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How religious figures are depicted in films
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God is everywhere, as the saying goes. And if this statement is true in means he is ingrained in your, my, and his head and within our culture whether we choose to believe or not. More directly speaking God is found in commercials, television shows, and, more obviously, in movies. Throughout films such as, It’s a Wonderful Life (1946), The Truman Show (1998), Crash (2004), and Chocolat (2000) there are metaphors and themes which are God-like or center around Christian beliefs. As these ideas are revealed, the examined metaphors will be compared to the philosophical ideas and research of Andrew M. Greeley in Religion as Poetry.
It’s a Wonderful Life is a film that takes place in the small town of Bedford Falls. George Bailey, the main
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character, is constantly asked to give up his dreams, money, and time to keep his father’s business, Building and Loan Association, afloat. The business helps the townspeople take out loans to build good homes for themselves, which diminishes the business of Mr. Potter, the man who continuously tries to end Building and Loan. Although God is not a direct character represented in the movie there are many references from the Christian religion, specifically the guardian angels, Clarence and his superior Joseph. In the film, God is known of and Joseph, the angel, references George’s life as, “God’s greatest gift”, but you do not hear or see God in the film. The audience can assume that the transition that makes George’s existence disappear, the extreme gust of wind, after Clarence talks to up above is the work of God. God aids Clarence in his quest to show George how much his life is truly worth. Because God takes such concern in George’s life, God is depicted as caring. Greeley states in his research, “theologians believed that angels had bodies”, and God did not, “because only God was pure spirit” (pg. 54). This explains God’s lack of interaction with George himself. God is explained through a form of traditional religion, but in The Truman Show God is shown metaphorically through a character. The Truman Show is a film about a 24 hour television show which revolves around one man, Truman Burbank.
Truman has grown up in the show since a baby and the life he knows, the people he deals with, and place he has grown up in, is all an elaborate cast and set chosen and designed by Christof. Christof is the creator, writer, and director of The Truman Show and therefore controller of Truman’s life but Truman is beginning to wonder what is real and what is fake after set malfunctions give him evidence to be suspicious. Christof is analogous to God because he is “the creator”. Christof is also viewed as an enemy which trapped Truman into living a life that he was forced to live. Because Christof is viewed as over-controlling and “wrong” it depicts God to be a puppet master which takes away people’s will. As Truman finally fought against Christof’s will he was almost killed by a storm Christof created in order to keep Truman where he wanted him. Greeley states, “religious stories will be predictive of other stories” and in the Bible sinful cities like Gomorrah were destroyed after disobeying God’s law (pg. 52). God as a ‘puppet-master’ by creating an intricate plan is similarly shown in Crash but in Crash the people intertwined learn about themselves contradictory of Christof’s selfish motives such as …show more content…
money. Crash is a film which connects a multitude of characters to one another by simple and complicated interactions in the state of California.
