Memoirs of the Liars Club 1. The memoir that I feel most reflects my life is Living in Tongues by Luc Sante. I was raised predominantly speaking another language, Farsi. It is also the language that I mainly speak at home considering my grandmother is visiting and it would be rude for me to speak to my other family members in English. When I first started Kindergarten, I did not know how to speak English, nor did I know how to write in it. I too, felt frustrated and somewhat alienated. I am also interested in American History and the historical sites and attractions within the United States. I cannot get over how large Yellowstone National Park is or how beautiful the streets of New York can get on summer nights. Whenever my parents get mad at me, they speak in Farsi too and sometimes it is hard for me to decipher what they are saying. 2. The memoir that I feel is most difficult to relate to me is Mama's Girl by Veronica Chambers. The author is seems too chaste to be true. I guess in her time, teenage sexuality was nearly accepted as much as it is now. When I was reading this memoir, I felt that some of the comments were somewhat derogatory towards a certain race. I did not appreciate her mentality when she said: "…black women were strong and did not get depressed. Depression was white girls' domain." It is completely inaccurate to say a specific group has certain characteristics. That is stereotyping and was one of the major reasons that I could not relate to this memoir. I guess the main purpose of this memoir was to expose human thought in its confused, distorted state. 3. I felt that The Age of The Literary Memoir Is Now by James Atlas has had an impact on me as a writer because the introducti... ... middle of paper ... ...telligent people in the world who do not make it far in life. While ignorant, immoral people have wealth and security. If I was Mary, I would have told the teacher the kids that are fooling around are distract her from learning. I am sure that the teacher would have done something about the matter. This would have prevented Mary from getting upset. Pages 278-289 Mary says she was a late bloomer. I was the same way. The kids did make fun of me for not being "hard" enough for them. I don't understand why Ben Berdeman apologizes to Mary's dad when he says "cocksucker." That sort of language is common in The Liar's Club. It's a small world out there. I like it when Mary's father helps out Dole and start to talk about where they are from. When I find myself in conversations like that, it truly amazes me how everyone is somehow connected to each other.
In The Ways We Lie, Stephanie Ericsson expresses the inevitability of lying and the way it is casually incorporated into our everyday lives. She personally brings light to all the forms of lying and some that are often not recognized as a lie. Ericsson questions the reasons and validity behind lies by highlighting the effects and consequences.
Judith Viorst is an American journalist. Her essay “The Truth about Lying”, printed in Buscemi and Smith’s 75 Readings: An Anthology. In this essay, Viorst examines social, protective, peace-keeping and trust-keeping lies but doesn’t include lies of influence.
On December 10, 1950, in Stockholm, Sweden, one of the greatest literary minds of the twentieth century, William Faulkner, presented his acceptance speech for the Nobel Prize. If one reads in between the lines of this acceptance speech, they can detect a certain message – more of a cry or plead – aimed directly to adolescent authors and writers, and that message is to be the voice of your own generation; write about things with true importance. This also means that authors should include heart, soul, spirit, and raw, truthful emotion into their writing. “Love and honor and pity and pride and compassion and sacrifice” (Faulkner) should all be frequently embraced – it is the duty of authors to do so. If these young and adolescent authors ignore this message and duty, the already endangered state of literature will continue to diminish until its unfortunate extinction.
Are everyday rituals, such as, facades reflected as to being a lie? Simply preparing for a meeting or interview does not come off as lying, although another type of façade such as when someone asks, “Are you okay,” after a death of someone close to you, in reality it is a form of a lie, because you are not being honest. In Stephanie Erricsson’s article “The Ways We Lie,” she discusses many different types of lying, that most wouldn’t even consider. Ericsson claimed, “But façades can be destructive because they are used to seduce others into an illusion” (409). Depending how a façade is used, the outcome can be beneficial or damaging. There are facades that are used to cover up one’s true feelings, in order to protect an individual and then there is a type in which one puts on a mask to cover up how awful of a person they are. Charity, a former friend, deceived me with the qualities of everything she was not, my mom is a great example of when it comes to hiding when she is saddened. In this article “The Ways We Lie,” Stephanie Ericsson has a great point of view on the destructiveness of facades, although, it can very well be used in a good way just as much as in a bad way, in fact, like my protective mother, using facades for mine and my sisters own good and then a conniving friend using facades in
When I decide to read a memoir, I imagine sitting down to read the story of someone’s life. I in vision myself learning s...
