Throughout “The Canterbury Tales” one the things that all the tellers have in common is love. Not all of the tellers agree about what love is, however, or how it should be shared. They all contemplate about related concepts, including marriage, fidelity, and chastity, and argue about men’s and women’s roles in the context of an intimate relationship. He shows two different viewpoints on the roles in The Canterbury Tales.
The Wife of Bath’s Tale, where the tale says that one spouse, in her case the wife, must be dominant in the marriage. While, The Franklin’s tale does not condone of her philosophy by saying that equality and trust are essential in holding a marriage together expressed here:” … To enhance bliss of both of their lives. He also gave his word as a knight that he would never darken her delight by exercising his authority against her will or showing jealousy but would obey her in all with simple trust as any lover of a lady must…” (427) Chaucer
But, the real question is whether or not the readers feel as if the Wife of Bath a reliable person. David Parker, a literary critic, feels that The Wife of Bath should not be trusted. “Due to the different confusing things that she told in her story about her five different husbands in her story, when she was with her first three husbands, she admitted that she only married them because they were rich, but unfortunately, they were all much older and they were not able to fulfill her sexual needs.”
Even though, with her last two husbands she did in fact have her sexual needs fulfilled, there was still a big question about her marriages. While in the relationship with her last husband, Jankyn, hit her it should have been obvious to the reader that she was not in a blissful marriage...
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...l his land to her. She, in return, acted kindly and loving towards him, not that it really mattered because she ended up getting what she wanted anyways.
In conclusion, the Wife wants what every woman in the tales wants in a relationship; power. Because of her longing for power she becomes envious of the hag, whom she compares herself with throughout. She wishes that even though she is ugly, as the hag is, she could have the power that the hag has. Many women most likely took the Wife of Bath’s tale and prologue as a delusion, seeing that they would never be able to do those kinds of things to husbands of their own. In today’s society, the Wife of Bath‘s story could compare to Hillary Clinton’s views and thoughts on marriage which to others were absurd and foolish. People may say that she failed as a wife, but as a woman, she exceeded everybody’s beliefs by a mile.
God help me so, I was to him as kind. As any wife from Denmark unto India.(819-820, 828-830). Therefore, according to the "Wife of Bath's Prologue," economic power over their husbands is what women wished to have. However, later, in her "Tale" the Wife of Bath presents another opinion - women wish to have emotional power over their husbands as well. The fact that the hag is able to decide for herself whether to turn into a beautiful wife or to remain in her present state, manifests her power over the husband.
Marcotte, Andrea. “Geoffrey Chaucer's The Canterbury Tales: Rhetoric and Gender in Marriage.” Lumirarium.Org. Anniina Jokinen, 6 Sept. 2012. 5 May. 2014
The wife of bath shows us greed throughout the whole play. She wants to gain sovereignty over her husbands. She believes a happy relationship is one where the wife
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
The dominance of men in the Middle Ages is unethical, irrational, and dangerous; women are given few rights and the opportunity to earn rights is non-existent. The dictates to the dominance is formed by the internal combination of man’s personal desire and religious interference. In Geoffrey Chaucer’s, The Canterbury Tales, the combined perspectives’ on a haughty Pardoner and non-subservient wife is the stronghold of separation in moral roles. The moral roles between men and women are exemplified in the rankings of religious hierarchy for men are at the top and women towards the bottom. Even prestigious women, ones with noble connections, are subservient to men, but contradictorily have religious affiliations. The “Wife of Bath’s Tale” is a perfect example of defying man’s dominance and the “Pardoner’s Tale”, a problematic reasoning of why selfishness connects moreover to the manipulation. The frailties of religious reasoning however, will cause The Pardoner and the Wife of Bath to be separated from society’s morals.
Though Chaucer showed multiple tales of various characters in The Canterbury Tales, the Miller’s and Wife of Bath’s tale surpassed them all on their concept of marriage and love. Both allow the reader to understand where they are coming from and their perception. While one does not seem to believe too much in love, the other does. However, both clearly believe that women control the game of love in their own respective ways.
The tale is that of power and who has or should have the control in a relationship is it political, economical, governmental or sexual. The Wife of Bath clearly believes that she, and all women, should have the control in relationships and especially over husbands.
Chaucer’s The Canterbury Tales, demonstrate many different attitudes and perceptions towards marriage. Some of these ideas are very traditional, such as that illustrated in the Franklin’s Tale. On the other hand, other tales present a liberal view, such as the marriages portrayed in the Miller’s and The Wife of Bath’s tales. While several of these tales are rather comical, they do indeed depict the attitudes towards marriage at that time in history. D.W. Robertson, Jr. calls marriage "the solution to the problem of love, the force which directs the will which is in turn the source of moral action" (Robertson, 88). "Marriage in Chaucer’s time meant a union between spirit and flesh and was thus part of the marriage between Christ and the Church" (Bennett, 113). The Canterbury Tales show many abuses of this sacred bond, as will be discussed below.
“The life so short, the craft so long to learn” (Famous Quotes). The Canterbury Tales is enriched with humanistic merit that allows the reader to sharpen his or her own craft of life. Specifically, “The Wife of Bath’s Tale” and “The Clerk’s Tale” are embodied with multiple struggles of life that pertain to life in the present. Despite seven centuries of society constantly evolving, the two stories’ plots can still be further analyzed through similar themes about relationships that pertain to modern society and how rhetorical strategy allows the audience to relate to the narrative characters.
She enjoys the thrills of maidenhood too much to have them ended by marriage.... ... middle of paper ... ... The Wife of Bath has used men in her life for riches.
Courtly love is extremely evident throughout “The Wife of Bath’s Tale” and allows the development of each character within the plot. Courtly love was believed to be originated in France during the 12th century and eventually spreading to other countries in Europe, influencing authors, such as Geoffrey Chaucer, throughout. English courts, which handled marriages, practiced the art of courtly love from the 12th century to the 14th century, during which marriages were pre-arranged and had little to do with love. A marriage was not based on love, rather on what each participant brought to his or her spouse and families. As love and romance was not a portion of marriage, it became an acceptable practice to seek another romancer outside of the marriage, as long as the spouse adhered to the strict rules of chastity and fidelity (http://www.middle-ages.org.uk/courtly-love.htm). Furthermore, courtly love was only practiced between a man and woman of some sort of noble status, typically between...
Virtually everything the Wife of Bath does or says regarding different aspects of her life demonstrates that she is very insecure about herself. She begins her prologue by informing the travelers that she has the authority to argue about and discuss marriage because of her experiences: “Experience, though noon auctori...
...ionship dynamics exhibited in both the Wife’s prologue and in her knightly tale place male and female on equal footing; they are by turns equally despicable and commendable. As the Wife finds harmony with the one she loves and the hag provides a happy ending for both herself and for the knight, Chaucer seems to be presenting a balance between the masculine and the feminine: harmony is achieved through sacrifice on both parts. True love and a healthy relationship can never come about without this compromise, because both sexes desire control over the other. Something must be given up on each side. Chaucer implies that female triumph over a male’s control can still bring about a happy ending; as long as they think they’re on top, men will be content, and as long as they are given some semblance of power, women will happily devote themselves to the men they control.
Many critics throughout the years have given the Wife of Bath a title of that of a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it, by manipulating her husbands into feeling bad for things that they didn’t do, or by saying things that put them to utter shame. No man has ever been able to give an exact answer when she asks to know how many husbands a woman may have in her life...
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.