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Macbeth power and corruption
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Marxist criticism in Hamlet
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Joseph Stalin, Mao Zedong, Fidel Castro, Adolf Hitler, and Vladimir Lenin were leaders of communist and fascist countries throughout history that have shaped their infamy through the power structure of government. Despite the various country’s they ruled, their motivation toward one thing created decades of injustice; the pursuit of capital. Wealth. Fortune. Greed and the prosperity for one’s self. It is what every human desires. Many critics have read Shakespeare’s tragedy, Hamlet, and can see the various Marxist ideologies when analyzing the play through the perspective of the antagonist, King Claudius. When studying Claudius through a Marxist lens, it becomes clear that his treatment of the working class, his illegitimate legal system, and …show more content…
Claudius performs similar tactics by exploiting working class people, the proletariat, to get a job done without any repercussions. In a dialogue between hamlet and Claudius in scene 4.3, Hamlet points out to Claudius how a king is able to “progress through the guts of a beggar" (line 31). The despotic rule of Claudius helps him ensure his power over the people. His iron fist mentality gives him the opportunity to manipulate and control the public to expand his wealth and power. Claudius is able to sit on his throne while he watches the bourgeoisie do all the work for him. Karl Marx himself stated that capital and wealth is “vampire like, [and] lives only by sucking living labor.” Marx is saying that the pursuit of capital and wealth only be achieved by using human labor, living labor. The common folk of are being used and sucked dry all for the sake and well-being of Claudius. His rule as king feeds off the people beneath him, like a vampire. The Marxist lens helps the reader see that the tyrannical rule and power that Claudius has, gives him the ability to pursue extensive amounts of wealth at the public’s
He uses the people he is closest with as puppets to get what he wants. This can be explained using principles of behavior economics. Through priming, Claudius uses people so that he can cover himself up and maintain a good look to the people while he has his followers do his dirty work. The first instance in which Claudius uses priming to get what he wants is in Act 2 of Shakespeare 's Hamlet, Claudius uses two old school chums Rosencrantz and Guildenstern to come to Elsinore and spy on Hamlet and report his every move to Claudius (2.4.40-41). According to Ariely, people are willing to work for free, and they are willing to work for a reasonable wage (234). Here through priming, Claudius insist for the school chums to deceive Hamlet and to attempt to gain his trust and report whatever he tells them back to Claudius. According to Dan Ariely the subject of the study grossly under stimulated their behaviors
When looking at the play Hamlet, by William Shakespeare, through a Marxist critical lens, there are many Marxist themes that apply. In Hamlet, there is a big difference between the monarchy and the peasants. Even in Hamlet’s time, the high class is treated in a better way than the low class. The royalty members’ poor decisions are easily overlooked or covered up, like Claudius covering up the murder of his brother. Hamlet is the only character that directly hates the monarchy and goes against it, making him more sympathetic to the lower classes.
Whereas most of the other important men in Hamlet are preoccupied with ideas of justice, revenge, and moral balance, Claudius is bent upon maintaining his own power. His corrupt politician whose main weapon is his ability to manipulate others through his skillful use of language. He manipulates fortune and takes what is not rightfully his, but remains unapologetic for his actions; he possesses enough strength to admit that he would do the same again. Claudius conscience make him such a complex
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences no matter how seemingly miniscule affect the way in which someone watching the play connects with the title character.
Delving into the character of King Claudius in Shakespeare’s tragedy, Hamlet, we find a character who is not totally evil but rather a blend of morally good and bad elements. Let’s explore the various dimensions of this many-sided character.
Let us look at Claudius. Claudius is devious and intelligent, but also selfish. Claudius kills his brother, the King, to gain social, political, and economic power. “Of those effects for which I did the murder: My crown, mine own ambition, and my queen.” (3.3.Lines) Claudius from a Marxist point of view would be looked at as a figure who was been corrupted in his craving for political power. In fear and to protect his power, Claudius convinces Hamlets friends, Rosencrantz and Guildenstern, to spy on Hamlet to make sure he goes to England. “By letters congruing to that effect, The present death of Hamlet. Do it, England, For like the hectic in my blood he
The Marxist Hamlet In his article "'Funeral Bak'd Meats:' Carnival and the Carnivalesque in Hamlet," Michael D. Bristol mingles Marxism and Bakhtin's notion of double discoursed textuality into a unique reading of Shakespeare's drama as a struggle between opposing economic classes. Bristol opens with a two paragraph preface on Marxism, highlighting Marx's own abnegation of Marxism: "Marx is famous for the paradoxical claim that he was not a Marxist" (Bristol 348). While he acknowledges some of the flaws inherent in Marxist criticism, Bristol uses the introductory paragraphs to assert the "enormous importance" of "the theory of class consciousness and class struggle" which Marxist theory includes (349). Having prepared readers for a discourse whose foundation lies upon "the most fundamental idea in Marxism," Bristol recasts Hamlet as a class struggle.
