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The tempest theme of power and authority
Power and authority in the tempest essay
Power and authority in the tempest essay
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The relationship between master and slave is embraced by Shakespeare in his play The Tempest. Conflicts and complexities of authority are portrayed by the characters Prospero and Caliban. As one gains power, the other loses it. In the play, Prospero rises to power, while Caliban loses it. The legitimacy of Prospero’s authority over Caliban is, however, questionable. What gives Prospero the power over Caliban? What are the reasons that Caliban should obey his masters’ orders? These questions can be answered through investigating the possession of the island, the justice of punishing Caliban, and Prospero’s right to use or abuse his power.
One of the reasons for Caliban’s defiance towards Prospero is the fact that he believes the island that they are on to be his, but to have been stolen by Prospero. “This island’s mine by Sycorax my mother, / Which thou tak’st from me'; (1.2.331). Caliban feels as though he has been taken advantage of. When Prospero first comes to the island, he is kind to Caliban, and in return, Caliban shows him the secrets of the island.
“When thou cam’st first,
Thou strok’st me and made much of me; wouldst give me
Water with berries in’t, and teach me how
To name the bigger light and how the less,
That burn by day and night; and then I loved thee,
And showed thee all the qualities o’th’ isle,
The fresh springs, brine pits, barren place and fertile';
(1.2.332-8)
This is Prospero’s ploy to use Caliban to learn the secrets of the island. Once he knows all the qualities of the island, he no longer needs Caliban’s knowledge and thus enslaves him and uses him as free labor. Caliban despises Prospero and Miranda’s efforts to educate him and to help him. To him, they are all part of the deception. Prospero believes otherwise and feels as though Caliban owes him for his generosity.
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...enseless Caliban. He is able to enslave Caliban because he cannot fight back. Caliban obeys not out of choice but out of fear. Prospero usurps his power from Caliban and abuses it.
Many conflicts of authority are present when there is a master and slave relationship. The Tempest by Shakespeare illustrates a master/slave relationship between Prospero and Caliban in which power and authority is fought over. Prospero is the master and Caliban is the slave. These positions are not the results of chance but rather a result of force. Prospero robs Caliban’s island and claims it to be his own. He then robs his freedom and forces him to serve him. His justification for doing so, is that Caliban attempts to rape his daughter and that he should pay penance for it; however, his punishment is not legitimate because it is for selfish reasons not for justice. And the only reason that Prospero has any control over Caliban is through his supernatural powers which he abuses. Prospero the master enslaves the helpless Caliban and deprives him of his freedom and according to the Jesuit Father, Anotonio Vieira, Prospero should be “condemned to hell.';
Almost 24 years ago, Chris McCandless died in unfortunate circumstances. When the news was released that a young man in his early twenties was found dead in the wilderness many people speculated that it was just another hopeless hitchhiker. However this story took a three hundred sixty turn when author Jon Krakauer wrote a lengthy article on McCandless 's death. When the book was later published, the public response was incredible. Even though this happened about 24 years ago Chris McCandless 's death is still argued and discussed today. The events and circumstances leading up to Chris McCandless’s death are what seem to frustrate many readers. As stated in many articles, books, and blogs Chris McCandless died in April 1992 all by himself in
A young man, in his twenties, sets off into the wild completely disregarding his family and his past life and takes on a whole new personality. This perfectly explains Chris McCandless and the journey that he initially set out on. He was a young man seeking self-acceptance and peace, and he looked for it in all of the different places that he visited. Visiting these places made Chis more and more hungry for a challenge. He planned on leaving the comfort of a home and setting out into the Alaskan wilderness, where he would eventually die. Many wonder what lead McCandless to his death and there are many different theories. Chris McCandless was motivated by guilt to go to Alaska, and although he died of starvation, his father’s abusive nature
Even Miranda, Prospero’s daughter, speaks in a way that categorizes Caliban as an uneducated and uncivilized savage. “I pitied thee, Took pains to make thee speak, taught thee each hour […] When thou didst not, savage, know thine own meaning […]” (1.2.356-359) Miranda doesn’t stop there; she continues labeling Caliban, “But thy vile race, though thou didst learn, had that in’t which good natures could not abide to be with; therefore wast though deservedly confined into this rock […]” (1.2.361-364). Exactly this kind of discourse turns Caliban into a subject. If Caliban had not been alone on the island, then Prospero and Miranda would have categorized a whole group of human beings rather than just one.
Chris McCandless was a young man who attempted to escape the firm grasp of society, and to do so he embarked on unaccompanied hike into the Alaskan wilderness. In the novel Into the Wild written by Jon Krakauer, the author narrates Chris’s excursion into solitude, and the effects of his actions. Chris McCandless is mostly responsible for his death in the Alaskan wilderness.
...ith humane care, and lodged their in mine own cell, till thou did’st seek to violate the honour of my child”(Act I, Scene II, 343-348). Prospero believed that Caliban had this coming to him, and should he had been a vengeful man could have killed him. From these examples we see that Prospero perceives his power over all since he had spared them from horrible existences and given then a taste of the civilized world. Lastly, Prospero believed so deeply that since he was the first noble to set foot on the island that it was his right to claim it as his own. For before him this isle was nothing till he brought his language, education, and culture to it.
