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In what ways does The Wife of Bath's tale explore the role of women and relationships between men and women
The Canterbury Tales summary
The Canterbury Tales summary
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The question still remains even today that what do women most desire to be happy? The Canterbury tale, by Chaucer the Wife of bath talks about women and their happiness. The wife of bath’s prologue describes the audience about her experience with men and marriage from her past. As Chaucer starts to describe Allison, the wife of bath the very first word from her prologue is Experience. It is clear to the audience is that her prologue and her tale will definitely be focused with her experience in her life. Her experience with sex within marriage allows Allison to gain control over her many husbands and she uses her tale to carry out her message that women should be dominion in marriage, as being dominion is what will please any woman more than sex, money, wealth or anything that may be.
With her five marriages that she has had many people have criticized her. She says people say that one should only be wedded once. She has been told that you married five different men but who has you? She answers if great old figures are allowed to be with multiple wives at the same time than why woman can’t. it is just a thought that if he had found what she was looking for with her first marriage she would not ever have to married five times. As a fourteenth-century wife her motivation and conditions to make a claim about what she means by sharing her marital history, we must consider the intentions behind her marital decisions. The words used in The Prologue explain her message by shaping her character and situation. She claims that even if virginity is important, someone must be procreating to create new virgins. She says besides virginity the best gift that woman can receive is her sexual power. She uses that power as an “Instrument” to con...
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...Wife of Bath’s Tale explains the Wife’s, and possibly Chaucer’s intentions behind sharing such a broad biography in her prologue is an addition of the powerful relationship between Allison and her many husbands and how she is so willingly and confident in anything that she does because she feels that she has power over her four husbands.
Works Cited
o Caie, G. D. (1976). The Significance of the Early Chaucer Manuscript Glosses (With Special Reference to" The Wife of Bath's Prologue"). The Chaucer Review, 350-360. o Chaucer, G. (n.d.). Retrieved from http://english.fsu.edu/canterbury/wife.html o Crane, S. (1987). Alison's Incapacity and Poetic Instability in the Wife of Bath's Tale. Publications of the Modern Language Association of America, 20-28. o Greenblatt, S. (2013). The Norton anthology of English literature, the major authors. New York: W.W. Norton & Co.
In The Canterbury Tales by Geoffrey Chaucer, Chaucer’s real opinions about marriage and relationships between men and women are shown. Marriage is an institution viewed upon in many different ways. Some believe it is a consecrated union of two people in order to procreate. On the other hand, there are those who look at it as a social contract which often binds two people that are not necessarily right for each other. Chaucer combines these two beliefs into one major belief. Chaucer seems to look at marriage as an obligation that is constantly dominated by one of its two members, this view being shown in the prologues and tales of the Clerk, the Wife of Bath, and the Miller.
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
Chaucer, Geoffrey. “The Wife of Bath’s Prologue and Tale.” From The Riverside Chaucer, Third Edition. Ed. Larry D. Benson. New York: Houghton Mifflin, 1987.
Regularly characterized as monsters, women were ridiculed for being sexually unappeasable, lustful, and shrewish, and they were regarded with condescension by the church authorities. Similarly, people in the medieval era regarded multiple marriages as highly questionable, and it is for this reason that the Wife of Bath carefully examines the words of God as revealed in scripture (revealing her to be more than a simple-minded woman: a knowledge of religious texts proves she is definitely educated and well-read). She confesses that nowhere can she find a stricture against her having more than one marriage, and her five husbands are therefore her choice and hers only. “He seith to be wedded is no synne:/ Bet is to be wedded than to brynne”, she remarks humorously, drawing on the fact that by God’s permission, finding a partner through marriage is a pastime with little consequences, for it is better than engaging in sin and burning for it (50-53. 301). This begins her analysis of the bible and the often “sinful” breakdown of a sexual relationship between man and woman, and introduces her repetitive idea of the
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
The image of the woman in the Wife of Bath’s Prologue is depicted by Chaucer to be “barley wheat” in a town and civilization lusting for whole white wheat or virginity (Chaucer 1711). The woman has married many men and in doing so forgotten the true value of the Christian faith and now believes worldly influence can overpower the scriptures of the Bible, “can you show in plain words that Almighty God forbade us marriage? Or where did he command virginity?” (Chaucer 1709). Jackie Shead analyzes the prologue and states, “it begins by manipulating authoritative texts--a pre-emptive strike to justify the Wife's marital history and her single-minded pursuit of self-gratification” (Shead). The possibility of the Wife of B...
In The Wife of Bath Prologue, Dame Alison discusses how a successful relationship between a man and woman is one where the woman is in control. She uses her experiences to defend her views. A woman who has been married five times, Alison clearly endorses herself as being a woman of sexual desires, and in doing this she also makes a defense for women like herself. She disputes the notion that marriage is inferior to chastity by giving examples from the Bible. She cites King Solomon who had numerous wives and was not condemned for his behavior so why should she. She also quotes St. Paul’s statement that it is better to have passion while married, “It’s no sin to be married, he said, / For if you’re burning, better to be wed” (50-51). She does not throw out virginity, but rather argues, “A woman may be counseled to be pure, / But to counsel and commandment aren’...
The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 2308. Print.
Abrams, M.H. and Greenblatt, Stephen eds. The Norton Anthology of English Literature: Seventh Edition. New York: W.W. Norton & Company, Inc., 2001.
Chaucer, Geoffrey. “The Wife of Bath’s Prologue.” The Canterbury Tales. Ed. Larry D. Benson. Boston: Wadsworth Cengage Learning, 2000. 87-98.
Chaucer, Geoffrey. “The Wife of Bath’s Prologue and Tale.” From The Riverside Chaucer, Third Edition. Ed. Larry D. Benson. New York: Houghton Mifflin, 1987.
...n, Lesley. (1994). Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect. Routledge: London. (pgs 72-73, 196-203)
Abrams, M. H. et al. The Norton Anthology of English Literature. Vol. 1. Sixth Edition. New York: W.W. Norton, & Co. 1993. 200-254.
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.