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Sexism in movies essay
Gender inequality in movies
Gender representation in cinema
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The Bechdel Test is a commonly known test that identifies whether or not two woman talk to each other about something other than a man. Not surprisingly, a lot of films fail this test. Whiplash has only male lead characters; with the only woman being a secondary character. Considering that there are only two main characters, it is understandable that this film would not pass the test. However, it is interesting to note the lack of female characters even as background characters. The film Whiplash uses an all-male cast to exhibit how extreme and abusive Fletcher is towards his students by using language and stereotypes regarding masculinity. The audience is introduced to the main characters in the first scene. Andrew is playing the drum when his soon to be teacher, Fletcher, comes in and watches him play. This introduces the characters’ personalities as well. Andrew was eager to please and Fletcher acted like it wasn’t worth his time to watch him play. By this first scene, we can already tell that …show more content…
He uses homophobic insults towards the band and calls them ladies to get them to do what he wants. Fletcher believes that these subsets of people are below straight men. Why else would he use them as insults? There are no females in the band because his thoughts are they aren’t as good as men. Whether its women aren’t as ambitious or can’t handle the pressure, Fletcher won’t let them play in his band. These ideas are reflected by The Disreputable History of Frankie Landau-Banks (Lockhart). In this book, the main character, Frankie, isn’t allowed in to a secret society because she is a girl. The leaders of this secret society have the same thoughts that Fletcher has. They believe women are too weak and won’t be able to keep up with them. Fletcher uses name calling as a way of telling the band that they are as bad as women or gay men. He believes that being either of those things is akin to being
The characters address the audience; the fast movement from scene to scene juxtaposing past and present and prevents us from identifying with particular characters, forcing us to assess their points of view; there are few characters who fail to repel us, as they display truly human complexity and fallibility. That fallibility is usually associated with greed and a ruthless disregard for the needs of others. Emotional needs are rarely acknowledged by those most concerned with taking what they maintain is theirs, and this confusion of feeling and finance contributes to the play's ultimate bleak mood.
The Bechdel Test has three seemingly simple requirements. First, at least two women have to have a significant role in the work. Secondly, these two females need to talk to each other at least once about, thirdly, something other than a man. To a reader, these needs are pretty easy to pass, however it can be shocking to find out how few movies and books actually pass the Bechdel Test.
Throughout the play, there is a level of intensity that can be seen. Sound effects, lighting and props help make the story seem intensely realistic. It helped engage the audience's attention and emotions throughout the entire play. It is as though we are living vicariously through these characters. With these characters, there is a life lesson to be learned.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Other characters are introduced throughout the play one by one; this creates a build-up of different levels of plot and character tension. The more characters the more drama and suspense as each character adds more to the storyline. For example, first the lead player, Vereen, and the other fictional players that are presumably “in” Pippin’s head are intro...
In 1996, the Wachowskis wrote and directed the noir crime thriller, Bound. In this film, the directors turned some of the archetypes of film noir on its head. Most notably, the role of women in film. Film theorist, Laura Mulvey, claims that the main role of women in film is to function as a source of pleasure, to be objectified, to be passive and at the command of male fantasy. This relationship of looking and being looked at causes each gender to have a particular presence within film; the male is active and the female is passive (Mulvey, 1975). However, in Bound, the character Violet, who is obviously objectified by the gaze of the male characters, does not hold a passive role within the film itself. Violet is a force that acts upon the narrative, manipulating events and scenes to her favor, along with actively controlling male gaze and using it to her advantage. Film theorist, Tania Modleski argues that there are passive and active roles within films that have connotations with “femininity” and “masculinity”, but these roles do not have to apply to the gender or outward appearance of characters that they align with. Modleski focuses more on the actions, not the outward appearances, of the film
The most important events of this film all revolve around the female characters. While there are some male charac...
