Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Concept of masculinity
Traditional women's roles
Concept of masculinity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Concept of masculinity
Masculinity refers to the social roles, behaviors, and meanings prescribed for men in any given society. (Kimmel, 2000). In both Howard Hawk’s “Sergeant York” movie and James Cooper’s “The last of the Mohicans” novel, masculinity serves as a prerequisite for being a traditional American Hero because the requirements of an American hero corresponds alongside traits associated with a masculine nature. A traditional American hero is brave, skillful, adapts easily, morally upright, selfless and caring.
To begin with, masculinity is associated with bravery in the sense that socially, men are taught right from an early age to be brave and fearless and these are also characteristics that are identified with heroism. For instance in “The last of the
Selflessness is the act of doing something for others in the hopes of getting absolutely nothing in return; this is a great requirement for being a hero. An illustration of selflessness in the last of the Mohicans is when the girls were captured by the Huron’s after the death of cornel Munro, Hawkeye offers himself in exchange for them “ I am Nathan of the Yengeese, Hawkeye, adopted son of Chingachgook of the Mohican people, let the children of the dead Munro and the Yengeese officer go free. This belt, which is a record of the days of my father ‘s people speaks for my through” he basically just sacrificed himself selflessly even when they refused to listen to him about what he tried to do he continues, telling the Yankee to translate “tell him ill trade him. Me for her… say it... I am la longue carabine, my death is a great honor to the Huron’s take me “ this is Hawkeye giving up himself for the lives of two women who until he saved them from the hands of Magua he didn’t know her. As well as in “sergeant York” although york could have found a way out of the battle field after seeing his comrades go down in battle he decided to single-handedly take on the Germans tactfully in order to save them, when asked by major Buxton if he did it to save lives he said yes, this amazed major Buxton to the point he said “well york what you’ve just told me is the most extraordinary thing of all. This makes his selflessness and the act of putting his life on the line in the quest for saving the lives of others fruitful and lead to him being a true
The topics that Joe Ehrmann uses as framework for his Building Men for Others program are quite intriguing and make you really question masculinity. The first topic, rejecting false masculinity, can be interpreted a few different ways. In the book, it states: “As young boys, we’re told to be men, or to act like men” soon followed with “we’ve got all these parents say ‘be a man’ to boys that have no concept of what that means. I completely agree with the statement of Joe Ehrmann and often question the definition of ‘being a man’. Many boys and men will reject the idea of a man being anything other than being big and strong or having power.
Both Shotgun Lovesongs by Nickolas Butler and Population: 485 by Michael Perry explore ideas of masculinity and manhood, but I think Butler shares a more diverse representation of masculinity through his different characters. What it means to be a man The concept of masculinity is considered as the qualities and characteristics of a man, typical of what is appropriate to a man. In this article, A Community Psychology of Men and Masculinity: Historical and Conceptual Review, the authors Eric S. Mankowski and Kenneth I. Maton, analyze four main themes: "Men as gendered beings, the privilege and damage of being a masculine man, men as a privileged group, and men’s power and subjective powerlessness. " The second and fourth themes are described as paradoxes that have created difficulty in efforts to analyze and understand men’s gender and masculinity." However, the point of view of masculinity that Perry raises in population 485 has a different aspect.
Men are looked at as brave, selfless people and are perceived as heroes all throughout society. Johnson addresses this point saying, “The idea of heroism, for example, has been appropriated almost entirely by patriarchal manhood. From movies and television to literature to the nightly news, our ideas of who and what is heroic focus almost entirely on men and what they do” (548). Since men have power in this world, they have generated a society that pleases them. Superhero movies are a huge money maker in today’s world. But, the most popular superheroes are exclusively men such as Batman, Superman, Captain America, The Flash and The Hulk. This media only feeds into the ideology that men are the heroes in the world and they are the ones making sacrifices for others. They see a world that appeals to them and do not see a reason to mess with the system. Kilbourne writes, “When power is unequal, when one group is oppressed and discriminated against as a group, when there is a context of systematic and historical oppression, stereotypes and prejudice have different weight and meaning” (499). Men now see patriarchy as natural and how life should be. They can look back at previous generations and see that they succeeded with patriarchy and feel they should do the same. Men see absolutely no reason as to why they should relinquish their position of
In the book The Odyssey, Odysseus is a very good example of how sacrifice contributes more to heroism than success. In the Odyssey, when he is trapped at Calypso's island he states that “By nights he would lie beside her, of necessity, in the hollow caverns, against his will, by one who was willing, but all the days he would sit upon the rocks, at the seaside, breaking his heart in tears and lamentation and sorrow as weeping tears he looked out over the barren water.” (5.154-158). In reality, he states that he just wants to go home because he does not like being trapped and also in this chapter was where he was told he had to sacrifice six of his men to the six-headed monster they were going to face on their way home. Odysseus wanted to tell him men but he did not want to freak them out, going back to say that sacrifice is more heroic than success. In life, people make plenty of sacrifices for other human beings for example, when your mother has to drop out of
The rugged frontiersman, the wealthy self-made entrepreneur, the stoic lone wolf; these are classic archetypes, embodiments of an enduring mythos-- American Masculinity. The doctrine of ideal manliness and its many incarnations have occupied a central place in American literature since colonial times. These representations that still exists in countless cultural iterations. The literary periods studied in this course were witness to writers that continually constructed and deconstructed the myths of paternal heroism and ideal masculinity. From Romanticism to Modernism authors, like James’s Fennimore Cooper, and F. Scott Fitzgerald helped to create the lore of American Manhood by investigating cultural notions gender and self that were emblematic of their time.