Caliban, immediately introduced as "poisonous slave," "savage," "hag-seed," is a character often likened to the African- American slave. The ease and matter-of-factness with which Prospero and Miranda dismiss him is painfully obvious even before he enters the scene (Act 1, Scene 3). Through no fault of his own, Caliban is dehumanized by the authority of his day and dismissed by the important members of his society. He looks much different from the others on the island, so he is not seen as a true human being; in fact, his only redemption lies in the fact that he is able to learn the language in order to serve the master.
Until Prospero arrived on the island, Caliban was his own king. The island was left to him by his mother, Sycorax. Nevertheless, Prospero took charge of the isle and eventually enslaved Caliban. "…Thou strok’st me…I loved thee…" is part of a quote that illustrates Caliban’s relationship with Prospero before he was his slave. Prospero comforted Caliban and gave him water and berries; he taught him how to speak, as well.
Caliban’s initial attempt to defy Prospero’s power via a verbal curse actually gives Prospero more authority as master in that the curse acknowledges the duke’s ultimate power. Caliban begins his speech with the vengeful request that all the evil "infections"(2.2.1) under the sun "fall"(2.2.2) upon the "tyrant"(2.2.160) Prospero. While Caliban wishes for Prospero to be so harmed by sickness, the slave does not have the power to make this happen. Instead, he must request that these evils "fall"(2.2.2) of their own accord upon Prospero. Caliban’s lack of authority because of his condition as a slave is immediately contrasted to that...
Prospero appears to be a ruthless tyrant that strikes fear into Caliban to make him work but further on in the text we learn that this is not the case. Caliban's foul-mouthed insults,
As the first mention (Ogilvy, 1955) from now is fifty years already. In these fifty years people never stop to reach brand personality and their reaches a mainly on three aspect. The first one is on the conception level. They defined brand personality with description (Allen. Olson, 1958), dimensionality (Aaker, 1997), and relationship (Susan Fourneir, 1998). The second one is on reach level. And it can be separate to qualitative reach(Levy, 1985; Plummer, 1985) and quantitative reach (Davil Aaker,1997; Bill Merrrilees, 1999; Dale Miller, 2001; Shengbing Huang. Taihong Lu, 2003). The last one is on how to manage brand personality. Someone think it’s the tool that brand express themselves to customer (King, 1989), someone think it just the information created by AD (Lannon. Cooper, 1983), and someone think it’s one of the determinants of build a brand (Keller, 1989; Aaker, 1991; Biel, 1993).(Yanhui Zhao, 2004)
The Tempest by William Shakespeare, among other themes, is a play very centered around rivalries, an important one being the one between Prospero and Caliban. As one would naturally expect, the triumphs and failures of the ongoing conflict yield different reactions for the two different characters. The conflict illustrates a dichotomous view of the way in which people respond to failure or defeat. Whereas Caliban responds to defeat instinctively with furious acts of retaliation, Prospero reasons that when those kinds of acts are examined under the scope of logic, they appear to be unlike that of a noble and therefore, should not be undertaken.
Researchers have found that brand personality traits can influence consumer brand attitude positively. For example, Supphenllen (2004) examined the relationship between brand personality and brand attitude and found that two personality traits (modern and classic) have a positive effect on attitude toward the brand. Biel (1993) also confirmed a change in brand personality traits result in more positive attitude toward the brand. A study on the effect of overall brand personality has shown that consumers have the more favorable attitude to a product with personality compared to a product without brand personality (Freling and Forbes,
Caliban whom we are told is “not honour’d with a human shape,” (1.2.419) is the son of Sycorax who inhabited the island Prospero was banished to. After the death of his mother, Sycorax, Caliban falls under the rule of Prospero and becomes one his servants. Caliban is very different from Ariel in the fact that while Ariel is pleased to serve under Prospero’s rule, Caliban is not. In fact, we find out that Caliban is far from happy to be Prospero’s servant and even plots with two other men to end Prospero’s life. As we discussed in class Caliban is also more of an angry individual than what Ariel seems to be and this comes from the fact that Caliban believes he is the rightful king of the island and that Prospero had robbed him of what was his, which we find out when he says that he is “subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island” (3.2.40-41). Ariel, who we are told in act one, scene two was the old servant of Caliban’s mother Syco...
A master servant theme can be seen throughout the whole play. Prospero has a this relationship with both Ariel and Caliban clearly, but it is the way he goes about the relationship. He prefers Ariel because he is more compliant than Caliban and has more uses. Prospero’s relationship with Caliban is more toxic. These show what kind of person Prospero really is. He is a manipulative person that is willing to whatever he needs to get what he wants. This is compared to how the colonists interacted with the Native Americans. They would trade and help each, and were able to tolerate them. Eventually the colonist learned what they needed and then turned their backs on
Prospero’s trust is broken with Caliban because he tried to rape Miranda. There is no evidence of rape, however Miranda was the only female on the island practically supports the idea. Caliban being a natural creature he would not know the different in societies rule against sexual engagement. Prospero learns from his second betrayal, apparently tyrannical state is revealed in verbal abuse ...