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Theme essay for dr jekyll and mr hyde
Theme essay for dr jekyll and mr hyde
Literary analysis of the strange case of dr jekyll and mr hyde
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This paper highlights several problems that emerge during the Victorian age, a time of many changes and difficulties in England. During the Industrial Revolution, living conditions changed dramatically; as a result the economy to change from agricultural to industrial. The Victorian Era was also marked by immense progress and tremendous achievement. New values were placed on religion and faith in a society that was unrealistic for women. Robert Stevenson’s novel, The Strange Case of Dr. Jekyll and Mr. Hyde is being told through a third party, Mr. Utterson, who is the lawyer for Dr. Jekyll. There are no major female characters in this story. While women struggled for liberation from a male dominated society, Victorian men felt threatened by the feminist who sought personal liberties. Stevenson’s novel was influenced by Mary Shelley’s Frankenstein (1818) and Stevenson pays homage to her at various points in his novel. Mr. Hyde’s rebellious nature threatened the balance of equality in English society. The escalation of horror in The Strange case of Dr. Jekyll and Mr. Hyde, Mr. Hyde depends on the oppression of women. The more oppressed women became, the more horror the characters experienced. In Robert Stevenson’s novel, The Strange Case of Dr. Jekyll and Mr. Hyde, he channels Mary Shelley’s Frankenstein, by leaving the voice of a woman character absent which alienates femininity, showing hypocrisy through the male characters and the influence of purity and sinful. The Strange Case of Dr. Jekyll and Mr. Hyde could be compared to Mary Shelley’s Frankenstein because they both characterize their women characters as passive, disposable and useless. Although Frankenstein was written many years earlier, both texts deal with many of the s... ... middle of paper ... ...nd Mr. Hyde2003: n. pag. Print. Glenn, Myra C. Campaigns against Corporal Punishment: Prisoners, Sailors, Women, and Children in Antebellum America. Albany: State University of New York Press, 1984. Print. Hammerton, A J. Cruelty and Companionship: Conflict in Nineteenth-Century Married Life. London: Routledge, 1992. Print. Shelley, Mary Wollstonecraft. Frankenstein; or, The Modern Prometheus. Ed. and intro. M.K. Joseph. Oxford: Oxford UP, 1969 Smith, Johanna M. ""Cooped Up: Feminine Domesticity in Frankenstein""Frankenstein. 2nd ed. Boston: Bedford/St. Martin's, 2000. N. pag. Print. Case Studies in Contemporary Criticism. Stevenson, Robert “The Strange Case of Dr. Jekyll and Mr. Hyde,” The Norton Anthology English Literature. 9th ed. Veeder, William, & Gordon Hirsch. (1988). Dr. Jekyll and Mr. Hyde After One Hundred Years. Chicago: Chicago UP.
Robert, Stevenson L. The Strange Case of Dr. Jekyll and Mr. Hyde. New York: Dover Publications, 2013. Print.
In the novel “The strange case of Dr. Jekyll and Mr. Hyde” a number of
Works Cited for: Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. a. a. a. a. a J. Paul Hunter. New York: W. W. Norton, 1996.
In conclusion, Dr. Jekyll and Mr. Hyde, represents many themes of duality in human nature. This is represented by the characters of Henry Jekyll, Edward Hyde, Hastie Lanyon, and John Utterson. Some themes represented are the duality in conforming to societal conventions, curiosity, and temptation. Stevenson utilizes significant events including the deaths of Lanyon and Jekyll, and the transformations of Jekyll into Hyde to prove “that man is not truly one, but two” (125)
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment.
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel.
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix. The three points that contribute greatly to the passive role of women are the lower of rank women in society compared to men, women being seen as possessions for men to protect, and women admired for their superficial beauty.
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society. In this novel, many female characters are considered to be possessions. In fact, they are considered to be the servants of men. “I have a pretty present for my Victor—tomorrow he shall have it.” (Mary Shelly, Pg. 70)
Throughout history, many historical philosophers have contributed as to how the human mind has two sides. Human beings tend to have good and evil within them, the duality of right and wrong, bliss and distress. There is always an impulse to act against society in terms of violence and the laws, although this varies depending on the individual. In the novella “ The Strange Case of Dr. Jekyll and Mr. Hyde” Robert Louis Stevenson introduces a foil interconnection between moral choice and behavior through Jekyll and Hyde. However, ironically set in the Victorian era, a time when peace and prosperity took place.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Mary Shelley’s magnificent minor character Justine endures a horrendous death and maintains courage and grace when faced with a daunting trial. The powerful description of this strong young woman magnifies the gross wrongdoings of Victor Frankenstein and belittles his masculinity as he is seen as weak in comparison. Frankenstein is incapable of possessing the qualities inherent to Justine thus supporting the idea of womanly might as a formidable force.Through the representation of Justine’s intense, unwavering courage during her trial and Frankenstein’s absence of masculine bravery and justice, one can see that Shelley’s minor character is an affirmation of the undeniable strength of women.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).