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John donne the flea analysis
John donne the flea analysis
The flea john donne conclusion essay
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Sex, sexuality, and the identity of those taking part in it are compelling in the approaches taken in Andrew Marvell’s ‘To His Coy Mistress’ and John Donne’s ‘The Flea’. Both men come about their intentions with their lovers honestly, making it clear that sex is the ultimate objective. However, both men have their own reasons for feeling the need to express their feelings for their lovers through sex. John Donne ultimately believes that the intermixing of their ‘love fluids’ to make a child will be the ultimate testament of their love. While Andrew Marvell takes the approach of the typical carpe diem poem, taking the position of a man who feels his mistress should give him sex simply because of the lack of time he has to show her his love, and his seize the day mentality. What could be more of a testament to love than love-making itself? Some would say that these men were looking out for their pleasures when persuading their lovers into the bed chamber, but really Andrew Marvell and John Donne were just terribly honest about their intentions and reasoning a man of this era would have for wanting to have sex, while using their witty dialectical arguments to get their way. The major similarity between John Donne and Andrew Marvell is the honesty in their approaches to sleeping with their lovers.
The Norton Anthology: English Literature gives a summary of John Donne’s work as follows: “John Donne’s poems abound with startling images, some of them exalting and others grotesque. With his strange and playful intelligence, expressed in puns, paradoxes, and the elaborately sustained metaphors known as ‘conceits,’ Donne has enthralled and sometimes enraged readers from his day to our own. The tired clichés of love poetry—cheeks li...
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...His Coy Mistress”, the circumstance of difficulty is the lack of time the speaker has to express his love for his lover. The expression of love through sex is clear amongst both of the poets, but the men are being honest and candid about these intentions. The reasons for wanting to express this love may be different to some, but ultimately it remains honest. The speakers in both “The Flea” and “To His Coy Mistress” do not attempt to wow or trick their lovers into bed; they make the desires of sex blunt. You can express love in many different ways, but total submission through sex is the most common. Ultimately the one thing the poets have in common through their approaches towards their goals is honesty.
Works Cited
Greenblatt, Stephan. The Norton Anthology of English Literature: the Major Authors. New York, New York: W.W. Norton & Company, Inc., 2013. Print.
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
There are two sides to every story. Where one might see love and passion another sees burden and indifference. Such is the case with Peter de Vries “To His Importunate Mistress”, a comedic parody of the 17th century work by Andrew Marvell, “To His Coy Mistress”. Peter de Vries uses satire and rhyme as a way to present a humorous approach to the reality and consequence of a modern day extra-marital affair.
John Donne's, "The Flea," is a persuasive poem in which the speaker is attempting to establish a sexual union with his significant other. However, based on the woman's rejection, the speaker twists his argument, making that which he requests seem insignificant. John Donne brings out and shapes this meaning through his collaborative use of conceit, rhythm, and rhyme scheme. In the beginning, Donne uses the flea as a conceit, to represent a sexual union with his significant other. For instance, in the first stanza a flea bites the speaker and woman. He responds to this incident by saying, "And in this flea our bloods mingled be."
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
Greenblatt, S. (2013). The Norton anthology of English literature, the major authors. New York: W.W. Norton & Co.
The narrator in The Flea is a youthful man trying to convince a young woman to give her virginity to him. He tries to do this by comparing their relationship to a flea that is in the room. The flea bites them both and Donne explains to her that this is symbolic of both of their worlds combining into one. He says that the flea is now the realm of love, lust, and marriage. At first this poem seems to be just about love, commitment from a male to a female, who says no his lustful desires. However, a deeper look than just the superficial reveals that the male in this poem is actually revealing a valid point to his lady: that the loss of innocence, such as her virginity, does not constitute a loss of her honor.
In John Donne’s poem, “The Flea”, Donne uses the conceit of the flea to contrast the insignificant size of the flea and the incredibly significant metaphor attached to the flea. The speaker of the poem is talking to a woman, trying to convince her into having sex with him outside of marriage. This poem can be broken into three stanzas, of nine lines each, utilizes the image of the flea to convey three main ideas: the first as a vessel where their essence mingles, second as the institution of marriage, and finally as an insignificant representation of honor which would have no effect on them. Donne’s hyperbolic use of the flea extends through the poem as a metaphysical conceit to convey a logical argument out of something seemingly unrelated to the situation at hand.
