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Essay about Maus by Spiegelman
Essay about Maus by Spiegelman
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Maus Text Response Essay Samara Sewak 9E4
Art Spiegelman’s graphic novel, Maus, includes several features that provide us with an insight into Vladek’s story of survival as well as the difficult and often conflicting relationship between Art and his father. Visual imagery is a powerful device that allows us to see and decipher people's emotions and body language. Written text is another strong feature that allows us to understand what and how something is being said and provides us with a deeper understanding of what is happening. The shifting between the past and present allows us to compare how Vladek acted during the Holocaust to after. Many of Vladek’s traits crucial for survival during the Holocaust became an annoyance in his old
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age. This affected his relationships with those close to him. The use of animalisation is a very intelligent way that Spiegelman helped to convey the different groups of people. It provides us with an insight into the hierarchy during this time in history. The visual imagery in Maus helps to provide us with an insight into Vladek’s story of survival by allowing us to see his and other character’s reactions to significant events in the novel.
An example of this was when Vladek, Polish and the Jew passengers saw a swastika flag from the window of a train. We can see their different reactions to the same image and this provides us with an understanding of how they are feeling. The use of visual imagery also provides us with an insight into Vladek and Art’s relationship. From the visual imagery, we can see how Vladek and Art treat each other. For example, when Vladek’s favourite plate is broken after it has been dropped, Vladek is initially angry at Art. A while later, when Vladek and Art are talking about something else, we can still see the frown on Vladek’s face. Although Vladek doesn’t say anything, we know he is still bitter about the broken plate. This shown from the deep frown on his face. Art, is obviously annoyed by the way Vladek is acting, as the broken plate wasn’t his fault. Vladek carries out his anger on Art, and this works to create a conflicting relationship between them. The use of visual imagery adds an extra dimension to the story and shows us information that would not otherwise be conveyed through, such as the body language of the characters and their reactions to certain events in the …show more content…
story. Written text allows is a device used that shows us what is being and also the way in which it is said. This is by things such as the font size and density of the shading of the written words. These provide us with an insight into Vladek’s story of survival as well as his relationship with Art, which is initially conflicting and fighting but changes throughout the novel as Art learns more about his father and why he acts the way he does. An example of how written text provides us with an insight into Vladek’s story of survival during the Holocaust was when Vladek was in the concentration camp and the Polish Kapo was speaking to the Jews. The Kapo was shouting angrily at the Jews. This is shown by the large, bold text in the jagged speech bubble coming from his mouth. The bold text and jagged speech bubble indicates that the Kapo was shouting angrily. This helps to let us hear what is being said and how it was said as Vladek heard it. The written text helps us to better understand what Vladek and the other Jews were hearing and therefore provides us with a better insight into Vladek’s story and what happened to him. Similary, the way Vladek and Art talk to each other is displayed in the written text of the novel. When Vladek or Art emphasises words, such as when Art is asking Vladek if they can go and look for Anja’s diaries and Vladek replies “No… I looked already”, an emphasis is placed on the word looked, which indicates that Vladek is getting annoyed with Art repeating the same question. The emphasis on certain words and phrases provide us with an insight into the way Vladek and Art talk to each other, and their tone of voice which is often annoyed, and this gives us an idea of what their relationship is like. The use of written text allows to see what, and how a certain word or phrase is being said with the font size, boldness and shading of words. The shifting of timelines in Maus, is a feauture that helps us to understand the horrible things that Vladek and so many other Jews experienced during the Holocaust.