Masculinity is described as possession of attributes considered typical of a man. Hegemonic masculinity is a form of masculine character with cultural idealism and emphasis that connects masculinity to competitiveness, toughness, and women subordination. Masculinity hegemonic is the enforcement of male dominion over a society. Masculine ideology dates back to the time of agrarian and the industrial revolution in Europe when survival compelled men to leave their homesteads to work in industries to earn a living for their families while women remained at home to take care of family affairs (Good and Sherrod 210). Women did not work in industries then because industrial labor was considered too physical beyond their capacity. This led to definition of roles which placated the position of men in a society while condemning women as mere subordinates who cannot do without men. The critics of gender stereotypes in America describe the following five hegemonic features of masculinity: frontiersman ship, heterosexuality, occupational achievement, familial patriarchy, and physical force and control (Trujillo 4). The advent of the 20th century led to sweeping changes in American masculinity.
In the views of Micheal Kimmel “hegemonic masculinity” is a socially constructed process where men are pressured by social norms of masculine ideals to perform behaviors of a “true man” and its influence on young male’s growth. It is the ideology that being a man with power and expressing control over women is a dominant factor of being a biological male. The structure of masculinity was developed within the 18th to 19th century, as men who owned property and provided for his family with strength related work environments was the perfect example of being a generic “American man.” Kimmel introduces Marketplace Manhood and its relation to American men. He states, “Marketplace Masculinity describes the normative definition of American masculinity.
When someone is thinking of a man, what do they think? Strong? Brave? That’s what most people think; in reality that is a very false image. In “Bros Before Hos: The Guy Code,” Michael Kimmel, talks about what it means to be a man and what it takes to be a man in today’s world. Men are pressured into what they “should” be. If they don’t follow certain unwritten rules, which include: not asking for directions, not giving up, not showing fear, or any signs of emotional weakness, such as tears; they are considered less than a man, a wimp. A real man must be aggressive and brave, he must defend his territory: status, family, possessions. Men blindly follow the Guy Code, they believe in order to fit in, they must comply and be part of the pack.
Occasionally even heroes make mistakes, which Hemingway describes very carefully. Frederic Henry and his men were retreating in their ambulances when along the way they picked up two sergeants and continued retreating. Later the ambulances get stuck in the mud and the sergeants were walking away leaving the stuck ambulance and refusing to help dislodge it so Frederic shoots one of them as the other flees (Lewis 49). When he shoots the sergeant he fails himself and becomes, in a way, inhuman. He accepts and acts by a military code that he later becomes unable to accept or act by when it is applied to him (Wylder 78).
Indeed, the pioneer aviator and author Anne Morrow Lindbergh puts it best when she says, “to give without any reward, or any notice, has a special quality of its own” In Charles Dickens’s A Tale of two Cities, Dickens shows the inherent goodness of his characters. By exemplifying various acts of sacrifice, he demonstrates that the character’s gifts ultimately bring about great change, often changes that facilitate the revival of their loved ones. The very first signs of sacrifice are noted in the opening scenes of the book. Dickens writes of a “fated revolution” by metaphorically comparing the woodsman and the forester to the creation of the guillotine.
The documentary "The Mask You live In" is about the "traditional masculinity has encompassed the values of strength, power stoicism, action, control, and independence" (The Mask You Live In). Throughout the documentary there are men and young boys that share their story about how they been told that in order to be a man you need to have certain traits which vary from being strong, dominant, size, and other characteristics. Many of the men state that from a young age they were told that not to cry because it made them appear weak or a "sissy". One of the psychologists from the film asserts that masculinity is a rejection of anything that is feminine.
Is masculinity a gender role or are you just born to be masculine? There are plenty of movies especially movies that contain superhero’s where masculinity is found. You can spot masculinity not only in men but also in female superheroes. The movie I want to analyze is Kick-Ass but the character I mainly want to analyze for the over the shadowed role is Hit-Girl. The movie Kick-Ass is about a boy name David wanting to be a superhero he cannot do like Hit-Girl aka Mindy.
Smith’s most salient example of generosity is the act of a soldier who throws away his life in order to save the life of his officer. Such an act is motivated by the awareness of an impartial spectator, who would, in such a scenario evaluate the officer’s life as more valuable as that of the soldier’s. Thus, through an act of generosity the soldier forfeits his life, in such a way that is non-self motivated, and is distinct from sympathetic acts of
In our society what makes a man? There are many answers to this particular question based on perspective. As children, boys are expected to play with trucks and action figures, unlike girls who are expected to play with dolls and dress up. With these gender stereotypes, it’s destined for young boys to want to be emasculated to fit in the stereotypes needed to survive in our society. When defining “masculinity” it states that it is a possession of quality traditionally associated with men.
The U.S. Army’s definition of selfless service is “to put the welfare of the nation, the Army, and your subordinates before your own” (“Selfless Service,” GoArmy.com). The Army consists of teams, in which those teams form a larger size unit, etc. If a team fails, the unit fails. One reason that a team may fail could have something to do with selfishness, which is of cour...