Abcarian, Richard. Literature: the Human Experience : Reading and Writing. : Bedford/Saint Martin's, 2012. Print.
Kennedy, X. J., and Dana Gioia. Literature: ,talk, An Introduction to Fiction, Poetry, Drama, and
The question of what constitutes morality is often asked by philosophers. One might wonder why morality is so important, or why many of us trouble ourselves over determining which actions are moral actions. Mill has given an account of the driving force behind our questionings of morality. He calls this driving force “Conscience,” and from this “mass of feeling which must be broken through in order to do what violates our standard of right,” we have derived our concept of morality (Mill 496). Some people may practice moral thought more often than others, and some people may give no thought to morality at all. However, morality is nevertheless a possibility of human nature, and a very important one. We each have our standards of right and wrong, and through the reasoning of individuals, these standards have helped to govern and shape human interactions to what it is today. No other beings except “rational beings,” as Kant calls us, are able to support this higher capability of reason; therefore, it is important for us to consider cases in which this capability is threatened. Such a case is lying. At first, it seems that lying should not be morally permissible, but the moral theories of Kant and Mill have answered both yes and no on this issue. Furthermore, it is difficult to decide which moral theory provides a better approach to this issue. In this paper, we will first walk through the principles of each moral theory, and then we will consider an example that will explore the strengths and weaknesses of each theory.
In these essays, the authors are telling a story about the characters life. The stories are directed towards the audience to express the kind of pain and suffering the characters went through to learn and apply what they had been yearning for.
“In my estimation a good book first must contain little or no trace of the author unless the author himself is a character. That is, when I read the book I should not feel that someone is telling me the story but t...
...age by Melanie Luken” is influence me in many ways. Author had organized her thoughts logically. Each paragraph has author’s experience and happens in the right time plot; it tights back to thesis of the story. In fact, I am learning to incorporate this type of narrative into my writing as well.
Vogler, Christopher. The Writer’s Journey: Mythic Structure for Writers. 3rd Ed. Studio City: Michael Wiese Productions, 2007.
Dave Eggers’ memoir, A Heartbreaking Work of Staggering Genius, his first book published in 2000, is a tragic satire. The narrator, Eggers, writes about the painful deaths of both his parents, and with that, becoming the caretaker of his youngest brother. Eggers reflects back on his past struggles as a guardian, while also trying to be an independent adult and begin his career as a writer. The dialogue in the book is intensely ridiculous, making it nearly too fictional to be accurate. Eggers himself, questions and satirizes the nature of memoirs by breaking the fourth wall, and mocking readers for believing his story. There is no theme. Eggers craves flat answers. However, because there is no mystery for Eggers to solve, it creates an inner
Works Cited "Argumentum Ad Ignorantiam" Argumentum Ad Ignorantiam - "Ad. Lander, a.k.a. The X-Men. Web. The Web.
The book entitled We were liars, a New York Times bestseller upon publication in 2014 and gained many credentials during its release,written by E. Lockhart or Emily Jenkins in real life. She is also the author of the four books about Ruby Oliver: The Boyfriend List, The Boy Book, The Treasure Map of Boys, and Real Live Boyfriends. She also wrote the following books; Fly on the Wall, Dramarama, and How to Be Bad (the last with Sarah Mlynowski and Lauren Myracle). The novel The Disreputable History of Frankie Landau-Banks was a Michael L. Printz Award Honor Book, a finalist for the National Book Award, and winner of a Cybils Award for Best Young Adult Novel. E. Lockhart, is a feminist, and socially conscious author and has an expertise in making