Marvell's piece is structured as a poem but flows as a classical argument. He uses the three stanzas to address the issues of time, love, and sex. In doing so, he creates his own standpoint and satirizes his audience in the process. Using appeals to ethos, pathos, and logos; logical reasoning; and even a hint of the Rogerian technique - Marvell proves that acting now is essential. The logical argument for the "carpe diem" theme is built up from beginning to end.
The poem “The Flea” by John Donne is a funny poem showing that something as small as a flea can be compared to premarital sex. The flea, which is made to seem insignificant throughout the poem, is taken on a “sex” journey without ever even knowing it. The poem maintains one speaker until the end, but interesting enough, has two significant characters: the speaker and his lover. The audience is the speaker’s lover, yet she has a major role that goes beyond listening. While he is trying to convince his female lover to see that her virginity isn’t all that it’s hyped to be (insignificant), he compares a flea to sex in the process. He describes the flea as insignificant, yet the poem is mainly based on this tiny insect. By doing this, the speaker contradicts himself and gives the “insignificant flea” importance and does so throughout the poem. Ultimately by comparing the flea to his lovers “insignificant” virginity, he shows that by trying to convince her to give it up, he essentially gives her the power to make the final decision: whether to have sex or not, giving her importance even without a voice. Therefore, by trying to convince her through his speech to give up her “maidenhead” and give him “power,” he ultimately puts her “on top” with all the power by pestering her and essentially being unsuccessful in his attempts to woo her.
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
The author, John Donne, had a distinct amorous and philosophical style in his literary work characterizing love as religion. Donne was born in a religious Roman Catholic home, which influenced his decision to be ordained as a deacon and priest in his adult life. In his amorous tone, Donne often uses metaphors and imagery to describe and display his love for someone or something. Metaphors and imagery are one of the central figurative languages used by Donne when characterizing his love as a religion that bewilders him in how for every good deed he’s done, the woman won’t return the favor. The metaphors and imagery used to characterize an intangible thing contribute to the theme of how love pertains to our lives just like religion
By using the words “youthful hue”, the speaker applies connotations of being beautiful, a form of flattery intended for the mistress. Then, he proceeds his connotative flattery with the phrase, “morning dew”. This phrase is used in context to describe her appearance, implying the connotation of freshness in her beauty. The positive correlation between giving up the mistress’s apparent coyness and her being gorgeous directly targets the want on the mistress to be beautiful. Simply, the speaker saying that the only way he can be satisfied with her looks while engaging in intercourse is by agreeing to sleep with him now. After expressing how beautiful he thinks the mistress is, he speaks of how experiencing intercourse with him will be like. Again, the speaker utilizes diction to provide an overarching theme of charm to further the impression that beauty and sex are affiliated with each other. The speaker says “sweetness” to initiate feelings of delight and pleasantness in relation to copulation with him. In addition, he adds a sense of relief and intense accomplishment with his choice of phrasing in, “tear our pleasures”. The words, “tear” and “pleasures” used together in this phrase provides intense emotion. The speaker hands the reader connotations of passion that describe a vivid emotional description of his wanted coitus. Marvell precisely chooses words and phrases
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In John Donne’s poem, “The Flea”, Donne uses the conceit of the flea to contrast the insignificant size of the flea and the incredibly significant metaphor attached to the flea. The speaker of the poem is talking to a woman, trying to convince her into having sex with him outside of marriage. This poem can be broken into three stanzas, of nine lines each, utilizes the image of the flea to convey three main ideas: the first as a vessel where their essence mingles, second as the institution of marriage, and finally as an insignificant representation of honor which would have no effect on them. Donne’s hyperbolic use of the flea extends through the poem as a metaphysical conceit to convey a logical argument out of something seemingly unrelated to the situation at hand.
The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 460. Print.