Chandru Sundarrajan
Professor Schoolfield
English 1325.008
31 March 2015
Summary
Mellor, Anne K. “Possessing Nature: The Female in Frankenstein.” Romanticism and
Feminism. Ed. Anne K. Mellor. Bloomington: Indiana UP, 1988. 220-32. Rpt. in Frankenstein. Ed. J. Paul Hunter. Norton Critical Edition. New York: Norton, 1996. 274-86.
Mary Shelley’s Frankenstein is set in a patriarchal nineteenth century society where men take up significant occupations outside the home and women are often limited to the household. In Anne K. Mellor’s essay “Possessing Nature: The Female in Frankenstein,” the writer explores the gender divide in Frankenstein and depicts the injustices towards the women in society. Mellor ultimately portrays Frankenstein as a feminist
…show more content…
novel by pointing at Victor Frankenstein’s downfall and emphasizing the importance of women. Mellor first hints that Frankenstein is a feminist novel when she mentions that Mary Shelley was “doubtless[ly] inspired by her mother’s A Vindication of the Rights of Woman,” [which] specifically portrays the consequences of a social construction of gender that values the male above the female” (Mellor 274). She then provides a brief background of Victor Frankenstein’s society, which has a strong division of gender roles. Mellor then jumps into the novel and provides many examples to support her claim by listing all the men and women in the novel along with their respective societal roles. She makes the key point that the sexual division of labor separates intellectual activity from emotional activity, and that this segregation leads to Victor Frankenstein’s downfall. Mellor discusses the significance of the De Lacey family and explains its role as a counterargument.
The family is marked by “justice, equality, and mutual affection” (277), and each of their names is symbolic as well: Felix is happiness, Agatha is goodness, and Safie is wisdom. Mellor asserts that the coexistence of happiness, goodness, and wisdom contradicts the separation of emotion and intellect present in society at the time. Felix, for example, rescues Safie from imprisonment. As a result, the family is very closely knit. However, despite the family being strongly knit, they all reject the creature and flee in its presence. Mellor notes that this flaw in their character may be due to the lack of a mother figure in their …show more content…
family. Mellor carries out an in depth analysis of the reasons Victor Frankenstein refuses to create the female creature.
She provides several distinct reasons for his fear to do so. First of all, Mellor articulates that Victor is afraid that the female creature will be independent and cannot be controlled by her male counterpart. She then states that Victor believes that a female creation would be sadistic, “ten thousand times” (279) more evil, and more ugly than the male creature. Lastly, Mellor states that Victor believes the female will create more monsters and possibly be so strong that she may forcefully mate with even normal humans. Mellor asserts that Victor’s demolishment of the female creature is a symbol of male domination of women and that it is analogous to a “violent rape”
(279). Mellor identifies nature as a feminine entity in the first line of the essay, and later argues that “Victor Frankenstein is engaged upon a rape of nature” (281) and that this injustice towards nature ultimately leads to his downfall. She capitalizes the word “nature” in the essay to identify nature as an all-encompassing force. She then describes Victor’s attempted dominance over Nature and the resulting consequences. Mellor contends that nature takes revenge on Victor because of his assumption that Nature is a passive female figure and his thoughts that he could shamelessly conquer Nature. Mellor attributes Victor’s declining physical and mental health as well as the deaths of his family members to the punishment of Nature. To solidify her assertion that Nature is indeed the force acting against Victor, she cites several examples in which natural forces such as “fierce winds” (283), “thick mists” (283), and “high waves” (283) taunt him before his encounters with his creature. Mellor drives the point that “nature nurtures those who cultivate her” (282) and those who do not face consequences. Mellor also discusses the similarity between the scene of Elizabeth Lavenza’s death and Henry Fuseli’s famous painting, The Nightmare. Mellor describes female sexuality as Victor’s main fear and explains that he is most attracted to Elizabeth when she is dead, suggesting necrophilia. She also discusses hints of Victor’s homosexuality noted in his interactions with Clerval and with his creature. These depictions of Victor Frankenstein present his ideology that females are not necessary. Injustice toward females by Victor Frankenstein is prevalent in the novel, and it reflects the ideology of nineteenth century Genevese society. Anne K. Mellor explores these injustices in society and puts emphasis on the actions of Victor Frankenstein. By connecting Victor’s actions and beliefs to his ultimate downfall, and by emphasizing the importance of a mother figure, Mellor depicts Frankenstein as a feminist novel.