It focuses on different races that come from different backgrounds and how a racist mindset and racial stereotypes affect people. Power, race, murder, and ultimately God are the themes of the movie. God, in this movie, works in a divine manner to create interactions which ultimately connect every character together whether the character’s are aware or not. Throughout the film, although not seen and heard, God tests each person with a struggle which, may bring sadness, but ultimately humbles the character. For example Farhad, the persian shop owner, fires a gun at Daniel, after blaming Daniel for the destruction of his store, just as Daniel’s daughter Lara jumps in front to save her father. Farhad and Daniel believe Lara is dead but she is fine. Farhad is no longer distraught about the damage and claims to his daughter Dorri that Lara is his angel unaware Dorri only put blanks in the gun. Farhad gives his daughter the gun, and Farhad learns the lesson that guns and violence are not the answer. At the end of the movie the audience is able to see how each character has learned about themselves in comparison God acts to teach people how to be happier but instead of achieving this through character’s encounters, like in Crash, he acts as a sweet
delicacy. Chocolat is film that is set in the small suppressed village, Lansquenet-sous-Tannes, in France. A single-mother, Vianne Rocher, and her daughter, Anouk, arrive in the town and open up a La Chocolaterie during the beginning of Lent. The chocolate that they sell possess abilities to help the people of the town due to its ancient healing powers. Vianne and the chocolate make both enemies and friends as they attempt to bring life to the tranquil town full of secrets and unlocked desires. God in this film can be symbolized as both the North wind calling Vianne to spread the chocolate to villages in need, like God calling upon the prophets to spread his word, and he can be symbolized as the chocolate itself. From either viewpoint God directly contradicts religion. During Lent, Catholics abstain from sweets and delicacies. Because the church holds most of the power in town many people refrain from la chocolaterie but because they need God (the chocolate) to find passion (the couple who always buys the chocolate beans), to find love (the man with the dog and the widow) , and to find courage (Josephine leaving her husband) they cannot resist. In conclusion, the metaphor of God is presented in many films just as it was the films presented throughout the paper. Greeley’s research supports that the ideas of God are not limited to believers but the theme of God can be found in films not directed in a religious manner. Many of the views of God represented in these films are interesting but biased aside I enjoyed the example in Chocolat more than the contesting films. Chocolat displayed God in a manner outside of strict religion and depicted God to be a figure or a force that only seeked for the happiness of the people. A God that wants his people to be happy is a God I could believe in. A God that I hope is not only a metaphor in a film but a God found everywhere.
Although Perry lives a complicated life and it’s hard to explain the way he thinks, Truman Capote utilizes rhetorical devices such as imagery and metaphors to make clear his past life, thus relaying what drives him to make the choices he makes.
To elaborate on the thesis, one way the director delivers his message to the viewers is through the characters. The main character Graham lost his faith in God and resigned as a priest. He didn’t believe in God anymore and continued to ignore signs and live in disbelief. This was so because when
Religious imagery in the cinema is a recurring theme across genres and eras. Many directors draw from the ancient stories that endure in religion, partially because of the resonance among large groups of religious followers and partially because of the strong connection to themes of the nature of humanity. The Mission and Cool Hand Luke are two films with particularly strong images that evoke stories of Christ and the Christian Bible. Screenplay writers incorporate these stories to add depth to the protagonists and directors visualize religious imagery to add depth to the shots. Various examples of religious imagery and depictions of Christ can be found in these two films, and this paper will share and analyze these examples.
Mise en scene is a French term, which refers to the visual and design elements of a film. Literally, it is what we actually see on the screen – locations, sets, background details, costumes, even the use of colour and lighting. Mise en scene is used to describe every scene, including framing, composition, costuming, setting, objects, lighting, sound and camera angles. Everything is done purposely and intentionally.
George Bailey fights on the side of the people in Bedford Falls. He sacrifices himself and his future a number of times in order to raise the standard of living. Keeping the Bailey Savings and Loan in business saves the town from Potter’s monopoly and the subsequent transformation of Bedford Falls. It’s a Wonderful Life is not only a story about one man’s impact on the lives of others, but also a glimpse of how a town can transform under different economic scenarios.
One of the most interesting features about today’s media is that it connects many individuals in perplexingly short amounts of time. Through constant streaming, society has become extremely vulnerable by allowing themselves to be engrossed by the presented reality. The outcome is unsuspecting citizens that are mentally deformed by the adverse lies told to them. Gary Shteyngart exploits this reality through his successful novel, Super Sad True Love Story (2010) in which he creates a fictional world focusing on consumerism and commercialism. This fictive work creates an environment of secrecy in which the government actively displays more cover-ups and less controversial activity. Similarly, but to a much larger extent, Peter Weir’s film The Truman Show (1998) presents a city consisting of theatrical illusions surrounded by
The Truman Show engenders question on the authenticity of behavior and virtue in the face of pervasive voyeurism(which I will refer to in an exclusively non sexual manner). The Truman Show expostulates that an unaware participant in this perverted voyeurism, no matter the level of cognizant awareness, is still inauthentic because of the pervasive manipulation by Cristof and his cronies and the willing deception by Truman Show 's costars. These factors engender a contrived scenario that forces Truman to act in an expected manner—rather than natural--much like the intrusive Mr. B and English society (but really Richardson) forces Pamela to act virtuous. Pamela is an apt point of comparison for the Truman Show because both mark the genesis of a new medium in their respective cultures. Pamela is regarded as one of the catalysts for the epistolary novel and elevated novel in England; in
Hitchens, Christopher. God Is Not Great: How Religion Poisons Everything. New York: Twelve, 2007. Print.