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
For this paper I chose to write about one of my most recent favorite movies, The Heat. The Heat is staring Sandra Bullock and Melissa McCarthy. I chose this film because every time I watch this movie I feel a sense of “girl power” and also its one of the first movies that came to mind after reviewing what the Bechdel Test was. In this paper I will go over how this movie The Heat passes the Bachdel test and will show you the constant battles that women face when they are working in a male dominated workplace. In this movie Sandra Bullock plays the part of Sarah Ashburn FBI Special who is very highly skilled investigator that is not well liked by fellow investigators because of her conceitedness and arrogance. Ashburn lives alone in New York City and is very much a
Consequently, they must then take on parties, dates, auctions, beach days, and fashion shows, all while concealing their true male identities. While doing this, the movie portrays extreme stereotypes of gender roles and expectations. Although the portrayal of female expectations and characteristics is exaggerated for comedic effect, the underlying points and issues still remain. The way the brothers dress, speak, act, and understand their new social life as females, all contributes to the obvious contrast in gender specific qualities. The consistent sexualization of women and over pompous attitudes of men throughout the film provides exceptional evidence that society has established acceptable norms for both genders. These established roles of femininity and masculinity conflict within the undercover agents as they struggle to act poise, arrogant, non-confrontational, and sexy like their fellow female friends are, yet this is completely out of the norm for them as they are truly males. However, when they slip-up and allow their defensive masculine traits to show through it allows for not only a comedic break, but an exceptional
The aesthetic approach, also known as the masterpiece approach, involves solely looking at movies as a whole. This approach coincides the movie to its own director. For example, the Auteur theory explains how the director is also the author of the film. Film as a social history approach includes issues such as, gender, racial, political, and environmental. For example, the feminist film theory conveys a negative approach toward women. As shown in movies, women are considered eye-candy, sexual, dumb, and have no authority. Laura Mulvey even coined the term that women are the “male gaze” of cinema. In result, the Bechdel Test was created; if a movie did not have at least two major female characters that interacted besides talking about men,
The article expounds upon the characters: Harley Quinn, Catwoman, and Poison Ivy. The author discusses how these female fatales were seen as a threat because of their power and authority. They are objectified because they used their sexuality in order to achieve their goals. For example, Batman recounts to Albert, his butler how Harley Quinn used her sexuality in order to advance her goals to become a psychiatrist during graduate school. In the franchise, the characters exhibit a defiance of societal norms. As a result, the women are portrayed as dangerous and monstrous. However in order to survive in society, they each rely on their displays of sexuality and seduction to advance their motives. For example, Poison Ivy uses her feminine symbols such as kisses and flowers for destructive purposes. The author adds how there are differences between male and female villains, especially when it comes to verbal connotations of labeling. They are often underestimated, especially when fighting men, who are hindrances in the women’s path. However, they are also punished when they are seen as “too powerful”. For example, the Joker punishes Harley Quinn when she comes closer than hi to defeating Batman. These female fatales exemplify what
This essay is looking at the work of the theorists Connell and Messerschmidt and the concept of hegemonic masculinity with a focus on gender identity. This essay will introduce Connell and Messerchmidts’ concept of hegemonic masculinity and then how that ties in with and how they address gender identity. Finally this essay will examine how these theorists examine gender identity with a view to implement reform or social change.
Introduction of the characters occurs as the play opens so they are all privy to the same information and have an opportunity to discuss the investigation. The characters themselves are symbols. George Henderson, who is the county attorney, is perceived to be very intelligent and will be able to convict Mrs. Wright of the murder of her husband. Henry Peters, the sheriff, is not as well educated as the county attorney but desires to uphold the law. Lewis Hale, a neighboring farmer, is the person who discovers Mr. Wright's body. Mr. Wright who is dead, is the symbol that allows the play to evolve. These are the men of the play. Mrs. Peters, who is the sheriff's wife, has come to the Wright's home with Mrs. Hale to retrieve some personal items for Mrs. Wright, who is in jail. Mrs. Hale, the wife of Mr. Hale and neighbor to the Wrights, has come to gather Mrs. Wright's possessions to take back to the jail. Mrs. Peters...
Masculinity and femininity are two terms, which have been interpreted differently throughout history. Both the males and the females have responsibilities and duties but these duties differ based on one’s gender. Gender has played a prodigious role in the economy, politics, and the society. Everyone starts making interpretations of the strengths and weaknesses based on one’s gender. These interpretations are not always based on his or her ability but is usually based on his or her gender. Males tend to be judged as extremely strong and unfashionable in terms of appearance. Whereas, females are judged as expensive and very fashionable. Males and females both differ in their abilities and their enjoyments. Fashion, entertainment, and strength are three topics, which are used to define masculinity and femininity in the 21st century.