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Character of media in media
Character of media in media
Critique of media
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The Greek ideology saw the depiction of otherness in Medea’s convoluted and outlandish character as a threat. Medea’s foreign and suspicious individuality is accentuated from the beginning in the nurse’s opening lines, “Where, coming as an exile, she has earned/The citizens’ welcome;”. The Greeks viewed Medea’s otherness as the the exotic, the mysterious and the feared. This was due to their bigoted scrutiny of the incertitude foreigners may bring, therefore challenging their ‘rational’ system. Only an insider could be a civilian of Greece, thus, the foundation of identity, ontologically assuming the outsider, was essentially premised on ethnicity.
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
Eupriedes, Medea and Sappho’s writing focus on women to expose the relationships between a variety of themes and the general ideal that women are property. The main characters in both pieces of literature demonstrate similar situations where love and sex result in a serious troll. These themes affected their relationship with themselves and others, as well as, incapability to make decisions which even today in society still affects humans. Headstrong actions made on their conquest for everlasting love connects to sacrifices they made to achieve their goal which ultimately ended in pain. Love and sex interferes with development of human emotions and character throughout the course
To begin comparing Euripides Medea and Ovid’s Metamorphoses Book 7, we need to look at three components: context, characters, and themes. Both Euripides and Ovid tell the story of Jason abandoning Medea for another woman; however, they do not always share a perspective on the female protagonist’s traits, behavior, and purpose. Euripides portrays a woman who reacts to discrimination by beginning a battle to gain revenge all who harmed her, which she is prepared to follow through with even if it means resorting to the most despicable methods. Ovid, on the other hand, tells of a much less severe figure whose modest goal is only to persuade Jason to return. Despite these written differences, both of their Medea’s create trouble by acting with emotions instead of with reason, and as a result, put themselves in undesirable situations. Euripides and Ovid present two different sets of motivations for Medea's behavior wh...
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
Her courageous, outgoing and barbaric attitude can lead the audience to depict Medea as an outsider, who challenges societies beliefs. Key characteristics of an outsider entail; not blending in, in any situations, not conforming to conventional beliefs and withdrawn from social activities. Coincidentally these are also the characteristics Medea encompasses and evokes throughout the play. By her bold display of these traits, her foreignness is heightened and becomes a key theme in the play.
Medea is the tale of a forbidden love that ends in dismay. Euripides, who was a playwright born in 485 BC in ancient Greece wrote this aforementioned play, which was one of the greatest tragedies of all time. Medea tells the story of a barbarian princess who travels to Greece with her true love, Jason. When they arrive in Athens Medea sickeningly tricks Jason’s political rival Pelias own children into brutally killing him. The people in Athens are unaccustomed to her vicious ways, and are astonished at her behavior in civilization. This causes Jason to deeply worry about his political career. He then leaves Medea for the princess of Corinth. Out of rage and spite for Jason Medea kills the king, the princess, and her own two sons. She then flees to her good friend Aegean’s kingdom for safe haven. Every one of the conflicts through this catastrophic novel helps to enhance each characters personality. The tale of Medea and its characters are changed and shaped through the themes of love, betrayal, and revenge.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
The two contemporary productions of Medea were selected for this essay in an effort to contrast the ancient Greek version of the play with two modernized versions, which would demonstrate a wide distinction between the styles of production. Furthermore, both modernized versions of the play add their own innovation to the production, making for an even broader dissimilarity among the plays. Moreover, both recent productions are fashioned within cultures which have borrowed their political, social, and moral ways of life from Ancient Greek society, specifically, South Africa¹ (British Colonies), and The United States².
Throughout a person’s life, one goes through the process of rebellion. In the play Medea, a work in translation by Euripides, mythology is symbolic of rebellion. This statement will be proven through the analysis of mythology as fully symbolic of suppression. It will also be proven through an analysis of the world around the character Medea and analysis of Medea’s actions.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Culture creates difference in gender through social issues such as marriage, education, childbearing and employment. Women in many of today’s cultures are represented by the roles they choose rather than have imposed on them, although sexism is an ongoing issue presented in everyday life. Medea has little choice on her represented role due to society in that period of time. She uses her manipulative ability and cleverness to get what she wants. Her life is made difficult due to society’s restrictions and is stereotyped into many things in which she is not. This clearly shows that women’s lives are represented by the roles they either choose regarding social restrictions or the roles they have imposed on them.
These focus elements, of pity and fear are essentially what formulate the action within Medea, and in turn, reflect upon the characters creating a relevance to the audience, and the cathartic response for which Aristotle was so passionate. A key point within the text of Medea, which represents the perpetuation of these emotive elements, is when she is informed by Kreon, [Lord of Corinth] that she is to be exiled, as the following excerpt details.
Medea, granddaughter of the sun god Helias, is originally from Colchis, an island located in the Black Sea, which is where the Greeks consider to be the edge of the earth, a landmark where barbarians live. Medea, a barbarian witch and princess of Colchis, unconsciously fell in love with Jason, a man who had traveled to Colchis to secure the Golden Fleece that Medea’s father, King Aeetes, lord of Colchis, kept safe and under guard. King Aeetes set up multiple traps to protect the Golden Fleece which made it nearly impossible to obtain it. Medea assisted Jason by helping him overcome these obstacles and Medea alone murdered the giant serpent that guarded the Fleece. Medea fell deeply in love with Jason that she would do anything in her power to stay with him and keep him safe. Her viscous and uncontrolled emotions lead Medea into disaster.
Lawall, Sarah N. “Medea.” The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 690-720. Print.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...