The shift between the past and present also allows us to compare how Vladek acted during the Holocaust and developed traits such as not throwing anything away and how these things became his weaknesses in this old age as he was considered miserly. The way Vladek’s strengths as a young man became his weaknesses as an old man is clearly displayed through the shifting timelines. The way Vladek survived the holocaust was from being resourceful and not wasting anything, especially food. This was shown more than one time, including when Art was over at Vladek’s place and Vladek was obsessed with Art finishing everything on his plate, as he knew what it felt like to be extremely hungry and did not like the idea of food being wasted. This trait, although extremely useful during the holocaust had become a weakness for Vladek as an old man as his obsession with not wasting anything annoyed everyone, particularly those close to him such as Mala and Art. It affected his relationship with Art and often resulted in conflicts. This is clearly displayed through the shift between past and
present. The use of animalisation provides an insight into the hierarchy that existed at this time in history, while also helping us to distinguish between the different groups of people. The use of animalisation shows us who is who. Jews are portrayed as mice, while the Nazis are portrayed as cats. The mouse symbolises that Jews were viewed as vermin, only around to be exterminated. The Nazis, displayed as cats, is a metaphor for the relationship between the Nazis and Jews. The Nazis are much more powerful than the Jews and toy with the Jews before killing them, just as cats do before they kill mice. Another thing that animalisation allows to understand is how different groups of people each other. It also reminds us that human behaviour often mirrors that of the basic animal hierarchy. The use of animalisation helps us to understand Vladek’s story of survival by clearly outlining who is who and how they are viewed in society, if they are at the top of the food chain or at the bottom. The graphic novel, Maus, has many features that provide us with an insight into Vladek’s story of survival during the holocaust as well as the father and son relationship between Vladek and Art. Visual imagery shows us another level of the story, and provides us with an insight into how the characters react to certain events in the novel. Written text helps us to hear the tone of voice being used by characters from the font size, boldness and shading of certain words. The shift between the past and present is a feature that helps us to understand the horrible things that Vladek and so many other Jews experienced during the Holocaust while also allowing us to compare how Vladek acted during the Holocaust compared to after. His developed traits such as not throwing anything away during the holocaust and these things became his weaknesses in this old age as he was considered miserly, and an annoyance to Art as well as others, and this affected his relationships. The use of animalisation provides with an understanding of Vladek’s story of survival by showing which group was where in the hierarchy of at this time. These features all show us an extra part of the story that is not included in a classic novel.
During 1925, Mein Kampf was published by the Nazi Leader Adolf Hitler. In this autobiography, where Nazi racist ideas originated, he depicted his struggle with the Jews in Germany. These ideas sparked World War 2 and the Genocide of the Jews. The tragedy of the Holocaust inspired authors, such as Art Spiegelman who produced a Graphic novel, where both the text and images helped him convey his own ideas and messages. In fact, Art Spiegelman’s graphic novel Maus is an effective medium for telling a Holocaust narrative and specifically his father’s story of survival. Through this medium, he is able to captivate the readers while providing interesting insight into the tragedy of the Holocaust by using the symbols of animals, the contrast between realism and cartoon imagery and the various basic elements of a graphic novel.
“ The horizon was the color of milk. Cold and fresh. Poured out among the bodies” (Zusak 175). The device is used in the evidence of the quote by using descriptives words that create a mental image. The text gives the reader that opportunity to use their senses when reading the story. “Somehow, between the sadness and loss, Max Vandenburg, who was now a teenager with hard hands, blackened eyes, and a sore tooth, was also a little disappointed” (Zusak 188). This quote demonstrates how the author uses descriptive words to create a mental image which gives the text more of an appeal to the reader's sense such as vision. “She could see his face now, in the tired light. His mouth was open and his skin was the color of eggshells. Whisker coated his jaw and chin, and his ears were hard and flat. He had a small but misshapen nose” (Zusak 201). The quotes allows the reader to visualize what the characters facial features looked like through the use of descriptive words. Imagery helps bring the story to life and to make the text more exciting. The reader's senses can be used to determine the observations that the author is making about its characters. The literary device changes the text by letting the reader interact with the text by using their observation skills. The author is using imagery by creating images that engages the reader to know exactly what's going on in the story which allows them to
Art Spiegelman's Maus II is a book that tells more than the story of one family's struggle to live thought the Holocaust. It gives us a look into the psyche of a survivor's child and how the Holocaust affected him and many other generations of people who were never there at all. Maus II gives the reader a peek into the psyche of Art Spiegelman and the affects of having two parents that survived the Holocaust had on him. Spiegelman demonstrates the affects of being a survivor's child in many ways throughout the book. Examining some of these will give us a better understanding of what it was like to be a part of the Holocaust.
Vladek’s controlling ways leads him to invent a life that he never had. Vladek wields his reality by reinventing his past life. When Vladek tells Art about his marriage to Anja, he portrays his marriage like a fairy tale. Vladek says, “We were both very happy, and lived happy, happy ever after” (Spiegelman 2:136). He reinvents his past life after the end of the Holocaust as free of woe. Correspondingly, he loses himself...
