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Masculinity and feminism
Analysis of charlotte bronte's jane eyre
Analysis of charlotte bronte's jane eyre
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Adapting the Elusive Masculinity. A word that has set communities aflame and drenched generations into utter disrepair. A term that changes in every culture and era. A term that one can’t simply define. Some attempt to define it in opposition of the term femininity. Others prefer to define it to fit to their tailored needs and societal expectations of the time. In literature, the era in which the text is written depends greatly on how people go about integrating this term in their work. The Bronte sisters come from a long lineage of female writers that follow directly the Romantic period. Their heros and how they interacted with the heroines in the novels were largely based on Lord Byron’s ideal Byronic Hero. The two sisters Charlotte …show more content…
Jane is not talking just to entertain her master, but she is giving her opinion, her judgement, and he admits his faults to her. Jane considers Rochester to be a ‘human’, and not a superior being to whom she must submit. He is ‘faillible’, which is not a common masculine characteristic for the period, where men were supposed to be perfect and reliable. Charlotte Brontë makes Rochester and Jane equal human beings, which is quite revolutionary because of her subordinate position and mostly because she is a woman. Later in the book we see Bronte take Rochester’s adaptive masculinity take a sharp turn, for she chooses to deprive Rochester of a part of his glorious masculinity. At the time despite his small changes in behavior towards Jane, Rochester was still considered too willful for Jane to happily accept him. Bronte had to knock down his masculinity a couple of pegs because he wasn’t going to adaptive as fast or as deeply as was needed for Jane. So after the fire that destroyed most of his castle, Bronte bodily injures him and leaves him blind and without a hand. The novel ends with Jane returning to the blinded, disfigured, and penniless Rochester. Only then can Jane and he be together, once he is very far from any Victorian or Byronic ideal. She returns to him, her heart full of pity, …show more content…
This term that everyone seems to can’t live life without defining it yet can’t seem to grasp its definition has been driving many scholars mad. Masculinity has driven them so mad, that hey have given up on defining it singularly, and instead resolved to reproduce different versions of it, that for their culture and society. We see this in the Byronic hero and we see this is in the adaptive masculinity. Both Jane and Helen were not ready to conform, and despite their Byronic efforts to conform them, they proceed to conform their male counterparts to fit to their needs. This powerful definitions of masculinity not only frees it of it’s rigidness and mayhap strict foundations, it also always many authors to build the fire the Bronte sisters started years ago. In adapting the elusive the Bronte sisters have become the lead runners in the everlasting race for the definition of
To begin, when Mr. Rochester secretly returns to Thornfield as a gypsy he tells many fortunes but when the secret comes out there is nothing but distrust for him. For example, when Jane finds out that Mr. Rochester was the gypsy, and Mr. Rochester asks if she can forgive him for his trick, she says ¨[She] cannot tell till [she] [has] thought it all over. … [she] shall try to forgive [him]; but it was not right¨ (Bronte 213). This shows that Jane had lost some trust in her beloved Rochester by such a simple joke and it was that, the secret had been kept from her, that makes Jane really wonder if she could tru...
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
Because Jane is the narrator, the reader is given a biased point of view that St. John’s character is unfavorable. Throughout Jane’s life she has had oppressive male figures dominate her life, such as John Reed and Mr. Brocklehurst; thus, Jane can conditioned herself to be apprehensive when confronting men. After gaining her physical and emotional strength back, Jane studies St. John’s character. Jane’s first impression of St. John is pessimistic, she states “Had he been a statue instead of a man, he could not have been easier”(Bronte 329). By comparing St. John to a statue the reader is forced to see St. John as someone who is cold and rigid. Jane sets up the perception that St.John is disconnected from human feelings. Jane also presents a biased view of men when she first meets Rochester, who later becomes her husband. Furthermore, Jane’s first impressions of Rochester are also negative. Upon first being introduced to Rochester, after he asked to see her, Jane comments, “But it appeared he was not in the mood to notice us, for he never lifted his head as we approached. . . There was something in the forced stiffed bow, in the impatient yet formal tone, which he seemed to further expresses”(Bronte 111). Upon meeting Rochester for the fir...