Shakespeare’s Hamlet indicates “There’s divinity that shapes our ends, Rough-hew them how we will” [5,2,10] given that “the devil hath power”. [2,2,188] These comments demonstrate that power is often in the hands of those who will abuse it and yet, the abuse of that power will not necessarily bring desired rewards. Furthermore, there is no guarantee that fate will treat the abuser kindly, and ‘divinity’ is in control of how the characters ends are shaped. This power abuse is demonstrated both through Claudius’ manipulation of Hamlet, Gertrude and Laertes in order to maintain his authority now that he is King; and, through Hamlet and Claudius’ use of their implicit power over women, which is an entitlement granted to them simply because they
Throughout Shakespeare’s play Hamlet, the revelation of Claudius’ betrayal of the late King Hamlet becomes the causation of a slippery slope of events that revolve around a revenge on Claudius for his betrayal against the late King. Consequently, this key act of betrayal forms the plays overall theme of revenge while also showing the connection between power and corruption and the idea that ‘”what goes around, comes around.”
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
In the play Hamlet by William Shakespeare, Hamlet the king of Denmark is murdered by his brother, Claudius, and as a ghost tells his son, Hamlet the prince of Denmark, to avenge him by killing his brother. The price Hamlet does agree to his late father’s wishes, and undertakes the responsibility of killing his uncle, Claudius. However even after swearing to his late father, and former king that he would avenge him; Hamlet for the bulk of the play takes almost no action against Claudius. Prince Hamlet in nature is a man of thought throughout the entirety of the play; even while playing mad that is obvious, and although this does seem to keep him alive, it is that same trait that also keeps him from fulfilling his father’s wish for vengeance
William Shakespeare was one of the first to introduce many to the distinct divide in social class and those who where in power. Some of Shakespeare 's most famous literatures & playwrights tell the stories and air the dirty laundry of people associated high in power and social class. In William Shakespeare’s Hamlet Shakespeare gives many examples of social class and power and how they both can destroy and disrupt when greed and unrighteousness gets in the way. He also proves how both social class and power can break, manipulate, and ruin individuals caught up in the dramas of social class and power. It is without question that William Shakespeare 's Hamlet teaches us the truth about power
Keys to Interpretation of Hamlet & nbsp; William Shakespeare's Hamlet is, at heart, a play about suicide. Though it is surrounded by a fairly standard revenge plot, the play's core is an intense psychodrama about a prince gone mad from the pressures of his station and his unrequited love for Ophelia. He longs for the ultimate release of killing himself - but why? In this respect, Hamlet is equivocal - he gives several different motives depending on the situation. But we learn to trust his soliloquies - his thoughts - more than his actions.
Claudius “is the most modern character” that “has no reservations” (Hamlet, Tragedy) when he murders his own brother so that he may gain the crown and the queen. He removes of a great and honorable king to please his greed. He removes his brother, the good of the country, and the pleasure of many to satisfy his own ambition. Claudius only cares about himself. Realizing it or not, most individuals, at one point or another, will be motivated by gluttony. Most, however, will not have the willpower and anxiety that Claudius shows. This is partially because of the alterations of the times. In the historical time that Shakespeare wrote the play, killing was profoundly ...
Hamlet is a paradox; he is a perplexing character that throughout the play has more to show. Hamlet is a person of contradictions he is inquisitive and profound yet indecisive. The experiences Hamlet goes through led to dramatic changes in his character. In the beginning we are introduced to a young man who is mourning for the death of his father and struggling with the sudden marriage of his mother to his uncle. Hamlet faces the dilemma of wanting to avenge his father’s death and suppressing his intense emotions in order to calculate a plan.