His flaws were deep but they were allowed him to survive as long as he did. Perhaps that is why, in his old age, Vladek tells his story to Art. It is a method for Vladek to continue his struggle for life, despite his physical and psychological frailty and is a way to pass on to his son hope and that there is much to gain simply from the struggle for life. Janet Jacobs covers this in her article by noting that “In one case, memories were explicitly communicated through modes of storytelling that placed a great deal of significance both on the events of the past and on the traumatizing experiences of the survivor parent who took great pains to inform the child of the actual experiences through which she and others had lived.”(32). Throughout Vladek’s tale, he subconsciously shows all of these traits, and as he explains his tale, the source of each one becomes more prominent to the reader. Furthermore the anxiety to always keep everything neat and tidy is another value which was permanently instilled into Vladek due to the Gestapo using any excuse to push their hatred on the Jews. All throughout the novel, whenever Art would spill ashes or mess up a book or anything Vladek would order the immediate cleaning of the area. Mala even commented on the trait, complaining how Vladek forced her to always clean
The Maus series of books tell a very powerful story about one man’s experience in the Holocaust. They do not tell the story in the conventional novel fashion. Instead, the books take on an approach that uses comic windows as a method of conveying the story. One of the most controversial aspects of this method was the use of animals to portray different races of people. The use of animals as human races shows the reader the ideas of the Holocaust a lot more forcefully than simply using humans as the characters.
The comic implies that surviving the holocaust affects Vladek’s life and wrecks his relationship with his son and his wife. In some parts of the story, Vladek rides a stationary bike while narrating his story (I, 81, panel 7-9). Given the fact that it is a stationary bike, it stays immobile: no matter how hard Vladek pedals, he cannot move forward. The immobility of the bike symbolizes how survivor’s guilt will never let him escape his past. Vladek can never really move past the holocaust: he cannot even fall asleep without shouting from the nightmares (II, 74, panel 4-5). Moreover, throughout the story, the two narrators depict Vladek before, during and after the war. Before the war, Vladek is characterized as a pragmatic and resourceful man. He is resourceful as he is able to continue his black business and make money even under the strengthened control of the Nazi right before the war (I, 77 panel 1-7). However, after surviving the holocaust, Vladek feels an obligation to prove to himself and to others that his survival was not simply by mere luck, but because h...
old age are casued from the painful memories of the Holocaust. Vladek's experiences during the war
In Art Spiegelman’s Maus, the audience is led through a very emotional story of a Holocaust survivor’s life and the present day consequences that the event has placed on his relationship with the author, who is his son, and his wife. Throughout this novel, the audience constantly is reminded of how horrific the Holocaust was to the Jewish people. Nevertheless, the novel finds very effective ways to insert forms of humor in the inner story and outer story of Maus. Although the Holocaust has a heart wrenching effect on the novel as a whole, the effective use of humor allows for the story to become slightly less severe and a more tolerable read.
The format of "Maus" is an effective way of telling a Holocaust narrative because it gives Art Spiegelman the chance to expresses his father 's story without disrespecting him at the same
The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.
Vladek lived a normal life before the war, got married to Anja a daughter of a millionaire. He also got Richieu his first son. They all lived a happy life for awhile until the Swastika was raised as an emblem of the German Nazi party. That’s when the fairytale ended. Vladek went to the army and got captured by the Nazi. Back to luckiness, he could easily died at the P.O.W camp, disease, hunger or even get beat up by the Nazi. On page 48, the bullets came in his direction, the bullet ricochet on his helmet, he could have died if the soldier aim better or if he didn’t have the helmet, he could have easily been dead. Being resourceful also helped him in the war. On page 53, he bathed in the river in the winter, unlike his soldier mates, he didn’t get infection on his frostbites.
The writer uses imagery, because he wants to let the readers into his mind. By describing the scene for the readers, makes the readers fell like they were there. Therefore, it gives us a better ability to emphasize with him.
Using lines and basic shapes to emphasize shading and detail and then teamed with such a complex theme, Art’s story and graphics join together in a complimentary marriage. With the nearly childlike drawings and the intense mature storyline, there is a message that this is being written by the child telling the story of the parent. The story emphasizes his father’s inability to grow and repair from his past but even without the words you can almost see that Art has never truly be able to move past his the trauma of growing up with his parents. Using his frustrations and the need to explore the history of his father’s idiosyncrasies, Art creates a poignant story not only about the tragedy of the holocaust, but of the realities of being a child growing up with survivor parents.
The use of multiple images to propel a narrative allows the audience to learn something through the characters that are there. Bloomer (1990)’s study on visual perception also draws upon Newton (1998)’s concern, as he explores the multiple perspectives and views of the event. By using a series of images, the characters mood and tone can be established throughout different elements of what we see. This may be the people, the place itself or the items within the place. By having a narrative of photographs, the audience has an even deeper understanding of the reality of that moment or event as they see more than just the ‘big picture’ as