Rochester is is where she finds the deep connection that changes the course of her life. They have a quick, witty rapport and are very alike though seemingly different. When they first meet, Mr. Rochester implies that Jane is a leprechaun as a joke. Jane responds with a straight face, “the men in green all forsook England a hundred years ago.”(104). They have a very similar sense of humor and are able to sustain interesting conversations. This leads to an attraction, even though outwardly they are much different. Mr. Rochester is a middle-aged, broken gentleman with a string of meaningless mistresses and a dark marriage in his past, while Jane is a very young woman, right out of a catholic school. They are both ultimately searching for the same human love. At this point in the story, however, they are not similar enough that they can be together. Mr. Rochester loves Jane, but he is still very possessive and values her as a sort of object over her own autonomy. “I will myself put the diamond chain round your neck, and the circlet on your forehead... and I will clasp the bracelets on these fine wrists,” (220). Because of this, their values differ in regards to Jane’s autonomy and her decisions. When Bertha’s marriage to Rochester is exposed, Jane decides she must leave, but Mr. Rochester doesn’t understand how important that is to her. “Jane, do you mean to go one way in the world, and to let me go another?” (269). Jane is very close to ending her period
Based on society during the 1820s, Charlotte Bronte’s Jane Eyre gives an accurate depiction of how women’s communication styles were viewed by men. The protagonist of the story,
Though it is clear that Jane begins to have feelings for Rochester not long after meeting him, she is able to handle the situations she is put in when she is romantically involved with him. First, she refuses to marry him until she is sure that Blanche is not romantically involved with Rochester in any way. Second, when she finds out about Rochester’s wife and he begs her to run away with him, she refuses because of the fact that she has respect for herself and she know that it is the wrong thing to do. In this instance, Jane displays a great amount of emotional maturity. She could have very well decided to become Rochester’s mistress and run away with him. But because she respect herself, and because she does possess that emotional maturity, she does not allow herself to do so. Rochester is not the only suitor with which Jane displays emotional maturity. After Jane runs away from Thornfield and Rochester, she meets St. John Rivers and his sisters. After spending some time with the trio, Jane feels herself becoming comfortable. Eventually, St. John Rivers urges Jane to marry him and to accompany him on a mission trip as his wife. Although Jane finds herself tempted, she does not allow herself to accept because she wants to be her own person, and she knows that she could never love him in a romantic way. This is just another example of how much Jane grew up over the course of her
Throughout this semester, we have come upon two playwrights and one novel, and even though they have different plots, they live a life where society is patriarchy. Back in the day, literature had feminists writers who believed society should be patriarchy and not equally. Women had no rights back then until the 1840’s. They were not allowed to write. Until, the “Women’s Rights Movement” was passed, and women became writers from many different races and published hundreds of novels, short stories, playwrights, and essays. This was a major evolution in literature because women were finally going to have the ability to express what they were holding in all this time. Although there are still societies that continue to be patriarchy, women are
perhaps the only man in the novel without any real power and he is the
Charlotte Brontë’s Jane Eyre entails a social criticism of the oppressive social ideas and practices of nineteenth-century Victorian society. The presentation of male and female relationships emphases men’s domination and perceived superiority over women. Jane Eyre is a reflection of Brontë’s own observation on gender roles of the Victorian era, from the vantage point of her position as governess much like Jane’s. Margaret Atwood’s novel was written during a period of conservative revival in the West partly fueled by a strong, well-organized movement of religious conservatives who criticized ‘the excesses of the sexual revolution.’ Where Brontë’s Jane Eyre is a clear depiction of the subjugation of women by men in nineteenth-century Western culture, Atwood’s The Handmaid’s Tale explores the consequences of a reversal of women’s rights by men. This twentieth-century tradition of dystopian novels is a possible influence, with classics like Aldous Huxley’s Brave New World and George Orwell’s 1984 standing prominence. The pessimism associated with novels of this genre—where society is presented as frightening and restrictive—exposes the gender inequality between men and women to be deleterious.
Jane does not experience a typical family life throughout the novel. Her various living arrangements led her through different households, yet none were a representation of the norm of family life in the nineteenth century. Through research of families in the nineteenth century, it is clear that Jane’s life does not follow with the stereotypical family made up of a patriarchal father and nurturing mother, both whose primary focus was in raising their children. Jane’s life was void of this true family experience so common during the nineteenth century. Yet, Jane is surrounded by men, who in giving an accurate portrayal of fathers and masculinity in the nineteenth century, fulfill on one hand the father role that had never been present in her life, and on the other hand the husband portrait that Jane seeks out throughout the novel.
Gender played an important role in the style of writing known as "Gothic". Traditional stereotypes were often broken. Men were not always portrayed as dominant, strong, rational or masculine. Likewise, women were not always portrayed as weak, submissive, irrational, or feminine. This essay will take a look at the relationship between Catherine and Edgar Linton in Emily Brönte's Wuthering Heights. We will take a look at how their characters are portrayed, how this affected their marriage, and how each character retained some of the traits attributed to their gender.
All the females who maintain typically feminine qualities are held in much less regard than the women, like Jane Eyre, who contain masculine traits and live their lives on their own terms.
Charlotte Brontë challenges the view that men are emotionally, socially and intellectually superior to women.
Feminist critics perceive the literary arts in a way which gives power to the female point of view and in so doing rejects the patriarchal language that has traditionally dominated literature. In contrast to the traditional forms of writing at the time, Austen placed her female characters in the center of her novels, and through them, she described the lives of women in a male dominated world. She constructs her female characters as free spirited beings, who try to rebel from the traditional gendered roles at the time as with the character Elizabeth Bennet and her wanting to marry for love rather than money. This can be seen as a revolt by the author against patriarchal rule and the idea of male superiority and female inferiority.
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.