Truman is alienated from society from birth, adopted by a television corporation and brought up in an 'idyllic' world where he is 'protected' from the harsh truths of the real world. Marxist theory would use the show's director Christof as a metaphor for the powerful ruling class, the one who calls the shots and plays the part of creative 'father' of the show, a wealthy TV exec using another for financial gain and worldwide fame, and of course, television ratings.
One of the more prevalent themes of this movie is racism, and how prejudicial mindsets ultimately lead to one’s own demise. The movie outlines how racism, among other things, can adversely affect someone’s judgment. After the father died, we see how the family gradually deteriorates financially as well as emotionally after Derek (the older brother played by Edward Norton) turns to a neo Nazi gang for an outlet, which eventually influences his younger brother Danny (played by Edward Furlong) to follow down ...
Imagine a man standing alongside a bridge on a fridget night almost at the brink of death starring in the depths of the glaciated water pondering why he exists. George Bailey. George Bailey is a character in the movie It’s a Wonderful Life and a man who lives in Bedford Falls who impacts his town’s people and the one who almost committed suicide off a bridge into to the glaciated water. He impacts the town by saving Harry, the business, and stopping the poisoned pills. It’s a Wonderful Life displays everyone’s life has purpose through him saving Harry’s life, the business, and stopping the poisoned pills.
Geertz defines religion as ‘(1) a system of symbols which acts to (2) establish powerful, pervasive, and long-lasting moods and motivations in men by (3) formulating conceptions of a general order of existence and (4) clothing these conceptions with such an aura of factuality that (5) the moods and motivations seem uniquely realistic.’ In this essay, I will focus on the Geertz’s idea, and Asad’s subsequent critique, of symbols. (Geertz, Clifford, and Michael Banton. "Religion as a cultural system." (1966).)
As said in the movie, millions of people are viewing The Truman Show. There have been a few close calls to Truman finding out the true nature of his life through bystanders. One evening on the beach, Lauren, the love of his life tried to tell Truman that he was living in a fake world and that everyone he knew was lying to him. She was stopped and taken away too fast for Truman to completely understand what she was trying to tell him. Everyone knew but Truman, therefore making this an example of dramatic irony. The use of this metafictional element gives the audience of the show the power to change Truman’s destiny. All it takes is one person to break character or break onto the set to reveal to Truman the truth. Lauren felt that what Christof was doing to Truman was wrong and Truman had the right to know. This example shows us that one little decision to tell someone something they didn’t previously know, has the power to change someone’s life. Little did Truman know those words were what would someday change his destiny. To conclude, every single one of us has the power to change not only our life but the life of others with the decisions we
The Truman Show takes place on a massive, life-sized stage with Truman Burbank as the protagonist. It is a contrived world where all interactions take place effortlessly from the day he was born to his ultimate realization and escape. In his life, there was no true privacy. Every moment was recorded as a source of reality entertainment for the masses of the outside world, and if anyone from the outside or on the set were to intervene and try to disclose the actual reality of his situation, they were quickly suppressed and/or replaced. This, coupled with many other obstacles, made it very difficult for Truman to break the illusion. Despite the many failures, he eventually came to spot the inconsistences himself (with a little help), leading
There are multiple illuminating incidents In The Truman Show by Peter Weir. The major one is when he snapped and drove out of control with Meryl in the car. This showed that he didn’t care about anything besides proving to Meryl that where he is now is fake, even though she already knew and was acting. He thought