, social patterns and so on. However this essay will also discuss the originality of film tourism and its implications towards the destination and how it effects the local culture and community.
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.
The aim of this research is to explore cinema audience's, festival goers' and workers in cinema views and experiences of film festivals, trying to understand what values they give to them and trying to figure out if they believe that in difficult times, such as the one we are living through, a film exhibition is still necessary.