Mary Shelley’s novel entitled Frankenstein demonstrates women of the Romantic Era as powerless citizens of society. Throughout the novel, the women are secondary characters and are portrayed through the men’s perspective. Therefore, many would think that these female characters are passive and dependant as they are often described as companions and nurturers. Despite the unequal rights of women, Shelley, one of the earliest feminist, has developed female characters who show agency. This trait of taking charge of one 's course of life is reflected through Justine Moritz as she is willing to die for her beliefs, in Safie who defies her father’s and religious wishes and when Victor Frankenstein decides to abort
Mary Shelley’s novel, Frankenstein, has captured people’s attention since it was first written. People often wonder how much of Mary Shelley’s life is documented in her novel. From the theme of parental abandonment, to the theme of life and death in the novel, literary scholars have been able to find similarities between Frankenstein and Shelley’s life. The Journal of Religion and Health, the Journal of Analytical Psychology, and the Modern Psychoanalysis discuss the different connections between Shelley’s life and Frankenstein. Badalamenti, the author of “ Why did Mary Shelley Write Frankenstein?” in the Journal of Religion and Health, primarily discusses the connection between Victor
Since his article, “Allure, Authority and Psychoanalysis” discusses the meaning behind everything that happens in Mary Shelley’s “Frankenstein” we can also examine “The Ones Who Walk Away from Omelas” in the same manner. “Allure, Authority, and Psychoanalysis” discusses the unconscious wishes, effects, conflicts, anxieties, and fantasies within “Frankenstein.” The absence of strong female characters in “Frankenstein” suggests the idea of Victor’s desire to create life without the female. This desire possibly stems from Victor’s attempt to compensate for the lack of a penis or, similarly, from the fear of female sexuality. Victor’s strong desire for maternal love is transferred to Elizabeth, the orphan taken into the Frankenstein family.
Mary Shelley depicts the Romantic ideal of inferiority of women in Frankenstein. These ethics can be compared and contrasted with values of today’s society. Shelley had all male narrators to accentuate the belief of male superiority. The female orphans of the story portray the assumption that women are helpless and the lack of letters from Margaret emphasizes the essential worthlessness of a woman’s opinions. Finally, the female presence in the workforce contradicts Romantic ideals, however housewives and male proposals parallel the ideals Shelley uses in Frankenstein. The Romantic ideals that women are secondary to men are expressed throughout Frankenstein as well as in Romantic times and today.
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
Frankenstein “supports a patriarchal denial of the value of women and of female sexuality” (Mellor, 356). Mellor’s point is significant here because a woman was devalued if she was not able to produce children or if she showed signs of independence. Mary Shelley’s own mother, Mary Wollstonecraft, defied gender roles and strongly advocated for the freedoms of women. This influence shines through Shelley’s novel as the deaths of the women
...nd the images of Robert Walton, Victor Frankenstein, and the fiend supplement each other. If we take one of them away, Frankenstein's plot will be different. Mary Wollstonecraft Shelley uses the same methods to create the male and female characters, and makes women even more positive, selfless, and purer, than men. The presence of women adds romanticism to the novel, without which Frankenstein loses its spirit. Mrs. Margaret Saville, Elizabeth Lavenza, and Justin Moritz act independently, and in the most difficult moments of their lives they encourage the men, and take care of them forgetting about themselves. So, both the female and the male characters in Frankenstein are important, and we cannot manage without them. The only question about the position of women in the novel remains open: if the author of Frankenstein were a man, would the fiend become a woman?
The Strange Case of Dr. Jekyll and Mr. Hyde could be compared to Mary Shelley’s Frankenstein because they both characterize their women characters as passive, disposable and useless. Although Frankenstein was written many years earlier, both texts deal with many of the s...
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
Yousef, Nancy. "The monster in a dark room: Frankenstein, feminism, and philosophy." Modern Language Quarterly 63.2 (2002): 197+. Literature Resource Center. Web. 24 Jan. 2012
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
Many people know that Mary Shelley, the author of Frankenstein, was part of a family of famed Romantic era writers. Her mother, Mary Wollstonecraft, was one of the first leaders of the feminist movement, her father, William Godwin, was a famous social philosopher, and her husband, Percy Shelley, was one of the leading Romantic poets of the time ("Frankenstein: Mary Shelley Biography."). What most people do not know, however, is that Mary Shelley dealt with issues of abandonment her whole life and fear of giving birth (Duncan, Greg. "Frankenstein: The Historical Context."). When she wrote Frankenstein, she revealed her hidden fears and desires through the story of Victor Frankenstein’s creation, putting him symbolically in her place (Murfin, Ross. "Psychoanalytic Criticism and Frankenstein.”). Her purpose, though possibly unconsciously, in writing the novel was to resolve both her feelings of abandonment by her parents, and fears of her own childbirth.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.